William S. Hart

Hollywood hopeful Peggy Pepper arrives at a major studio, from Georgia, to become a great dramatic star. Things don't go entirely according to plan.

In this 1918 film, newly restored by MoMA, Hart is a ship's captain in the Pacific Northwest who abandons his post to pursue a woman who does not love him (MacDonald) across the Klondike, eventually rescuing her from the grip of a white slaver.

A comedy short directed by character Slim Summerville.

When Gawne finds his brother dying and hears that the killer has run off with his brother's wife, he swears revenge.

The House That Shadows Built (1931) is a short feature, roughly 48 minutes long, from Paramount Pictures made to celebrate the 20th anniversary of the studio's founding in 1912. It was a promotional film for exhibitors and never had a regular theatrical release and includes a brief history of Paramount, interviews with various actors, and clips from upcoming projects (some of which never came to fruition). The title comes from a biography of Paramount founder Adolph Zukor, The House That Shadows Built (1928), by William Henry Irwin.

A collection of film clips profiling animal actors.

Angela comes to Hollywood with only two things: Her dream to become a movie star, and Grandpa. She leaves an Aunt, a brother, Grandma, and her longtime boyfriend back in Centerville. Despite seeing major movie stars around every corner, and knocking on every casting office door in town, at the end of her first day she is still unemployed. To her horror, when she arrives back at their hotel, she finds that Grandpa has been cast in a movie by William DeMille and quickly becomes a star during the ensuing weeks. Her family, worried that Angela and Grandpa are getting into trouble, come to Hollywood to drag them back home. In short order Aunt, Grandma, brother, boyfriend and even the parrot become superstars, but Angela is still unemployed...

Pinto Ben is a pink-nosed cow-pony. A hundred head of cattle are rounded up for beef to be shipped alive to Chicago. Ben and his master, with Segundo Jim, are put in charge. In the Chicago stockyards, men who don't know range-bred cattle from a herd of mountain goats, calmly inform Jim and Ben's master that the steers are to be driven into the big pen. At the same instant two or three stock hands run behind the herd and begin shouting and waving their arms to start the cattle. The beasts, a thousand strong, with horns and hoofs beating the air, bellowing their rage, glaring with bloodshot eyes, thunder into the chute. The two men in front prepare for their death ride. Suddenly Pinto Ben flattens himself before a high, iron-bound gate, and leaps. The pony cleans the gate. The great wave of scorching breath falls back on the other side. Ben's master finds himself sitting on the ground, the head of his dying horse in his lap.

Jim Cameron becomes desperate at his failure to get work, and resolves to hold up the stage in order to provide necessities for his wife and sick child, Mildred.

A small town marshal’s secret past as an outlaw comes back to haunt him when an old associate shows up and threatens to expose his former dark deeds.

Tom "Wolf" Lowry confronts new settlers in his valley but has a change of heart when he sees Mary Davis.

William S. Hart stars in this 1925 silent film as a cowboy intent on claiming land during the 1889 land rush in the Oklahoma Territory. Though hardened from years of taming the new frontier, he falls in love with a beautiful woman. Before he settles down, however, he must contend with men who wish to bring him harm. In the prologue of the 1939 Astor Pictures revival of this film, Hart gives a moving eight-minute introduction-- the first and only time he appeared in a film accompanied by his striking voice.

Jim McKee and his friend Buck rob a stagecoach to get money to support Buck's daughter. Buck is killed, but Jim and the daughter escape. Fifteen years later, Jim finds that he must turn robber again to continue to provide for Buck's daughter.

In Snake River, Buck Farley breaks up a fight staged by crooked Chicago Saloon owner Johnson, who set-up alcoholic Jake Frazer as the town's sheriff as a joke. Johnson pretends to have saved Buck's life (when in reality he was planning on shooting him), which indentures Buck to Johnson, and Buck becoming his deputy. Buck also starts to have feelings for Jake's daughter, Emma, who has also rebuffed the advances of Johnson. Johnson uses a ruse to get Buck searching for some allegedly stolen horses in the desert, but Buck forces Johnson to accompany him (after he realizes that Johnson is not on the up and up, and also has designs on Emma)...

A compilation of early-day silent films that serves as a glimpse back to the formative days of the movie industry as a salute to Hollywood's Golden Year, so proclaimed by the Hollywood Chamber of Commerce as 1953.

Robert must avenge his son who was killed in a workplace accident.

Bill Evers, a gambling house keeper, is in reality the "Desert Scourge," an outlaw.

A parade highlights the Screen Actors Guild's Film Stars Frolic, hosted by Walter Winchell as Master of Ceremonies.

Boss rider "Careless" Carmody is made sheriff of an Arizona frontier town by Chicago swindler Prentice. The naive Carmody actually believes Prentice to be on the up and up and vouches for him in a land deal with Ruth Fellowes. Taken to the cleaners, so to speak, Ruth blames Carmody, who, in love with the girl, follows Prentice back to Chicago.

A meditation on the human quest to transcend physicality, constructed from decaying archival footage and set to an original symphonic score.