Sanjeev Kumar

After his family is slain by notorious bandit Gabbar Singh, former Inspector Thakur Baldev Singh enlists low-level outlaws Jai and Veeru to capture Gabbar and seek revenge.

When his brother's tragic death leaves his pregnant fiancée devastated, playwright Amit selflessly marries her to protect her from societal contempt. However, when fate brings him face-to-face with his former flame, love proves to be stronger than marital vows.

Vijay Singh is a disgraced former Merchant-Navy officer who is branded as a coward after he abandons his crew during an emergency. Guilt-ridden and trying to forget his past, he takes up work at a coal mine where he gets trapped with other miners after a flood hits them.

Tyrannical and wealthy Veer Pratap Singh, rules over a small town - ruthlessly. Whoever opposes him is crushed. He is attracted to women, and has a lengthy affair with Soundariya, and even has a secret marriage ceremony with her. When Soundariya gets pregnant, he asks her to abort the child. When she refuses, he shuns her, and denies ever having married her or even being intimate with her. Her brothers attempt to get justice, but are dealt with ruthlessly by Pratap Singh's bodyguard, Bhima. Soundariya then must garner support of herself, and must find someone who can stand up to Veer Pratap Singh and end his tyranny, in a town with men who have been subdued for eons by Veer Pratap Singh and his men for eons.

Hero is the story of a criminal transforming and evolving as a good person under the influence of love. Jackie is a baddie with a heart of gold though, who has to settle scores with the area's 'Thakur' and his police officer son Sanjeev Kumar. So he opts for kidnapping their soft spot, Radha, Thakur khandaan's only daughter. Radha is given to understand that Jackie and his gang are police people who have taken her away to the safety of jungles because their house has been invaded by dacoits. The rest of the story is about the gang's camaraderie with Radha in sylvan spots and the discovery of truth by Radha.

When a Police inspector is killed by a band of thugs, his grieving father Samsher Singh seeks justice. Pratap Singh has left behind a pregnant widow, who dies in chidbirth, leaving Samsher to bring up the child Kunal. The transformation of Samsher Singh (a locomotive engine driver) into Sobhraj, multi millionaire and owner of a vast network of business. Kunal is brought up by Abu Baba, a servant of Sobhraj to be honest, upright, and very independent minded. Durga, the daughter of a former employee of Sobhraj, who is serving time and Kunal fall in love. This not acceptable to his grandfather, though Abu Baba approves of the relationship. Disaster strikes when an attempt is made to separate the lovers. The life of Samsher Singh alias Sobhraj begins to unravel from here. How Kunal's ethical upbringing by his foster-father, and his financial and business circumstances of his grandfather meet in a titanic conscience clash and how he resolves matters is at the nexus of the plot.

Hari is forced to marry Seema, who dislikes his stepbrothers, Govind and Rajesh. When he goes to Mumbai, she displaces them to become beggars. However, destiny reunites them with Hari in a courtroom.

In the year 1856, Nawab Wajid Ali Shah is the King of Awadh, one of the last independent kingdoms of India. The British intend to control this rich land and send General Outram to clear way for an annexation. Pressure is mounting amidst intrigue and political maneuvers, but the Nawab whiles away his time in pursuit of pleasure and religious practice. The court is of no help either — noblemen Mir and Mirza ignore all duties and spend their days playing endless games of chess.

Long-suffering heiress Seeta is treated worse than a servant by her abusive money-grubbing aunt. Meanwhile, her long-lost twin sister Geeta grows up to be a gutsy street performer. One day, the girls unintentionally swap places.

When two lovers separated due to financial circumstance are reunited several years later under one roof, sparks fly and emotions run high. How will they resolve this relationship?

A family man, Ratan, decides to commit a crime for Balram Singh, but keeps the bounty for himself. Singh sets his house on fire, and believing his family to be dead, Ratan goes on the run.

Inder and Rama fall in love with each other but due to a twist of fate, Inder marries someone else. However, things take an unexpected turn when Inder and Rama meet again after a few years.

A self proclaimed misogynistic writer rescues an injured woman who suffers from amnesia but claims to be his wife. In the process of finding out her real identity, he falls in love with her.

Dedicated to the memory of the great singers K. L. Saigal and Mukesh, this charming and unpretentious film offers a palate-cleansing change from the spicy “masala” epics that dominated its era, and features their superstar Amitabh Bachchan in a decidedly offbeat role.

J.K. is a hotel Manager in a scenic location in India. One day he gallantly comes to the rescue of a drunk daughter, Aarti, of a politician, and chooses to be discrete about it. When she recovers, she and he fall in love; get married in a small marriage ceremony, have a daughter, and thereafter differences arise to such an extent that they decide to separate. Years pass J.K. and Aarti meet again when she is an established politician, both are still attracted to each other, but she does not want her name to be tarnished and stigmatized as a "separated" woman.

Drama about a major in the Indian army and his impending arranged marriage.

Abdullah has to fight oppression and torture as he tries to bring up the boy as a hindu where the majority are muslims.

Aashirwad is a 1968 Bollywood film. Produced by N.C. Sippy and Hrishikesh Mukherjee, it is directed by Hrishikesh Mukherjee. The film stars Ashok Kumar and Sanjeev Kumar.

An unemployed young man (Jeetendra) takes a job to tutor unruly grandkids of Rai Sahab (Pran) and brings out respect, appreciation and hard work hidden deep inside them.

Durgadevi rules her household with her brother, Makhanlan, and treats daughter Shanti worse than she treats servants; her other daughter is Roopa. When the younger women are approached for marriage, Durgadevi refuses.