Jean Mitry

A biopic of Napoleon Bonaparte, tracing the Corsican's career from his schooldays (where a snowball fight is staged like a military campaign) to his flight from Corsica, through the French Revolution (where a real storm is intercut with a political storm) and the Terror, culminating in his triumphant invasion of Italy in 1797.

The Raffin Commissioner investigates the murder of an industrialist and it soon becomes apparent that the activities of the relatives of the deceased all revolve around the Folies-Bergere.

A twenty year old Anouk Aimée stars as Albertine, the daughter of a bourgeois couple who house a young officer during the Napoleonic wars. Newly promoted, the officer (Jean-Claude Pascal) is quartered by a dull bourgeois couple who treat him with a cold politeness bordering on indifference.

Inspector Maigret investigates the mysterious murder of a Dutch diamond dealer, found dead in a stolen car. The car belongs to an insurance agent, Michonnet, and has been abandoned in the garage belonging to Carl Andersen.

Short film Leduc participated in during his time as a student at the Institut des Hautes Études Cinématographiques, in which he served as director and in which fellow students and teachers participated.

Geneviève is an orphan child and living with her little sister Josette. Because of her economic situation, she cancels marriage with an honest and respectful man. Josette, after a short and tremendous love affair, dies leaving a little baby boy. Due to this incident, Geneviève is convicted and imprisoned. Wandering from town to town, village to village, she finally manages to get to her ancient fiance's house.

The first behind-the-scenes documentary in the film industry, from the making of a camera (Debrie) to studio shooting and directing, including animation techniques. Pierre Chenal meets André Rigal who executes, in his workshop, a series of freehand drawings. These sketches are then ground in a coffee grinder, from which a cartoon on film emerges. In Champigny, Alain Saint-Ogan and his host are working on Zig et Puce and developing Alfred the penguin's first steps. In Fontenay-sous-Bois, Ladislas Starewitch presents his future stars. Pierre Chenal described his film as follows: “I had designed to shoot a documentary in which I would show how a film is made in order, at the same time, to learn it myself. "

No description available.

This film was conceived as a means of initiation for schools and organizations specializing in film culture. It is the first in a series designed to introduce the main technical and aesthetic aspects of film creation.

Michel and Paul earn money from passers-by by doing chalk drawings outside the Louvre. They also make the scene at the hot spots of Paris. Sand is a wealthy and luscious blonde artist who paints nude girls and houses at her loft. When Michel's gorgeous sister shows up from out of town, both Paul and Sand fall for her.

This film illustrates Debussy's works "En bateau", "Arabesques", "Reflets dans l'eau" and "Arabesques en sol". As a visual counterpoint to the music it shows playful reflections, transparencies, and iridescence of water.

An engine moves from the roundhouse to a track where it couples with several passenger cars. At 2:10 in the afternoon, it starts a trip out of the station through the countryside to its destination. The film consists of a montage of shots, some close up, of the engine and its gears and wheels. With the accompanying ambient sounds and an orchestral score, the emphasis is on the engine's power and speed. Parallel lines of multiple tracks, telephone wires, and trees confirm a careful composition.