Acting
André Manuel is a Dutch singer and performer.
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Tom and Ajani are outsiders in their small conservative village in The Netherlands. Together, they dream of freedom and a new life as film students in Amsterdam, where their relationship no longer has to be a secret. When they finally leave their old life in the countryside behind, they are confronted with the norms and social constructs of the big city that turn out to be completely different than what they imagined. While Ajani thrives in the Amsterdam queer scene, Tom struggles to find his place, putting a strain on their now public relationship. In this new world, freed from always being hated for who they are, who will they become?
VARA exists 80 years! We celebrate this with the DVD you have in your hands. About 5 hours top entertainment from VARA's entertainment cabinet. Fragments that will take you from 1958 to now. You still remember Dorus with his mouse trap? Or the "Kopspijkers" cabaret with the song "One Day Fly", Theo Maassen with his farewell speech of Henk van den Tillaart or Harry Vermegen and Henk Spaan with Popie Jopie? That's all on this DVD, and more!
When the deputy of a small town's sheriff's office is humiliated by the fattest and meanest bandit in the area, he draws a wanted poster with a big reward on the head of the bandit. This starts a chain reaction of killings and fraudulence.
Complete registration of the anniversary theater program, recorded in April 2003 in the Royal Theater Carré in Amsterdam. To celebrate the 25th anniversary of the Leids Cabaret Festival, a performance was created with the participation of more than twenty different comedians, including Wim Helsen, Kees Torn, Sanne Wallis de Vries, Erik van Muiswinkel, and many others.
Registration of the ninth theatre program by the Dutch singer and performer André Manuel. In his ninth theater performance 'Lazarus', death and resurrection are a common thread. Manuel gives his unvarnished opinion on all kinds of current affairs, and everyone gets it down: Christians, Jews, Muslims, women and men. But through the grossness you can taste Manuel's great social commitment: he holds up a mirror to the audience and shows us the pitch-black side of reality.
