Louise Beavers
Acting
Biography
From Wikipedia, the free encyclopedia Louise Beavers (March 8, 1902 – October 26, 1962) was an American film and television actress. Beavers appeared in dozens of films and two hit television shows from the 1920s until 1960, most often cast in the role of a maid, servant, or slave. She was a native of Cincinnati, Ohio, and a member of Sigma Gamma Rho sorority, one of the four African-American sororities. Beavers was a breakthrough actress for black women and became known as a symbol of a "mammy" on the screen. A mammy archetype "is the portrayal within a narrative framework or other imagery of a black domestic servant, generally good-natured, often overweight, and loud". Louise Beavers started her career in the 1920s. At the time, black people in films were limited to acting in only very few roles, usually as slaves or domestic help. She played the "mammy" in many of the movies she acted in. She started to gain more attention in the acting world after she played the role of Julia in Coquette, which starred Mary Pickford. In this film she played the black maid and mother figure to a young white woman. She once received a review which stated: "Personally, Miss Beavers is just splendid, just as fine as she appears on screen, but she also has a charm all her own, which needs no screen role for recognition. She has a very pleasing personality, one that draws people to her instantly and makes them feel that they are meeting a friend instead of a Hollywood Star." Beavers had an attractive personality, and often played roles in which she helps a white protagonist mature in the course of the movie. In 1934, Beavers played Delilah in Imitation of Life in a dramatic role. Her character again plays a black maid, but instead of the usual stereotypical comedic or purely functional role, Delilah's story line is a secondary parallel plot. The public reacted positively to Beavers' performance. It was not only a breakthrough for Beavers, but was also "the first time in American cinema history that a black woman's problems were given major emotional weight in a major Hollywood motion picture". Some in the media recognized the unfairness of Hollywood's double standard regarding race. For example, California Graphic Magazine wrote, "the Academy could not recognize Miss Beavers. She is black!" As Beavers' career grew, some criticized her for the roles she accepted, alleging that such roles institutionalized the view that blacks were subservient to whites. Beavers dismissed the criticism. She acknowledged the limited opportunities available, but said: "I am only playing the parts. I don't live them." As she became more famous, Beavers began to speak against Hollywood's portrayal and treatment of black Americans, both during production and after promoting the films. Beavers became active in public life, seeking to help support African Americans. In later life, Beavers was plagued by health issues, including diabetes. She died on October 26, 1962, at the age of 60, following a heart attack. Beavers was inducted into the Black Filmmakers Hall of Fame in 1976.
Known For
Danny Thomas, an entertainer, tries to balance his home life with the needs of his career, with hilarious results.
The Danny Thomas Show
"Bourbon Street Beat" is a private detective series produced by Warner Brothers Television which aired on the ABC network from October 5, 1959, to July 4, 1960. It featured Richard Long as Rex Randolph, Andrew Duggan as Cal Calhoun, Van Williams as Kenny Madison, and Arlene Howell as Melody Lee Mercer, the secretary at the New Orleans detective agency in which they worked. The show is set in New Orleans, Louisiana, USA and revolves around the lives of Rex Randolph (Long) and Cal Calhoun (Duggan), who run a detective agency called Randolph and Calhoun — Special Services. The agency is based in the Absinthe House, a French Quarter nightclub on Bourbon Street.
Bourbon Street Beat
The story of Revolutionary War hero Francis Marion, an American patriot who fought the British Tories using unusual methods, becoming known as “The Swamp Fox.”
The Swamp Fox
The Beulah Show is an American situation-comedy series that ran on CBS Radio from 1945 to 1954, and on ABC Television from 1950 to 1952. The show is notable for being the first sitcom to star an African American actress.
The Beulah Show
Make Room for Granddaddy is a sequel to the American TV series The Danny Thomas Show (also known as Make Room for Daddy). The series aired for one season on ABC between September 1970 and March 1971.
Make Room for Granddaddy
An elderly couple are forced to separate themselves from each other after their children refuse to take both into one house.
Make Way for Tomorrow
An advertising executive dreams of getting out of the city and building a perfect home in the country, only to find the transition fraught with problems.
Mr. Blandings Builds His Dream House
The Florida Keys in 1840, where the implacable hurricanes of the Caribbean scream, where the salvagers of Key West, like the intrepid and beautiful Loxi Claiborne and her crew, reap, aboard frail schooners, the harvest of the wild wind, facing the shark teeth of the reefs to rescue the sailors and the cargo from the shipwrecks caused by the scavengers of the sea.
Reap the Wild Wind
A producer puts on what may be his last Broadway show, and at the last moment a chorus girl has to replace the star.
42nd Street
After her family's mansion is burned down by Yankee soldiers for hiding the rebel leader Captain Sam Starr Belle Shirley vows to take revenge. Breaking Starr out of prison, she joins his small guerrilla group for a series of raids on banks and railroads, carpetbaggers and enemy troops. Belle's bravado during the attacks earns her a reputation among the locals as well as the love of Starr himself. The pair get married, but their relationship starts to break down when Sam Starr lets a couple of psychotic rebels into the gang, leaving Belle to wonder if he really cares about the Southern cause.
Belle Starr
Lovely Linda Mason has crooner Jim Hardy head over heels, but suave stepper Ted Hanover wants her for his new dance partner after fickle Lila Dixon gives him the brush. Jim's supper club, Holiday Inn, is the setting for the chase by Hanover and his manager.
Holiday Inn
Aviator Jim Blaine and his brother Neil are rivals not only as daredevil flyers, but also for the love of parachutist Jill Collins.
Central Airport
A struggling widow and her daughter take in a black housekeeper and her fair-skinned daughter. The two women start a successful business but face familial, identity, and racial issues along the way.
Imitation of Life
After Police Captain Dan McLaren becomes police commissioner, former detective Johnny Blake publicly punches him, convincing rackets boss Al Kruger that Blake is sincere in his effort to join the mob. "Bugs" Fenner, meanwhile, is certain that Blake is a police agent.
Bullets or Ballots
High society sleuths Nick and Nora Charles run into a variety of shady characters while investigating a race-track murder.
Shadow of the Thin Man
A couple struggle to find happiness after a whirlwind courtship.
Made for Each Other
While on trial for her life, a young woman recalls her tough upbringing and her involvement with the men who brought her to this current state of affairs.
Midnight Mary
The coquettish granddaughter of a respected small-town judge is stranded at a bootleggers’ hide-out, subjected to an act of nightmarish sexual violence, and plunged into a criminal underworld that threatens to swallow her up completely.
The Story of Temple Drake
Meek busboy Little Pinks is in love with an extremely selfish nightclub singer who despises and uses him.
The Big Street
After a tumultuous first marriage, Millie Blake learns to love her newfound independence and drags her feet on the possibility of remarriage. The years pass, and now Millie's daughter garners the attentions of men - men who once devoted their time to her mother.