Petronella Barker

Dramarama is the name of a British children's anthology series broadcast on ITV between 1983 and 1989. It tended to feature drama of a science fiction or supernatural bent. The series was created by Anna Home, then head of children's and youth programming at TVS, however production responsibilities were divided amongst most of the regional ITV franchise holders. Thus, each episode was in practice a one-off production with its own cast and crew, up to and including the executive producer. Dramarama was largely a place for new talent to prove themselves and was a launching pad for the likes of Anthony Horowitz, Paul Abbott, Kay Mellor, Janice Hally, Tony Kearney, David Tennant and Ann Marie Di Mambro. It was one of Dennis Spooner's last credits. One of Dramarama's episodes, "Dodger, Bonzo And The Rest", gained so much popularity that it was turned in to its own series the following year. It starred Lee Ross and was based around a large foster home. The episode "Blackbird Singing In The Dead of Night" was developed by Granada into the TV series Children's Ward. It was also repeated for the first time since its original broadcast on 5 January 2013, during CITV's 30th anniversary Old Skool Weekend. The Series 7 episode "Back To Front" – notable for featuring a mirror image of the Yorkshire Television logo card at the end – was repeated on 6 January 2013, again as part of CITV's 30th anniversary Old Skool Weekend.

Private detective Varg Veum lives, and is consulted in various criminal cases, in Bergen on the west coast of Norway.

Vikings attack Kuksja's village, and end up bringing him along on their ship because they believe he is good luck. After proving himself in a battle against the dreaded Danes, chief Torir bestows upon him the name of Einar and takes him in as his son. Back home in Norway the men are received as heros, but new trouble arises when Kuksja falls in love with the beautiful Signy, who is already betroth to the vicious Sigurd.

When a project to build a thousand flats in Oslo is put out to tender, architect Julie has an idea: why not convert empty underground car parks into residential buildings? A pitch-black, keenly observed satire about an all-too-near future.

Hopkins’ career has spanned several decades, which is why we will also use many interviews that he gave throughout his life, allowing us to put him back into the context of each period and will be helpful in understanding his role in the history of cinema, because he was far from following the trends. He never belonged to any film movement; he is a chameleon that has always preferred natural acting, ‘non-acting’ when method acting was the fashion.

Forty-year-old Andreas arrives in a strange city with no memory of how he got there. He is presented with a job, an apartment - even a wife. But before long, Andreas notices that something is wrong. Andreas makes an attempt to escape the city, but he discovers there's no way out. Andreas meets Hugo, who has found a crack in a wall in his cellar. Beautiful music streams out from the crack. Maybe it leads to "the other side"? A new plan for escape is hatched.

A criminal group starts to investigate the police man Tom Karlsen after a drug deal goes wrong.

Uti vår hage was a Norwegian sketch comedy television program which had two different runs on TV in 2003 and 2008 on the Norwegian state channel NRK. The show starred the three well-known comedians: Atle Antonsen, Harald Eia and Bård Tufte Johansen. The format of the show was one main storyline that would gradually branch off into several separate minor storylines. Two series of the show have been produced, and the second series carries the title Uti vår hage 2. The show has introduced popular characters like "Lena" from Døden på Oslo S and "Oslolosen". The first season consisted of six episodes and was first broadcast in September and October 2003, while the second season was aired in January – March 2008, with seven ordinary episodes and one special. The first season was the first occasion where the three comedians worked together.

During the war, resistance work took place all over Norway. Some groups sacrificed everything for the country and were later praised and honored. Other groups sacrificed little or nothing and were forgotten. This is the story of one such group.

When the King and Queen are poisoned, brothers Per and Pål get arrested, suspected of being behind it. Younger brother Espen "Ash Lad" and Princess Kristin set out on a quest to find the mythical Soria Moria castle, which is said to be built of pure gold. In Soria Moria, there sits a well containing the Water of Life; the only thing that can cure Kristin's parents. But some wicked Danes are also on the hunt to find the castle. If Espen and Kristin fail, it will spell the end for the brothers, the kingdom - and perhaps the entire world.

A tragic love affair between Victoria and Johannes. She's the daughter of a rich estate owner and he's the son of a poor miller. Despite the deep love between them, her father makes Victoria ditch Johannes for the richer Otto.

General Othello's marriage is destroyed when vengeful Ensign Iago convinces him that his new wife has been unfaithful.

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Omar is a mid-level gangster in Oslo. A family secret is revealed when his "dead" sister isn't dead at all. Omar is ordered to find her. Joining him is his cousin and fellow gangster Khuram, and together they face an unknown Norway where his sister Amina has lead a secret and quite successful life.

In the 1910s, journalist Arvid Stjärnblom and painter's daughter Lydia Stille fall in love with each other.

It's Murder. But Is It Art? is a 1976 six-part comedy thriller serial written by David Pursall and Jack Seddon, and produced for BBC One. It stars Arthur Lowe, John Gower, Dudley Foster, Arthur Howard, and Anthony Sagar. Eccentric artist-turned-detective called Phineas Drake investigates when beautiful blonde Tina Kent is discovered murdered in the drawing-room of Brigadier Austin Binghop. Insp. Hook is convinced that Binghop is the culprit and takes him into custody. However, Mr Drake thinks otherwise and places himself in considerable personal jeopardy – with the trail leading him to the house of Chelsea socialite Mrs MacPherson. Barring some low-quality, off-air recorded monochrome trailers from the time, the entire series is believed to be lost.

Hawaii, Oslo is the story of a handful of people who cross each other's path without necessarily knowing each other, during the hottest day of the year, in Oslo. We follow Frode and Milla. They are having their first child, who they are told will not live long. We follow Bobbie-Pop, a faded singer who tries to commit suicide. We follow Leon, an institutionalized kleptomaniac who is loking for Åsa, to whom he has a ten year old deal to get married. We meet Leon's brother, Trygve, who fetches Leon at the institution to celebrate his birthday, but who himself has plans to use his leave from prison to run away. And most of all we meet the angel Vidar, Leon's best buddy at the institution, who sees things no one else can see, and who may be able to save everyone - except himself?

Set in the future when much of Central Europe has suffered ecological destruction and only small groups of survivors remain, a lost Norwegian reporter stumbles upon one such group and is quickly drawn into a drama involving a beautiful Christian missionary who's being held prisoner.

Allan and Lisa flee the war-torn city of Sweetwater with their young son for the safety of the municipal dump in this sleepy war drama. They join other displaced survivors who were driven from their homes, looking for a better life on the outskirts of Sweetwater.

Dino is 23 and dreams of a different life. She has left the mass unemployment of the Swedish provinces in search of happiness in nouveau-riche Oslo just like hundreds of thousands of other young Swedish people. But her new life has reached a deadlock. Dino finds herself stuck in a destructive sprial of temporary jobs, financial difficulties and wild partying. When she starts an extra job as as a housekeeper in a Norwegian middle-class home, she is thrown into a reality very far from her own.