Saeid Asadi

Set against the backdrop of Iran's strict and oppressive legal system, this anthology film tells the stories of four men who each face a moral crisis when having to deal with death penalties.

Story of a young lawyer in Tehran in search of a visa to leave the country, which is what Mohammad Rasoulof did during the winter of 2010/11.

Reza, residing in the wilderness with his wife and son, lives a retired life and devotes himself to freshwater fish farming. A private company that has targets on his land is ready to do anything to force him to sell.

Three members of an extended Afghan family start their lives over in Iran as refugees, unaware they face a decades-long struggle ahead to be "at home".

Ghobad, Jahan and Nezam, three men in pursuit of a better life, leave home and head for Oslouyeh, one of the richest gas producing regions in the south of Iran. However, the difficult living conditions together with the low salaries oblige them and others to find shelter along the disused sections of the pipeline. The group of workers manage to create an atmosphere of camaraderie despite the difficult conditions with which they are faced.

On a cold winter’s night in modern Tehran, a couple of young lovers run into a serious problem, and they have just a few hours to come up with a solution. They go from hospital to hospital in search for help, but none of the hospitals will admit the young woman and provide her with the medical attention she desperately requires. While they try hard to find a way to solve the problem, they have to hide what is happening from their parents. Moreover, their relationship is facing a crisis and will suffer dire consequences. Caught between conservative traditions and modern day desires, the couple must face their uncertain future.

Jonas is a single man cut off from the disintegrating world around him. His world is that of hangman in a system where governing non-entities forfeit people's lives. He goes forth in a ...

The film was made in response to the first weeks of Corona quarantine. When we were all locked up in our homes.

Since her husband's suicide, Saman cannot believe and mentally accept what she sees. She acts as if her husband is still alive. How long will this unnatural state of affairs continue? How does a person who suddenly loses a loved one cope with this harsh reality?

A solar eclipse has brought people to the edge of madness. The Earth witnesses extreme brutality manifested by the need to make terrible sacrifices to an unknown evil. How could this have happened? Is this the wrath of God? Such is the view of a group of extremists who are quick to deal with those responsible. But who decides who is guilty and who is not? Vahid Vakilifar’s fourth film offers an intoxicating, visionary sci-fi which, in spite of the darkness consuming the world, believes in the power of light. Even the goriest images conceal at least a sliver of hope; they serve as a necessary ritual if we are to accept the demons that inhabit us all.