Sarah Maldoror

Paratrooper commander Colonel Mathieu, a former French Resistance fighter during World War II, is sent to Algeria to reinforce efforts to squelch the uprisings of the Algerian War. There he faces Ali la Pointe, a former petty criminal who, as the leader of the Algerian Front de Liberation Nationale, directs terror strategies against the colonial French government occupation. As each side resorts to ever-increasing brutality, no violent act is too unthinkable.

Domingos is a member of an African liberation movement, arrested by the Portuguese secret police, after bloody events in Angola. His wife goes from a prison station to another, trying in vain to find out where he is.

Are even the best and brightest revolutionary movements doomed to inevitable compromise, betrayal and failure? That question haunts this documentary, a biography of Angolan-born Mário Pinto de Andrade (1928–1990), a key figure in African revolutionary and anti-colonial struggles.

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Filmmaker-griot coming from the theater, it was with a camera, while the war in Vietnam occupied everyone's minds, that Sarah Maldoror gave visibility to the African wars of decolonization: Angola, Guinea Bissau, French Guinea, Cape Verde... Her short film Monangambée addresses the torture by the Portuguese army of a sympathizer of the Angolan resistance. At the end of editing, Sarah Maldoror approached the members of the Art Ensemble of Chicago during a Parisian concert and offered to add sound to her film. The next day they watched the film, were convinced and recorded their first soundtrack for free as evidence of African-American solidarity. Shot in Algiers, Monangambée is a film about torture and, more broadly, about the incomprehension between the colonized and the colonizers. It is based on a novel by the Angolan writer Luandino Vieira, then imprisoned by the Portuguese colonial power.

Bokolo and Mamadou, sweepers in the city of Paris, are looking for a way to pay for the return home of one of their sick comrades. When they find an old book of recipes in the trash, they discover a passion for French cuisine and decide to participate in a televised cooking competition.

Festival panafricain d'Alger is a documentary by William Klein of the music and dance festival held 40 years ago in the streets and in venues all across Algiers. Klein follows the preparations, the rehearsals, the concerts… He blends images of interviews made to writers and advocates of the freedom movements with stock images, thus allowing him to touch on such matters as colonialism, neocolonialism, colonial exploitation, the struggles and battles of the revolutionary movements for Independence.

A story of political imprisonment set in a mental hospital where the Stalin state police placed whoever their opponents were.

In this short piece, fledgling editors, reporters, and illustrators describe their work on Point Virgule, a newspaper by and for young people, including publishing articles on racism.

Documentary on the négritude movement through one of its founders, Aimé Césaire.

For the France 3 show, Mosaïque, Sarah Maldoror met Assia Djebar on Sunday March 29, 1987 on the occasion of the publication of her book Ombre Sultane. She discusses the status of the traditional woman in the Arab Muslim world: "The woman is always on the move, she is never anchored. To the extent that she is always in the process of repudiation, she is in the process of leaving. With Ombre Sultana, I wanted to make the reader feel that these women from elsewhere are like her, even if the reader is Western.

Sarah Maldoror interviews women of different nationalities who serve as “public” writers, linking French administrative bodies with people who cannot speak or write French.

Shortly after his death in 2008, Maldoror made this film about her longtime friend and collaborator, the Négritude poet Aimé Césaire. In this film, she retraces the steps of Césaire’s travels across the globe — particularly back to his hometown in Martinique, where Maldoror interviews his relatives about his life — and her working relationship with Césaire, including fragments of her previous films about him, Un homme, une terre (1976) and Le masque des mots (1987).

The filmmaker Sarah Maldoror films the writer Édouard Glissant at the Fort de Joux (in the Jura), in the cell where the Haitian general Toussaint Louverture was held prisoner until his death in 1803. She then talks to Aimé Césaire at Le Diamant in Martinique, in front of Laurent Valère's "Cap 110" memorial. The documentary also includes short interviews with Roland Suvélor and Madeleine de Grandmaison, and the reading of texts performed by Greg Germain.

Aimé Césaire - Le Masque des mots is a portrait of the Martinican writer who calls himself a rebellious negro and for whom the poetic act represents an act of freedom.

Short piece for the TV series Aujourd'hui en France [Today in France]. Reporting on a Joan Miró exhibition at the Maeght Foundation, Sarah Maldoror enjoys filming the Spanish painter and sculptor engaging with children during a theatre piece. The filmmaker's central themes are in full bloom here: the theatre, the interrelationship between the arts and the transformation of the childhood experience through art. The ensemble is like a work by Joan Miró translated into real life.

Léon G. Damas (1912–1978) was the first poet to “live Négritude”, according to the Senegalese poet, politician and cultural theorist Léopold Sédar Senghor. Cosmopolitan and always in transit, his writing is a chorus of melodies and imagery imbued with angst and melancholy and strongly influenced by jazz and blues. Punctuated by images of the landscapes of French Guiana and the voice of the artist, the film exemplifies the poetic documentary form to which Maldoror frequently returned.

The Mozart Residence is home to several "new owners" of all origins: a new concierge, Paco, of Spanish origin, who has just been released from prison, arrives at the residence. Around it, the hall and the mailboxes, the "ballet" of the Residence Mozart is organized.

Alternating interview segments, shots of Martinique landscapes and scenes from Aimé Césaire's play La Tragédie du roi Christophe (1963), Sarah Maldoror portrays her friend as a politician, a poet, and a founder of the Négritude movement.

Broadcast from 1977 to 1987 on FR3, every Sunday morning, for 1h30, Mosaïque is a variety show with a set where music groups from the countries of origin of immigration perform, and which broadcasts reports on these countries and on immigrants who live in France. When it was created, it aimed to promote the cultures of origin of immigrants, but also to make them better known to the rest of the population. However, the program was never financed by public television which considers that it was aimed at a specific audience and was therefore not part of a public service mission. It received financial support from the Ministry of Labor, through its subsidy to the National Office for the Cultural Promotion of Immigrants, ONPCI (later becoming Information Culture and Immigration, ICEI, in 1977, then Agency for the Development of Intercultural Relations , ADRI). , in 1982).