Mehdi Charef

Apostrophes was a live, weekly, literary, prime-time, talk show on French television created and hosted by Bernard Pivot. It ran for fifteen years (724 episodes) from January 10, 1975, to June 22, 1990, and was one of the most watched shows on French television (around 6 million regular viewers). It was broadcast on Friday nights on the channel France 2 (which was called "Antenne 2" from 1975 to 1992). The hourlong show was devoted to books, authors and literature. The format varied between one-on-one interviews with a single author and open discussions between four or five authors.

Marcello Mastroianni, Isabelle Adjani, Alain Delon, Martin Scorsese, Woody Allen... the biggest stars in cinema were welcomed by Christian Defaye on his show Spécial cinéma. Between intimate confessions from actors and immersion in the world of the greatest filmmakers, Christian Defaye took viewers on a journey into the fascinating world of cinema for nearly thirty years.

A bakery employee gives shelter to a young female addicted to drugs.

Seven short films - each one focused on the plight of a different child protagonist.

A soulful examination of two defeated middle-aged characters who aren't sure that life holds the possibility of a second act.

An aging trans woman dreams of becoming a real woman before she dies. Unfortunately, an old lover stole all the money he was saving so he could become a she instead. Miss Mona finally gets his chance to earn more cash when he meets a destitute young Arab, an illegal immigrant. The queen takes the Arab in and convinces the destitute and desperate youth that he will make enough money to buy immigration papers if he becomes a prostitute...

Broadcast from 1977 to 1987 on FR3, every Sunday morning, for 1h30, Mosaïque is a variety show with a set where music groups from the countries of origin of immigration perform, and which broadcasts reports on these countries and on immigrants who live in France. When it was created, it aimed to promote the cultures of origin of immigrants, but also to make them better known to the rest of the population. However, the program was never financed by public television which considers that it was aimed at a specific audience and was therefore not part of a public service mission. It received financial support from the Ministry of Labor, through its subsidy to the National Office for the Cultural Promotion of Immigrants, ONPCI (later becoming Information Culture and Immigration, ICEI, in 1977, then Agency for the Development of Intercultural Relations , ADRI). , in 1982).

The story of two youths – one Algerian, one French – who become juvenile delinquents in a Paris suburb.

A 19 year-old Swiss woman travels to her birthplace—an isolated, barren Berber settlement in the mountainous desert landscape of Algeria—to find her biological mother, whom she has never met. The perilous journey immerses her in a world virtually untouched by contemporary society, one that still clings to tribal mores and strict religious codes of conduct.

A woman learns to care for others when she's forced to help people on the wrong side of the law in this drama. Marie-Line (Muriel Robin) is a single woman in her mid-forties who oversees the cleaning crew at a large office building. On the job, Marie-Line is all business, with no patience for laziness and no tolerance for employees who do less than a perfect job. But Marie-Line's bosses are in the midst of a money crunch and they've cut back on her budget, so when several of her employees quit, she has to find new cleaners willing to work for a lower wage. Marie-Line soon finds new workers willing to work hard for low pay, but there's a catch -- most of them are illegal aliens, smuggled into France from Africa, Albania, or the Middle East, and when police begin asking questions about Marie-Line's new cleaners, she has to scramble to cover for them.

Three young female prisoners become friends while stranded in a provincial train station.

A pair of childhood friends spend a spring together before the summer Algeria's war of Independence.

On the occasion of the 40th anniversary of the "Marche des Beurs," this original documentary explores the evolution of the representation of French people of North African descent on television. A bold and humorous film, free of taboos, both thoughtful and optimistic.

In the 60s, five young teenagers find themselves on the bangs of the school system because of their family history. They are placed in a remedial class with Monsieur Raffin, a teacher who has himself fallen from the hierarchy of the French education system.

Directed by Mehdi Charef.