Giacomo Buonafina

This is the story of a tiny country that made a decision to do something that no other country had ever done -- it decided to abolish its army and declare peace to the world. And this is the story of a young boy who grew up in that country, and how he ended up challenging -- and sometimes even convincing -- the greatest powers in the world to follow Costa Rica's example. "Oscar Arias: Without a Shot Fired" is a Don Quixote-like saga with great historical touchstones -- Ronald Reagan and Mikhail Gorbachev, Cold War politics and Communism, Central American War and Peace. It follows a slight, academic, and most unlikely hero over the course of more than fifty years, as he travels the world in a quest to stop the spread of the weapons of war. In the end, it is a story about the triumph of reason, of the sparrow triumphing over the eagle, and how the impossible dream can sometimes come true.

Visiting american journalist Johnson finds more in Guatemala than he's bargained for. His reporter contact is missing and nobody's looking for him; his first assignment is to meet with priest Pupo, so fevered with the advent of Satan that he clobbers an altar boy he fears is possessed; but there's also love, in the form of nurse Arloa Reston but who is she meeting in the jungle? Cosmic discussions of good and evil, with Pupo and a nihilistic colleague, turn into a battle for survival with the still-lurking forces of repression.

The story of Monteforte Toledo - the film's Doctor Zamora - who comes to San Pedro La Laguna (Guatemala) as a young man during the military dictatorship in the first decades of the 20th century. Zamora sets out with great idealism and dedication to eradicate illness among the Indians, even if his work is disapproved by the military commander in town. Zamora falls in love with María, a young Indian girl from a village, and he invites her to come live with him in the town of San Pedro. However, other young women have noted the charm of the elegant of Zamora, and even the young idealist doctor cannot escape the conflict between Ladinos (Mestizos or non-Indians) and Indians.

A story of destinies joined by Guatemala's past, and how a documentary film intertwined with a nation's turbulent history emerges as an active player in the present.

The story of an unlikely hero, a poor indigenous Maya girl living in a remote section of Guatemala, who survived a genocide and became a voice for her people worldwide.

Fonsi is an apparently privileged 12 year old boy. As we get to know his dysfunctional family, his world begins to crumble in a matter of hours. Due to a series of unexpected events, each character changes drastically, facing a crude reality.

LENCHO, a 30-year-old artist and graffiti writer, is back in Guatemala after living a decade in New York. Eager to bring artistic expression to his home country silenced by over 30 years of terror, Lencho assembles a collective of artists to produce public art projects of social impact. As its first activity, the group organizes an art festival in Rabinal, a small, indigenous village in the Guatemalan highlands. The group's work comes of interest to the director of a secret "social cleansing" program of the national police designed to quash dissension and organizing among the youth. As Lencho labors to coordinate the music, poetry and muralism components of the festival, he finds himself increasingly haunted by memories of the death of his father, a journalist during the civil war. "El Regreso de Lencho" portrays one man's journey to self-knowledge and action: can Guatemala do the same?

Set during the civil war in 1980's Guatemala. A group of six men and a woman must find a way to work together to protect the village of Las Cruces from an impending military attack. The indigenous population of the area, inevitably is torn between their need to help and thoughts of fleeing, for self preservation.

Valentina steals laundry for thrills and to pay bills. When she accidentally steals something of sentimental value, she attempts to return it.

The U-Turn narrates the transformational journey of the immigrant workers who broke the silence about the abuses they endured at the Agriprocessors meat parking plant in Postville, Iowa and the community that would not abandon them. The film showcases U-Visa an immigration relief – part of the Violence Against Women Act- in much need of dissemination and understanding by immigrant workers, immigration rights-advocates and law-enforcement.