Directing
Christchurch, Aotearoa New Zealand, 1979. During a fortnight with his world-weary father, Angus is drawn to the underground post-punk music scene. With the support of his friend Kirsten, Angus navigates self doubt, derision and a family tragedy to take the stage for the first time.
The story is about Iris's rise to the apex of a love/power triangle that includes her roguish English lover, McHeath, and Art, an earnest young boxer. Within the flawed moral landscape, each character struggles to establish their sovereignty.
Through various modes of surveillance we observe an overprotective young woman, Winnie, and her disabled brother, Stevie, caught in a web of intrigue involving a bomb plot, inept anarchists, ambitious police and a corrupt politician. The duplicity of Winnie’s boyfriend, Conrad Verloc -political activist and police informant –propels these siblings down a deadly path. But justice may prevail in the aftermath, via the surveillance collected, compiled and presented by Special Crimes Sergeant Kylie Heat.
A TV soap star hit-and-runs a prostitute, putting her in a coma. The cult of celebrity, contemptuous of natural justice, conspires to assuage his guilt and keeps his career on an upward trajectory.
This black and white short film (with hardboiled voiceover) follows canine filmmaker Quinn Hud to the dog-eat-dog world of the Cannes Film Festival to sell his latest work.
This short film takes its title from Russell Corgi's famous 1942 Buffalo Courier Express photograph of the exterior of the Genesee Hotel. The film is a series of close-ups of the photo coolly unfurling to reveal the full image. The snippets are overdubbed with a beguiling film noir-styled narration that imagines the context behind the extraordinary shot. Divorcee screened at many film festivals including in competition at Cannes in 1995. Corgi's photo was also referenced in the 'Passengers' issue of Neil Gaiman's Sandman comics.
