Jo De Meyere

Witse is a Dutch language crime drama produced by Belgian broadcaster VRT and broadcast on their één channel. It is also shown on BVN. First broadcast in 2004, as of 2010 the programme comprises eight series with a ninth and final series planned for 2012. It stars Hubert Damen as the eponymous Witse, a driven inspector in the Belgian federal police based in Halle. It is one of the most popular Flemish television programmes with some 1.6 million viewers. There are also Witse books. The first three were based on the last two episodes of each season, but since 2010 every six months a brand new story is published, written and invented by established Belgian writers, as Bob Van Laerhoven and Bart Van Lierde. The music for Witse is composed by Steve Willaert.

Flikken was a popular Flemish-Belgian TV series about a police-department located in Ghent. The show started in 1999 and ended recently on 19 April 2009. In the series, a team of six police officers solved various crimes, petty crimes as well as organised crime. The series always aimed at showing the policework in a realistic way - though a little personal drama was never far off. Of all the actors that came along during the ten seasons, only Mark Tijsmans and Ludo Hellinx appeared throughout the entire series. Flikken was produced by the VRT and broadcast on Belgian public channel Eén and TROS in the Netherlands. Flikken is very popular in Belgium and the Netherlands. The show has had very high ratings of up to 1.8 million viewers during the last season. Every year the VRT organises the Flikkendag, a family day where the public can meet the actors of the show. There are many games, demonstrations of the real police and other safety organisations and performances of singers. On 18 April 2009, a special farewell party was organised in Ghent, in which the actors and crew said goodbye to their fans - thousands had assembled to watch the show on stage.

A police inspector investigates the robbery of 66 safe deposit boxes at a private bank in Brussels.

RIP was about the funeral company Vingerhoets. This business is losing its paterfamilias and boss. The widow Victorine Vingerhoets and her nephew, Willie Haezevoets, who live at home, have to take over the business and keep it going. Willie is patronized as a son and doesn't feel like going through life as an undertaker because he is desperately looking for a wife. The input of friend of the house Raymond van Derre (also known as Raymondke) often ensured that things never went the way they should.

In this Flemish detective series, the Dutch title of which means in the act, notably "in flagrante delicto", a team of the Belgian (national) police lead by John Nauwelaerts investigates serious crimes, often against the clock as victims sometimes may still be in danger. Special attention is also given to the legally necessary, but sometimes frustrating, interaction with the judicial authorities, other police forces (this inefficiency required a major reform in reality), various experts and lawyers.

When his wife's murderer is released due to a procedural error, Luc will do everything in his power to stop it from happening... He is going to take justice into his own hands and will then compete with the constitutional state which let him down.

In this period drama series, the young, unexperienced Catholic priest Erik Odekerke -who keeps a diary, and is once described as a (pastoral) 'sheperd dog', gets his first assignment, as kapelaan -literally 'chaplain', but in Dutch still in assistant to the parish's curate- in a mining town in Dutch Limburg.

Stan Moereels is found dead. Was it suicide, or was he killed? Stan's foster-child Jana Meyer decides to investigate. Alexander Vorlat doesn't make it easy for her. He has his own reasons to make it difficult for everyone around him.

The Dutch title means "The woods of Flanders", referring to the rustic setting of this costume drama about the complex context of a number of murders in 19th century Belgium before, during and after the German occupation in World War I.

Vincke and Verstuyft are one of the best detective teams of the Antwerp police force. When they are confronted with the disappearance of a top official and the murder of two prostitutes, the trail leads to the almost retired assassin Angelo Ledda. Since Ledda starts showing symptoms of Alzheimer's, it's getting more and more difficult to complete his contracts. When he has to murder a 12-year old call-girl, he refuses and becomes a target himself. While Vincke and Verstuyft are chasing him and counting the corpses, Ledda is taking care of his employers.

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A tale centered on the Battle of the Golden Spurs in 1302 where the Flemish rank and file won a major victory over the glorious French knights.

Alfa Papa Tango was a 1990 - 1991 Belgian romantic TV drama series directed by Vincent Rouffaer, written by Guy Bernaert and Mark De Bie.

The story of how Hendrik Conscience became one of the most important Flemish writers is told through a series of flashbacks to his childhood and adolescence.

A film made for television, based on the book of the same name by Libera Carlier. A Flemish family decides to spend the summer holidays on de Schelde. Father Janssen buys a second-hand boat and together with his wife and two sons he sets sail. What follows is a sequence of pleasant moments and disappointments, watched by the sceptical mother Janssen.

The musical takes us back to Aalst in 1888. The population works in appalling conditions in the factories. They are abused and exploited by the wealthy factory directors.

An Antwerp journalist finds his daily life increasingly disrupted by unexplained phenomena, such as an authentic letter from 1919 that refers to an event taking place at a much later date. Because these disturbances are consistently linked to the name “Joachim Stiller,” the journalist becomes obsessed with it. The resolution, which is closely tied to his traumatic experiences from the Second World War, takes place with a psychiatrist—and later at an abandoned railway station in an Antwerp suburb. Interwoven with this is a subplot about an Antwerp art dealer who believes he can become rich through a new form of painting. To achieve this, he takes a mentally disabled artist hostage. The narrative also follows various romantic entanglements involving the journalist, which ultimately lead to his happy experience of fatherhood.