Marion Leonard

A short version of James Fenimore Cooper's famous tale about Natty Bumppo, or "Hawkeye," and his exploits during the French and Indian war.

After being jilted for another, a woman sends her lover's old letters to the new fiancée and looks forward to the reaction. But when she spots her old lover's glove left behind, she has a change of heart and repents.

William is drawn to Edward's wife, Helen. Sensing his feelings might lead him into an affair, he decides to go away. As he says goodbye to Helen, Edward spies from behind a curtain. Soon afterwards Edward shoots himself, believing Helen can be happier with William. When William returns to convince Helen to become his wife, she refuses, blaming herself for Edward's suicide.

A nostalgic look at film clips from the Silent era.

A young girl living in Salem attracts the attentions of The Puritan. After he's brushed off by the girl, he becomes furious and desiring revenge, declares to a council of elders that the girl and her mother are witches.

A gang of thieves lure a man out of his home so that they can rob it and threaten his wife and children. The family barricade themselves in an interior room, but the criminals are well-equipped for breaking in. When the father finds out what is happening, he must race against time to get back home.

The Duke, in an effort to 'save' his daughter from marriage to a poor lad of noble birth, hatches a plot which nearly costs the life of that very daughter.

Antonine, a worthless, good-for-nothing scoundrel, demands money of his cousin Galora, an energetic, provident husband and father. His demands are met with a positive rebuff, and when he becomes insistent be is forcibly ejected by Galora. As he leaves the tenement he vows to get even, and lies in wait until Galora has gone out on business. Climbing to the fifth floor, on which the Galoras live, he watches his chance, which comes when Mrs. Galora goes for an instant to visit a neighbor on the same floor. Darting into the apartment and raising the window he perceives the awful result of a drop to the ground, five stories below, and so evolves a plan that is dastardly in the extreme. Taking the infant child from the cradle, and placing it in a basket he lets it out with a short rope, the end of which he secures by letting the sash down on it, so that to raise the window would precipitate the baby to destruction.

During the French Revolution, a wealthy couple lives safely by professing republican beliefs. When a mob attacks a nearby chateau an aristocrat bursts into the couple's home. They save his life by disguising him as a servant, but he soon forces his attentions on the wife. Hearing their struggle, the husband intervenes and, stripping the aristocrat of his disguise, thrusts him outdoors to be killed by the mob.

Tom and Ethel separately decide to go bathing in a river. Pranksters switch their clothes and they each have to dress up as the opposite sex.

Marion lives in a house that becomes a place of safety—or a "refuge"—for a man fleeing from danger. A group of criminals waits for a wealthy homeowner to leave before breaking into the house to threaten his wife and daughters. The family members barricade themselves inside one of the rooms for safety as the thieves attempt to break through the door. Upon discovering the situation, the father rushes back home in a desperate attempt to save his family from intruders.

The husband of the young woman is shot by a rejected suitor and she is left with an infant boy, who is to be spared until he reaches man's estate. Standing over the dead body of her husband she vows vengeance.

A girl champions the cause of the strikers at a mill.

A court fool believes the Duke is after his beautiful daughter, and arranges to have the Duke murdered. The daughter overhears the plot and, disguised in the Duke's cloak, sacrifices her life to save him.

At the Crossroads of Life is a typically Victorian-style melodrama in which a girl's wishes to be an actress are condemned by her stern father, a man of the cloth who has no time for those in the acting profession.

An anonymous donor drops a gold coin in the shoe of a homeless girl as she sleeps. A gambler with a 'sure thing' borrows the coin and wins a fortune, but he can't find her again to repay her.

Oh, the woe of simultaneous birthdays, as were Mr. and Mrs. Hardlucks', and both being of a generous nature, were seized with an insatiable desire to make on this anniversary of their nativity suitable gifts, each to the other, Hardluck has a watch, but no fob. Mrs. Hardluck has a wealth of hair, but no decorative comb for her hair. What is worse, finances are low, or rather exhausted. An idea strikes Hardluck. He will pawn his watch and buy a comb; thus surprising her. Mrs. Hardluck's mind is also illumined by a bright thought. She will sacrifice her hair, and with the money buy him a fob. This they do, of course, unknown to each other. Well, here's the situation: He had no fob for his watch, and she no comb for her hair; but now he has no watch for his fob, and she has no hair for her comb.

A 1913 short directed by Stanner E.V Taylor and starring Marion Leonard.

An historical dramatization of a Spanish woman during the reign of Spanish and Mexican owned California in the early 19th century.

Soon after their engagement, Bill goes to sea, and Emily vows to stay true until his return. Unknown to her, Bill marries another woman from a different port. Emily waits faithfully for six years, finally becoming dangerously ill. When Bill suddenly appears in town with his family, Joe, who has loved Emily all along, forces Bill to make Emily's final moments happy by pretending he has returned to marry her.