Rob Houwer

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Gifted but hot-headed sculptor Eric has a stormy, erotic, and star-crossed romance with a beautiful young woman named Olga.

Voor koningin en vaderland (English: For Queen and Country) is a 1979 Dutch television miniseries created and written by Erik Hazelhoff Roelfzema and Gerard Soeteman, and directed by Paul Verhoeven. The four-part serial is an extended version of Verhoeven's 1977 film Soldaat van Oranje (Solider of Orange). During World War II, Leiden students–among them Erik, Guus, Jan, Alex and Robby–collaborate and/or join the resistance movement against the German occupation of the Netherlands.

A five-man US fireteam dig in at the Bon Song Valley (represented by the Bavarian forest) to await the end of the Easter truce with the Vietnamese. A Vietnamese girl passes by and the team rape and kill her. One refuses to take part and escapes to report the incident, but it is dismissed by his superior.

The lives of Erik Lanshof and five of his closest friends take different paths when the German army invades the Netherlands in 1940: fight and resistance, fear and resignation, collaboration and high treason.

Morbid Catholic writer Gerard Reve–bisexual, alcoholic, and experiencing frequent visions of death–is invited to give a lecture at the Vlissingen literature club. While in the Amsterdam railway station, he's attracted to a handsome man who embarks on another train. Gerard meets club treasurer and beautician Christine Halsslag, and engage in a one-night-stand. The next morning, Gerard sees a picture of Christine's boyfriend Herman and recognises him as the man at the train station. He urges her to bring Herman to her house to spend a couple of days together, but with ulterior intentions of seduction. During a night on his own, Gerard finds and watches film reels, discovering that Christine had married each; all of whom died in tragic accidents. Believing Christine is a Black Widow, Gerard begins to question whether Herman or he will be her doomed fourth man.

Dutch prostitutes Greta and Nel cruise the Amsterdam red light district, seeking clients to involve in their elaborately staged fetish fantasies, be it disciplinarian headmistresses, surgeons cutting open a willing patient, or even dressing up as chickens, the duo show their expertise in role-playing again and again and again. In reality, Nel is trapped in an abusive marriage and Greta is forever in the middle of their confrontations but her life takes a positive upturn when she becomes involved with a client.

After accidentally killing her ex-lover during a fight, Marie enlists the help of a stranger and his friend to dispose of the body while becoming intimate with both men.

In the late 19th-century, the Tippel family moves to rural Stavoren in search of greener pastures. However, their dreams are quickly shattered, as teenage Katie is terrorized by a male-dominated society who only see her as an object. Her situation worsens when, following her father's sacking and her elder sister's descent into alcoholism, her mother decides that, rather than starving, Katie becomes a prostitute.

Tony is really handsome, but he smells. A scientist gives him a potion that should get rid of his fishy smell. Unfortunately, there are some serious side effects.

Abram returns to his small village and although his repairing skills are needed, people's suspicion about his sexual preferences make his life hard.

In medieval times, a horse merchant is forced by a noble to leave part of his stock as payment for crossing his land. Upon returning, he finds his horses near death, and when the noble refuses to compensate him, the merchant fights unsuccessfully against the injustice.

This movie chronicles several pregnant women on their quest to have an abortion. Some got pregnant by accident, others were raped. Sure to offend anti-abortionists, pro-lifers, feminists and chauvinists alike. The portions of the movie that deal with European folk remedies to pregnancy are especially interesting.

Detectives Grijpstra and De Gier are sent to investigate the case of a man who apparently hanged himself in a center for oriental meditation. It is ruled as suicide and the case seems to be closed, but the same night there is an attempted break in. The investigation hits a dead end and everyone involved is a suspect. Based on the book "The Corpse in the Haarlemmer Houttuinen” by Jan-Willem van de Wetering.

A well-off couple adopt a 16-year-old boy from an orphanage in West Berlin, but their attempts to help him assimilate into his new surroundings fail. The repressive tolerance of the well-educated adoptive parents is just too much for the mischievous young boy.

A bored company owner decides to find out what it is like to be one of his workers. During his "transformation" he falls in love with a cafeteria worker. When his alter ego "The Boss" makes an inappropriate comment to his would-be girlfriend, the worker challenges his "Boss" to a Duel.

In Raging of the whole world are the turbulent early years of Alexander Goudveyl central. The story of Alexander's childhood is also the history of an era, the fifties and sixties, and a never solved murder case. Murder goes back to an authentic incident: in 1956, right before Christmas, a policeman was shot in broad daylight in Maassluis during a large-scale evangelistic campaign. The film also plays a failed escape attempt with a herring trawler involved in the turbulent days of May 1940.

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This film is about the Jewish girl Sara and the ruin of her family during World War II. Her parents have to live in the Jewish ghetto in Amsterdam, but later they are arrested and deported. Sara decides to flee with her brother and his girlfriend to Palestine. Based on the book by Marga Minco.

To mark the artist Fernando Botero's 75th birthday, Peter Schamoni made a documentary film about his moving life. Fernando Botero is immediately recognizable by his colourful and exuberant works. Schamoni convinces us that, behind the cliché of the naïve, Fernando Botero is an artist who also devotes himself to serious and profound themes. Schamoni not only accompanies Botero to Tuscany, where he creates his sculptures, and to his Parisian painter's studio. The film also takes us on a journey to Colombia, where Schamoni lets the viewer take part in the world in which the artist lives and works, in the highs and lows of his life.