Acting
The Rifleman is an American Western television program starring Chuck Connors as rancher Lucas McCain and Johnny Crawford as his son, Mark McCain. It was set in the 1880s in the town of North Fork, New Mexico Territory. The show was filmed in black-and-white, half-hour episodes. "The Rifleman" aired on ABC from September 30, 1958 to April 8, 1963 as a production of Four Star Television. It was one of the first prime time series to have a widowed parent raise a child.
The Adventures of Wild Bill Hickok is an American Western television series which ran for eight seasons from 1951 through 1958. The Screen Gems series began in syndication, but ran on CBS from 1955 through 1958, and, at the same time, on ABC from 1957 through 1958.
26 Men is a syndicated American western television series about the Arizona Rangers, an elite group commissioned in 1901 by the legislature of the Arizona Territory and limited, for financial reasons, to twenty-six active members. Russell Hayden was the producer of the series and the co-composer of the theme song. The series aired between October 15, 1957 and June 30, 1959, for a total of 78 episodes.
Sergeant Preston of the Yukon is an American action adventure northwestern television series based on the radio drama Challenge of the Yukon. It was initially broadcast in color on CBS across three seasons from September 29, 1955 to September 25, 1958. Richard Simmons stars as Sergeant William Preston, who patrols the Yukon Territory in search of renegades and outlaws, during the time of the Klondike Gold Rush of the 1890s.
When a gang of ruthless claim jumpers brutally murders his miner father, a gunman known as the Silver Kid joins forces with the local marshal to free the tiny town of Silver City from the clutches of the dastardly villains.
An ambitious coal miner is talked into becoming a boxer by his gambler brother.
After her father is murdered, a girl joins the police force in an effort to track down the killers.
When two outlaw gangs team up to rob gold shipments, the U.s. Army sends their ace-troubleshooter, Dan Parker, to the area. Sam Casey, the mystery-man behind the gangs, kills Parker's father, and this induces his sweetheart, Rita Starr, to side with the law-and-order faction. An attempt by Casey to kill Rita is foiled by Parker, which leads to a widespread gun-battle. Written by Les Adams
Jim Slater's father (whom he never knew) died in the Apache ambush at Gila Valley, and Jim is searching for the one survivor, who supposedly went for help but disappeared with a lot of gold. In the process, he gets several people gunning for him, and he keeps meeting liberated woman Karyl Orton, who may be on a similar mission. Renewed Apache hostilities and an impending range war provide complications.
U.S. Marshals Nevada Jack McKenzie and Sandy Hopkins are working undercover to capture a gang stealing horses from the Navajos, and to capture the killer of a Ranger. Nevada poses as an outlaw to get in with the gang and find the leader, while Sandy pretends to be a drunken old horse thief that has knowledge of where the Navajos have hidden their ponies.
Mountie Matt O'Brien is assigned to escort Miss Owens to a remote outpost. But when he finds an illegal mining operation there that is smuggling gold across the border, his superior Sgt. Means orders him to leave.
Governor Price sends Sunset Carson to investigate a smuggling ring which is baffling the Border Patrol. Newspaper woman Ann Morton is working incognito in the saloon waiting for a break on ...
After conning a potential buyer into believing that Queenie's herd is diseased, nasty would-be empire builder Duke Drake is confronted by the girl's new tough foreman Bill Foster. In retaliation, Drake frames Bill for a stage robbery committed by his own henchmen and arranges a phony trial presided over by the saloon's bartender Judge Whipple. Queenie interrupts the "trial" with the news that the townswomen have all elected Jim Marshal. To uphold the decision, Bill has secured the release of three convicted outlaws: Blackie Malone, Bad Bill Smith, and Shotgun Thompson, two of whom join in the fight against Drake and his gang.
A cropduster pilot finds himself caught between two women—one who loves him and the other, who doesn’t handle rejection well, who’s out to destroy him.
Rival horse traders clash in the Old West.
A marshal searches for stagecoach robbers.
In this Western, an outlaw tries to escape from a gang of robbers after they refuse to assist a gang member wounded during a stagecoach caper. He and the wounded outlaw leave and try to steal a stagecoach as their ex-gang robs it. The sheriff's daughter observes the incident. Believing that the two outlaws were trying to save the stage, she takes them into town where the "heroes" are given jobs working for the stage.
Old Ma Conway champions statehood for Wyoming, believing the measure would put an end to the territory's lawlessness; but the elderly woman is opposed by cattle buyer and tax assessor Lee Landow and greedy banker Dixon. When Ma offers her opinion in a newspaper article, Landow sends his henchman Ringo to put the fear of God in the woman.
Released from a navy hospital following WW II, Lon Evans learns that he faces eventual blindness and returns to his Wyoming ranch. He sees a beautiful white stallion named Starlight and his cowhands Lem and Yancy say he is a killer and cannot be trained. Lon disproves this by training the stallion to act as his guide in preparation for his future blindness.
In TV's pioneer days when kids idolized the Lone Ranger, the Texas Kid was a knight errant of the frontier leading the fight for law and order alongside his Mexican companion Pepe. In this rarely-seen TV pilot, the Kid and Pepe intercede on behalf of the murdered rancher's daughter, openly defying the landgrabbers in a cow town so lawless that rustlers operate in broad daylight! Shot at the Corrigan Ranch in 1950, TEXAS KID co-starred Mercury Records recording artist John Laurenz as Pepe and stuntman Hugh Hooker as the Kid. Hooker, a specialist in stunts involving horses and stagecoaches, often doubled Gene Autry and even produced a few movies, including the low-budget gem . That movie's star was Hugh's teenage son Buddy Joe Hooker, whose own subsequent, stellar stunt career inspired HOOPER (1978), Burt Reynolds' hit comedy tribute to movie stuntmen.
