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Marie Dressler

Marie Dressler

Acting

Biography

From Wikipedia, the free encyclopedia Marie Dressler (born Leila Marie Koerber, November 9, 1868 – July 28, 1934) was a Canadian-American stage and screen actress, comedian, and early silent film and Depression-era film star. Successful on stage in vaudeville and comic operas, she was also successful in film. Leaving home at the age of 14, Dressler built a career on stage in traveling theatre troupes, where she learned to appreciate her talent in making people laugh. In 1892 she started a career on Broadway that lasted into the 1920s, performing comedic roles that allowed her to improvise to get laughs. From one of her successful Broadway roles, she played the titular role in the first full-length screen comedy, Tillie's Punctured Romance (1914), opposite Charlie Chaplin and Mabel Normand. She made several shorts, but mostly worked in New York City on stage. Her career declined in the 1920s. In 1927, Dressler returned to films at the age of 59 and experienced a remarkable string of successes. She won the Academy Award for Best Actress in 1930–31 for Min and Bill and was named the top film star for 1932 and 1933. Marie Dressler died of cancer in 1934.

Known For

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A compilation of thirteen rare silent films digitized by the Library of Congress, selected for the 2022 Domitor conference theme “Copy/Rights and Early Cinema.” Drawn from nitrate and safety film, the program spans comedies, trick films, and dramas exploring censorship, invention, adaptation, and social rights. Titles include: Pruning the Movies (Nestor, 1914); Imperial Japanese Dance (Edison, 1894); Early Edison Camera Tests (Edison, c.1890s); Censorship and its Absurdities (Edison, 1915); In Wrong (Crystal, 1914, dir. Phillips Smalley); Tillie’s Tomato Surprise (Lubin, 1915, dir. Howell Hansell); Indian Land Grab (Champion, 1910); The Stolen Play (Falcon Features, 1917, dir. Harry Harvey); And the Villain Still Pursued Her (Vitagraph, 1906, dir. J. Stuart Blackton); The Doll’s Revenge (Hepworth, 1907, dir. Lewin Fitzhamon); The Disintegrated Convict (Vitagraph, 1907); The Mexican Joan of Arc (Kalem, 1911, dir. Kenean Buel); and Fads and Fashions of 1900 (U.S., 1940s).

Copyright Comedies and More

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