Michel Ocelot

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Drawn from elements of West African folk tales, it depicts how a newborn boy, Kirikou, saves his village from the evil witch Karaba.

A silhouette animation anthology TV series conceived, written and directed by Michel Ocelot and realised at La Fabrique, consisting of short fantastical stories performed by the same animated "actors." A critical success but commercial failure at the time, no further episodes were commissioned beyond the initial 8, but, following the success of Ocelot's Kirikou and the Sorceress, 6 were edited into the 2000 feature Princes and Princesses, in which form they finally saw wide exposure and acclaim both in France and internationally; a further episode was included in a home release of short works in 2008, but one remains unavailable for public consumption.

Raised on tales of a Djinn fairy princess, Azur, a young Frenchman goes to North Africa in search of the sprite, only to discover that his close childhood friend, Asmar, an Arab youth whose mother raised both boys also seeks the genie.

Five further stories from the French designer, writer and director Michel Ocelot: La Maîtresse des monstres, Le Pont du petit cordonnier, Le Mousse et sa chatte, L'Écolier sorcier, and Ivan Tsarévitch et la Princesse Changeante. This compilation movie has only been released in Japan.

With the help of her delivery-boy friend, Dilili, a young Kanak, investigates a spate of mysterious kidnappings of young girls that is plaguing Belle Epoque Paris. In the course of her investigation she encounters a series of extraordinary characters, each of whom provides her with clues that will help her in her quest.

The Insensitive Princess is a 1983 French animated television series written and directed by Michel Ocelot. The animation is a combination of cel and cutout animation while the elaborate architectural style of the production design has been said to be reminiscent, though visual association, of Charles Perrault and Jean de La Fontaine's fairy tales; like Ocelot's Les Trois Inventeurs before it and several episodes of the later Ciné si it takes place in a literary fairy tale-like fantasy setting, specifically a palatial theater, which mixes the ornate styles of decoration and dress of the upper-classes of both the time of the Ancien Régime and the belle époque and includes such fanciful technology as a baroque-styled submarine, elements of outright fantasy such as dragons and such anachronisms as a reference to motorcycles. It won first prize in its category at the 3rd Bourg-en-Bresse Animation Festival for Youth and the audience prize at the 6th Odense Film Festival.

In a white lace universe, three inventors create machines which are both pretty and useful. Unfortunately people do not understand them...

Dragons and Princesses is a 2010 French computer animation television program written, storyboarded and directed by Michel Ocelot and produced at Studio O for Canal+. It is a fairy tale anthology series of ten further 13-minute episodes in the format established in Ciné si. Five of the episodes are edited, with a feature-exclusive sixth, into the 2011 stereoscopic compilation movie Tales of the Night.

The story of Icarus, son of Dedalus, imprisoned in the labyrinth, but with a twist...

Documentary on industrial lubrification.

Kirikou's grandfather thinks that the story of Kirikou and The Witch was too short, so he proceeds to explain more about Kirikou's accomplishments. We find out how the little boy became a gardener, a detective, a maker of pottery, a merchant, a traveler and a doctor.

To free a princess from the tyrannical yoke of a Regent, a boy must overcome the infernal ordeal of the Three-Eared Rabbits, multicolored and music-loving creatures from whom much can be obtained simply by whistling certain tunes to them…

Six exotic fables, each unfold in a unique locale, from Tibet, to medieval Europe, an Aztec kingdom, the African plains, and even the Land of the Dead.

A pretty shepherdess is in love with a young shepherd. So is a fairy. The shepherdess knows how to look after sheep and dance to the sound of her boyfriend's pipe. As for the fairy, she is powerful and hard-hearted; she has a flying dragon, a crystal palace, a sleeping tower and other evil powers. Which of the two will win ?

A hard-working peasant begins his day by praising Saint Martin, who descends from the heavens and rewards him by granting him and his cruel, browbeating wife four wishes.

The grandfather welcomes us into his blue grotto, there was still beautiful memories of childhood to tell Kirikou: the times when he helped the men and women of his village and elsewhere ... He tells us how Kirikou, thanks to his bravery and intelligence, came to the aid of the strong woman. He tells us by what trick the little hero found the grumpy old man, who had been lost in the bush, and how a cherry threatened by the witch was finally able to pass on his knowledge to the villagers. We also discover the secret of a mysterious blue monster, and finally through a flute linked to the family of our small and valiant heroes, the magical power of music.

In this episodic animated fantasy from France, an art teacher interprets a series of six fairy tales (each involving a prince or princess) with the help of two precocious students. Princes and Princesses was created using a special style of cutout animation, with black silhouetted characters performing the action against backlit backdrops in striking colors.

Four tales about princesses and adventurers around the world: The Mistress of Monsters, The Wizard Student, The Ship's Boy and His Cat, and Ivan Tsarevitch and his changeable princess.

Studio Ghibli is Japan's most successful animation studio, with helmers Hayao Miyazaki ("Spirited Away," "My Neighbor Totoro") and Isao Takahata ("Grave of The Fireflies," "The Tale of Princess Kaguya") creating a bonanza for producer/prexy Toshio Suzuki. Generously adorned with clips from their films and their influences, the docu follows Ghibli's arc from a mid-'60s rebellion against working conditions at Toei Co. to its present powerhouse position, complete with public fun park. All interviews are illuminating, but Miyazaki is teasingly confined to pic's tete-a-tete finale with esteemed French comic artist Jean "Moebius" Giraud. Meeting of the wizened European, whose imprint is on films from "Blade Runner" to "The Fifth Element," and the apparently relaxed Nipponese helmer makes an interesting contrast, and will be of special interest to Francophiles. All credits are impeccable