Owen Moore

The story of a poor young woman, separated by prejudice from her husband and baby, is interwoven with tales of intolerance from throughout history.

Esther Blodgett is just another starry-eyed farm kid trying to break into the movies. Waitressing at a Hollywood party, she catches the eye of her idol Norman Maine, is sent for a screen test, and before long attains stardom as newly minted Vicki Lester. She and Norman marry, though his career soon dwindles to nothing due to his chronic alcoholism.

In the prologue Sharon Kimm and Mickey Reid are childhood friends in a tenement neighborhood but are separated when Sharon is placed in an orphanage. In the story we see Sharon as a young Hollywood star whose quick rise to fame leaves her self-centered, superficial, and a spendthrift. Ironically, the film that skyrocketed her to fame was written by Mickey. But her success is brief; and when it comes crashing to earth, Mickey is there to pick up the pieces.

Two thieves, the Blackbird and West End Bertie, fall in love with the same girl, a French nightclub performer named Fifi. Each man tries to outdo the other to win her heart.

An elderly woman looks back on the special times in her life, thinking especially about her now-departed husband and the things they did together. Though it is sad that these times are now gone, she is comforted by her memories and by the hope of sharing in the lives of her child and grandchildren.

A confirmed bachelor learns that he will inherit his late uncle's fortune only if he marries, which he does reluctantly. Shortly afterward he returns to his bachelor lifestyle but realizes he can't get his wife's face out of his thoughts.

Oh, the woe of simultaneous birthdays, as were Mr. and Mrs. Hardlucks', and both being of a generous nature, were seized with an insatiable desire to make on this anniversary of their nativity suitable gifts, each to the other, Hardluck has a watch, but no fob. Mrs. Hardluck has a wealth of hair, but no decorative comb for her hair. What is worse, finances are low, or rather exhausted. An idea strikes Hardluck. He will pawn his watch and buy a comb; thus surprising her. Mrs. Hardluck's mind is also illumined by a bright thought. She will sacrifice her hair, and with the money buy him a fob. This they do, of course, unknown to each other. Well, here's the situation: He had no fob for his watch, and she no comb for her hair; but now he has no watch for his fob, and she has no hair for her comb. Mack Sennett appears as an extra in this film produced by the Biograph Company.

A husband suspects his wife of an affair. The wife's cousin borrows a shawl to meet her lover in the garden. The husband spies the couple embracing, and, thinking it's his wife, he strikes the lover. The thought that he has killed a man temporarily unhinges the husband's mind until he can be convinced that the lover is still alive.

A lost film. Gertrude Edgar is loved by Tom Moreland and Owen Jackson, and Gertrude, being a woman, is inclined to a mild flirtation with Jackson, while loving Moreland devotedly. Very soon Moreland is invited to join a party to discover the headwaters of the Amazon River. After reading reports of Tom's supposed death Gertrude promises Owen that she will marry him he if he can find and bring back Tom safely to her.

Film clips highlight the funniest scenes and brightest comic stars in MGM's history.

American newspaper reporter Jim Crocker's madcap escapades in London earn him notoriety and the nickname "Piccadilly Jim." When he overhears his American cousin by marriage, Ann Chester, giving her candid opinion of him, he decides to return to America to try to reform. He meets Ann on the boat, using another name. Unable to find work in New York, he goes to his step aunt Mrs. Peter Pett's home to be near Ann. Jim then helps Ann kidnap pampered cousin Ogden Pett whose overindulgence has created disruption in the household.

New York singer and nightclub owner Lady Lou has more male friends than can be imagined. One is a vicious escaped criminal on the way to see 'his' girl, unaware she hasn't exactly been faithful in his absence. Help is at hand in the form of young Captain Cummings, a local temperance league leader.

Mrs. Kendrick borrows a jeweled necklace from a friend for an important social event. The necklace is stolen, and Mr. Kendrick goes into debt to replace it. The thief discovers it's costume jewelry, but the Kendricks never learns the truth; Husband and wife struggle for years to pay off the huge debt.

While painting the demure little model, Vera, who sat for him day after day, Reginald Spencer was unconscious of the fact that she was falling very deeply in love with him. Success comes Reginald's way and he has a commission to paint the portrait of a handsome society girl. Between the artist and this lady something like affection springs up and poor little Vera finds herself out in the cold and so plots her revenge.

Before the G, PG and R ratings system there was the Production Code, and before that there was, well, nothing. This eye-opening documentary examines the rampant sexuality of early Hollywood through movie clips and reminiscences by stars of the era. Gloria Swanson, Mary Pickford, Marlene Dietrich and others relate tales of the artistic freedom that led to the draconian Production Code, which governed content from 1934 to 1968. Diane Lane narrates.

Robert Wells is an American born in China who, unbeknownst to him, has an Oriental half-brother. Wells' uncle sends him to help Ray Williams build bridges in China. Williams is in league with Chinese reactionaries and he discredits Wells by turning him into a drug addict. Wells eventually becomes an outcast and is in a stupor when he is found by his half-brother, Kong Sue, the son of the Lord of Thundergate, a powerful Mandarin reactionary.

A nostalgic look at film clips from the Silent era.

A theatrical troupe from the west end of London loses its leading lady when she goes off to marry a rich young man from the other side of town. The rest of the play deals with the budding romance and trials and tribulations of their love, as well as the changing face of late-19th-century theatre.

Gilda is a crook who wants to go straight, but her pals keep holding her back. She moves to Hollywood to begin anew but the old gang follows behind. Can she stop them from ruining her new life?

Angela comes to Hollywood with only two things: Her dream to become a movie star, and Grandpa. She leaves an Aunt, a brother, Grandma, and her longtime boyfriend back in Centerville. Despite seeing major movie stars around every corner, and knocking on every casting office door in town, at the end of her first day she is still unemployed. To her horror, when she arrives back at their hotel, she finds that Grandpa has been cast in a movie by William DeMille and quickly becomes a star during the ensuing weeks. Her family, worried that Angela and Grandpa are getting into trouble, come to Hollywood to drag them back home. In short order Aunt, Grandma, brother, boyfriend and even the parrot become superstars, but Angela is still unemployed...