Carlo Verdone

A portrait of Ennio Morricone, the most popular and prolific film composer of the 20th century, the one most loved by the international public, a two-time Oscar winner and the author of over five hundred unforgettable scores.

Carlo Verdone plays himself by portraying the drama and the comedy of his private life and his relationship with a loving and oppressive mother: Rome.

Sergio Benvenuti is a shy seller of contracts for a Roman company of music, but because of his character he cannot find even a customer, so he asks for help from a fellow named Nadia.

Jep Gambardella has seduced his way through the lavish nightlife of Rome for decades, but after his 65th birthday and a shock from the past, Jep looks past the nightclubs and parties to find a timeless landscape of absurd, exquisite beauty.

While touring in Italy, a recently-widowed American opera singer has an incestuous relationship with her 15-year-old son to help him overcome his heroin addiction.

In Italy, three men fall in love with three women. First a young engaged lawyer has a fling, then the middle-aged married man has a fling, then a retired man falls in love with his friend's daughter.

A TV series composed of eleven episodes and a conclusion, it aired in six one-hour programs starting on October 6, 1985. Lasting about half an hour each, the episodes are separated by intermissions starring three characters: Good, Evil, and Destiny. LA MORTE PORTA CONSIGLIO: At her father's deathbed, a daughter asks the man to tell her the winning Lotto numbers once he makes it to the after-life. But the man is offended by the modest funeral he receives and has fun playing pranks on his daughter. IL FATTACCIO: a doorman is paid to show an apartment in which something gruesome happened. Determined to keep the extra work, he invents increasingly grisly stories to keep interested buyers away. LADRI: two thieves in a working-class neighborhood have tragicomic adventures. L’IMBIANCONE: a very shy man enters a shoe store to buy a pair of shoes and seduce the female shop owner.

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Count Dracula trades Transylvania for Italy in search of fresh blood and Western standards of living, but finds instead his ancient love Zora, reincarnated as a young graffiti artist from the Roman hip-hop scene.

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A film of Enrico Berlinguer's funeral in Rome, briefly tracing his career as leader of the Italian Communist Party.

Paralyzed from a crash, Nicola falls for his physiotherapist Lucia. Franco and Manuela seek fertility treatment in Barcelona. Filippo and Fosco, a gay couple, plan their wedding. Ernesto, a waiter, has an affair with Spanish cook Cecilia.

A group of former high school classmates meets for a reunion 15 years after graduation, only to discover that any innocence or friendship is long lost.

Oscar dreams of becoming an actor or a stuntman. To contact a manufacturer he stages an accident and consequently injures a young actress, then tries to limit the damage by taking the girl to his home.

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Until the 1970s, Italian cinema dominated the international scene, even competing with Hollywood. Then, in just a few years, came its rapid decline, the flight of our greatest producers, a crisis among the best writer-directors, the collapse of production. But what are the true causes and circumstances of this decline? In an attempt to provide an answer to this question, Di Me Cosa Ne Sai strives to depict this great cultural change. Begun as a loving examination of Italian cinema, the film transformed into a docu-drama that alternates between interviews with the great names of the past and fragments of cultural and political life of the last 30 years. It is a travel diary that shows Italy from north to south, through movie theatres; television-addicted kids; Berlusconi and Fellini; shopping centers; TV news editors; stories of impassioned film exhibitors and directors who fight for their films; and interviews with itinerant projectionists and great European directors.

The epic of Hercules and Maciste to the live voices of witnesses and through the images of the Italian film journals. And through interviews with Carlo Lizzani, Enrico Lucherini, Citto Maselli, Rosalba Neri, Mimmo Palmara, Carlo Verdone.

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Four intertwined stories on the joys and sorrows of love.