Eric Allan

The everyday lives of working-class residents of Albert Square, a traditional Victorian square of terrace houses surrounding a park in the East End of London's Walford borough.

Peak Practice is a British drama series about a GP surgery in Cardale — a small fictional town in the Derbyshire Peak District — and the doctors who worked there. It ran on ITV from 10 May 1993 to 30 January 2002 and was one of their most successful series at the time. It originally starred Kevin Whately as Dr Jack Kerruish, Amanda Burton as Dr Beth Glover and Simon Shepherd as Dr Will Preston, though the roster of doctors would change many times over the course of the series. Cardale was based on the Staffordshire village of Longnor for the final series, but was previously based in the Derbyshire village of Crich, although certain scenes were filmed at other nearby Derbyshire towns and villages, most notably Matlock, Belper and Ashover.

Set during the 1960s in the fictional North Yorkshire village of Aidensfield, this enduringly popular series interweaves crime and medical storylines.

The lives of several families in the Yorkshire Dales revolve around a farm and the nearby village. With murders, affairs, lies, deceit, laughter and tears, it's all there in the village.

Sherlock Holmes uses his abilities to take on cases by private clients and those that the Scotland Yard are unable to solve, along with his friend Dr. Watson.

Jim Bergerac is a detective sergeant in The Foreigners Office who likes to do things his own way. While dealing with his own personal demons Bergerac has a knack of finding trouble, and sometimes causing it.

A one-hour anthology television series of one-off contemporary and classic dramas produced by the BBC.

Series of single made-for-television dramas.

The New Avengers is a British secret agent fantasy adventure television series broadcast during 1976 and 1977. It is a sequel to the 1960s series The Avengers and was developed by Albert Fennell and Brian Clemens. A joint United Kingdom-France-Canada production, the show picks up the adventures of John Steed and his team of Avengers fighting evil plots and world domination. Whereas in the original series Steed had almost always been partnered with a woman, in the new series he had two partners: Mike Gambit, a top agent, crack marksman and trained martial artist, and Purdey, a former trainee with The Royal Ballet who was an amalgam of many of the best talents from Steed's previous female partners.

A series of plays specially written for television.

New Scotland Yard is a police drama series produced by London Weekend Television for ITV from 1972 and 1974. It features the activities of two officers from the Criminal Investigations Department in the Metropolitan Police force headquarters at New Scotland Yard, as they dealt with the assorted villains of the day.

Frustrated at a new moderate Conservative government and deprived of a promotion to a senior position, chief whip Francis Urquhart prepares a meticulous plot to bring down the Prime Minister then to take his place.

The Knock is a British television drama series, created by Anita Bronson and broadcast on ITV from 1994 to 2000, which portrayed the activities of customs officers from Her Majesty's Customs and Excise. The series derived its name from the distinctive 'knock knock knock' command used over the radio to synchronise a raid.

A series of dramas featuring staged theatre plays.

Four policemen go undercover and infiltrate a gang of football hooligans hoping to route out their leaders. For one of the four, the line between 'job' and 'yob' becomes more unclear as time passes . . .

Jonathan Cake, Jemma Redgrave and Hugh Bonneville lead an outstanding cast in this mini-series tracing the turbulent political career and tempestuous private life of Oswald Mosley, leader of the British Union of Fascists during the 1930s. The mini series charts Mosley's rise to political notoriety through his personal life – from youthful rising star of the Conservative Party to potential leader of the Labour Party, and later abandonment of conventional party politics to become a figurehead of burgeoning fascism.

Adapted and directed by Peter Brook from the Royal Shakespeare Company’s ‘production-in-progress US’, this long-unseen agitprop drama-doc – shot in London in 1967 and released only briefly in the UK and New York at the height of the Vietnam War – remains both thought-provoking and disturbing. A theatrical and cinematic social comment on US intervention in Vietnam, Brook’s film also reveals a 1960s London where art, theatre and political protest actively collude and where a young Glenda Jackson and RSC icons such as Peggy Ashcroft and Paul Scofield feature prominently on the front line. Multi-layered scenarios staged by Brook combine with newsreel footage, demonstrations, satirical songs and skits to illustrate the intensity of anti-war opinion within London’s artistic and intellectual community.

Moments from the uncompromisingly bleak existence of a secretary, her intellectually disabled sister, aloof and uneasy teacher boyfriend, bizarre neighbor and irritating workmate.

Writer and Director Mike Leigh discusses the techniques used to create his plays.

A German U-Boat commander plans a daring escape from a PoW camp in Scotland.