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Tsung Hua

Tsung Hua

Acting

Biography

Born April 2, 1944 as Zhou Zhong-Zhi, Tsung Hua's family was originally from Shantung Province. A lover of the art of film, after finishing a college degree, Tsung joined Shaw Brothers and immediately signed an actor's contract. His famous films include "The Bastard", "The Killer", "Sorrow of the Gentry" and "Killer Clans". "Killer Clans" was also considered top director Chu Yuan's most significant film and main cast including Ching Li and Yueh Hua. By the early 80's he reduced his appearances in film and began to get involved with directing and producing TV shows. He is most noted for his involvement in 30 episodes of "Yang Gui Gei" and 40 episodes of "Hsi Shih" in TV.

Known For

Daddy
N/A

No description available.

Daddy

2011
Killer Clans
6.4

The Longmen and Roc clans kill each other to gain power in their territory. However, things take a turn when a warrior falls for the daughter of the rival clan's leader.

Killer Clans

1976
Return of the One-Armed Swordsman
6.6

After the events of The One-Armed Swordsman (1967), a retired Fang Gang is drawn back into the jianghu to protect various young apprentices whose swordsmanship schools have been terrorized by 8 evil swordsmen seeking to rule the jianghu.

Return of the One-Armed Swordsman

1969
The 14 Amazons
6.7

The Yang family, men and women, have served their country loyally for generations. During the war General Yang is ambushed and killed. His widow and the entire family set out to avenge his death and defend the country.

The 14 Amazons

1972
Eight Thousand Li of Cloud and Moon
N/A

No description available.

Eight Thousand Li of Cloud and Moon

1988
The Warlord
6.4

No list of the screen's comic geniuses would be complete without Michael Hui Kwun-man. He created a hilarious and lovable comic persona that was both uniquely Asian but also universally beloved. This, his first film, not only showcased his incomparable sense of humor but revolutionized Hong Kong comedy. Evoking Chaplin, he plays a warlord in early 20th Century China, but makes the role his own with both laughs and some of the sexiest ladies on the Shaw Brothers lot.

The Warlord

1972
The Killer
5.8

Chiao Tzu Wei hires a killer under the premise that the local government (run by the local kung fu school) is corrupt and extorting the people of the town. The killer happens to be Hsieh Chun (aka Hsiao Hu) who left town ten years ago. (When Hsieh Chun opens up a suitcase full of knives, you know that there is going to be tons of killing!). Thinking that the local kung fu school is bad, he goes over there to fight them. There is some reuniting of lost friends and some love between two of them. The bad guys are constantly double crossing everyone and this leads to total mayhem and carnage. The final fight scene (which is actually several fight scenes going from one to the next) is incredible, especially the blood soaked finale between the evil Japanese leader of the opium ring and the two brothers.

The Killer

1972
The Eunuch
6.0

After the villainous eunuch Gui De-Hai overthrows the emperor, he and his most loyal general hunt for the two people who can stop his nefarious schemes. But the young Prince Jin and Yan Yan are under the protection and training of two master wuxia knights.

The Eunuch

1971
Trilogy of Swordsmanship
6.5

Three martial arts directors united for this unique anthology film. Yueh Feng writes and directs a clever love-and-kung-fu triangle, Cheng Kang both writes and directs kung-fu courtesans battling brigands, and the "godfather of the kung-fu film," Chang Cheh, creates a cliff-hanging, swashbuckling mini-movie with maxi-action.

Trilogy of Swordsmanship

1972
The House of 72 Tenants
6.8

Set during a period of depression, the film chronicles the daily lives of a single urban building split up into several separate units, and the actual people that dwell within.

The House of 72 Tenants

1973
Sexy Girls of Denmark
3.8

This is a film about the movie industry, about favors, hooking up etc. It is mostly set in Copenhagen and the story begins with the son of a big producer going to Copenhagen from Hong Kong trying to seal a deal. He gets involved with the Denmark girls.

Sexy Girls of Denmark

1973
That's Adultery!
5.0

Renowned director Li Han-hsiang writes and directs the anthology film of four sexy , salacious and scandalous stories . There’s a general’s sedan-chair bearer who dallies with each of the soldier’s four wives until he suffers the fate of Samson , a Japanese pot maker molds his wife’s lover , a courtesan who fools her drunken husband , and a scissors shop owner’s wife who has too many lovers to cut . It is four helpings of lascivious , lewd and libidinous pleasures .

That's Adultery!

1975
Lady Exterminator
5.0

After a sudden spike of supply into the drug ridden streets, staunch anti-narcotics cop hellbent on disrupting the flow of drugs beyond the Golden Triangle recruits the help of an attractive young ex-convict to infiltrate a major Thai based drug syndicate controlled by a ruthless drug lord who's expanded their operations into Hong Kong. As our seductive undercover heroine gets inside and rises the ranks to the top, skepticism also rises as the boss' jealous moll smells a plant.

Lady Exterminator

1977
Judgement of an Assassin
6.8

Sun Chung was already a valued comedy, romance, and modern crime filmmaker, when, through this tale of the 100 Poison Clique's obsessive ambition to destroy all rivals, he started bringing morality and motivation to martial arts movies like never before. Kung-fu superstar David Chiang and prominent choreographer Tang Chia lead the cast in a bloody clan clash centered on the trial of an admitted mass murderer and serial rapist. It was just the beginning of Sun Chung's exploration in emotion.

Judgement of an Assassin

1977
Hong Kong 73
6.0

As the Heng Seng Index reaches unprecedented heights, people from all walks of life go stock speculation crazy. A security guard and his landlord learn firsthand that money is ‘Easy Come, Easy Go’ as their fast fortune disappears overnight in a Macau casino. Meanwhile, greedy neighbours and infidel couples cheat each other and even blue-collar workmen dive into the frenzy. Inevitably, the market tumbles as do the people’s bittersweet lives. A hilarious but ironic tale featuring some of Shaw’s biggest stars.

Hong Kong 73

1974
Duel for Gold
7.1

Soon-to-be legendary director Chu Yuan had just joined the Shaw Brothers when he helmed this thriller of bickering bandits. Audiences loved watching three pairs of cunning male and female crooks trying to steal a million gold taels from the Fu Lai Treasury House...not knowing that one of them is actually an undercover hero. Even without him, there's no honor amongst thieves, so the double-crosses and deadly duels come fast and furious, all choreographed by Hsu Erh-niu.

Duel for Gold

1971
Kid from Kwangtung
5.2

Novice director Hsu Hsia and three other kung-fu designers created this fight-filled tale of young rascal Wang Yu, caught between master martial arts actor Jen Shih-kuan and the incredible Huang Cheng-li.

Kid from Kwangtung

1982
Cohabitation
8.0

Abortion, birth control and unwed cohabitation are social issues rarely associated with 1970's Hong Kong cinema. Cohabitation not only faces them head on but does so with insight, compassion and sex!

Cohabitation

1975
The Golden Seal
5.8

Award-winning actor Ku Feng is Lei Chen-tien, a vicious, cunning, murderous brigand who wants the title treasure. Tsung Hua is Tai Tien-chou, the handsome swordsman who wants to avenge his father's death. Wang Ping is Wu Hsiao-yen, the lovely girl who must disguise herself as a boy to take on this pirate. Tien Feng both directs and co-stars as The Senior Master in this blade and battle-filled adventure of intrigue, treachery, and tragic triumph.

The Golden Seal

1971
The Lizard
5.3

He steals from the rich and gives to the poor! Like Robin Hood, the title hero of The Lizard is a philanthropic thief, except the Lizard makes his rounds in 1930s Shanghai. Corrupt police chief Chen Can (Law Lit) is assigned to bring down the Lizard to appease the sinister Japanese forces, but the Lizard constantly eludes his grasp. Little does Chen Can know that the wily thief actually works for him! The Lizard's true identity is the mousy Cheng Long (Ngok Wah), who dons a mask and takes to the streets to spread his righteous message.

The Lizard

1972