Ami-Ro Sköld

Member of a neo-Nazi gang, her day job is to take care of four crazy old people that all are just waiting to die. Her life becomes a journey into a burlesque fairytale, where the rules of the game are created by Mette herself. Mette is indifferent about her way of life, until she one night assaults a man, kicking him senseless. Waking up the day after, she realizes that something is wrong.

Homeless women live off salvaging food from the dumpster of a discount grocery store. Meanwhile, the store's employees struggle under hardening working conditions. Complex relationships, conflicts and dependencies arise between the groups.

Dad fights to get grandma out of bed. But grandma can’t, she just sleeps. Love just wants to play – to be part of things and be close.

Eini grows up isolated from society with her father who does everything he can to make Eini believe that the world outside and the people out there are evil, and that all that has to do with sexuality and adulthood is dangerous.

While Hilma is unable to hear the sounds of the world around her, she can feel their vibrations with the help of her father's old tape recorder. Recording sounds in her everyday life, she attempts to use the playback to communicate with a boy in her neighbourhood. When he is disinterested, she realizes that she shouldn't have been so quick to jump to conclusions.

Three lonely people who want to be something else. Something different. Something new. They are all struggling with something unstated. When the actors are replaced by clay animations, their dreams are realized and disguises provide relief. — Hanna Sköld