Acting
A grifter in 1960s New York is hired to convince a wealthy man's son to return home from Italy and begins a life of deceit, fraud and murder.
A French woman mourning over the death of her husband three years prior is courted by a Swedish co-worker.
The sovereign Greek island of Ithaca, 8th century B.C. The Trojan War has been over for ten years, and the Greeks have come home victorious. Only one man is missing: the king of Ithaca, Odysseus, who is lost at sea. The island’s economy is getting worse by the day as the region’s many princes have invaded the kingdom, devouring its resources, and pressuring Queen Penelope to choose a new husband. To delay her suitors, she promises to choose once she’s finished weaving King Laertes’ burial shroud. But she undoes her work every night. Odysseus’ son Telemachus doesn’t dare lay claim to his father’s throne. His only dream is to sail out to rescue Odysseus.
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1967-1976. As one of history's greatest fashion designers entered a decade of freedom, neither came out of it in one piece.
Mima and her Italian family live in France. When her grandfather is killed, she discovers that they have a long-running family feud with the mafia.
Coco Baisos, a mature woman who likes to lead a big train, finds herself once again a widow, the fifth to be more precise. Bursting with energy and natural optimism, Coco is firmly determined not to be put down by fate. She immediately starts looking for a new companion, preferably a billionaire, so as not to have to give up her habits of luxury and pomp. She would indeed be very unhappy if fate forced her to modify her lifestyle. But the wallets trimmed do not run the streets. This manhunt, longer than expected, will hold many surprises for him ...
A tale set in a decaying Parisian porn theatre, where within its dark confines, male patrons -- soldiers, transvestites, married men -- regularly engage in anonymous sex acts. In the ticket booth of the theatre, a wise Italian woman serves as benevolent gatekeeper, observing -- but never judging -- the proceedings occurring under her watchful eyes. One day, one of her regulars engages her in a conversation that leads to an unusual friendship, as these two worldly souls share their common experiences.
The Puig family has seven children. And today is the wedding of the youngest: Jacques. It's March 1978 in a church in a suburb of Nantes. The father isn't attending the wedding; he's been banished from the family. Jacques is marrying Martine, a young woman who lives in the same neighborhood. It's a love match. But can love heal the wounds of childhood?
This is a combination coming out and first love story. The swimmer and diver Lucard is interested in attractive Martin. The film follows the characters' coming out with all its difficulties, the bitter-sweet pleasures of first love and the dreadful moment when one comes down to reality and realizes that one's beloved friend has a hard way to go yet. The positive message the film tries to transmit is the somewhat common motto "Live each day of your life as if it were your last."
On the day of his seven years, Simon is introduced to boar hunting by his father. His mother is pregnant and the boy will be confronted with the complexity of beings and learn of death.
Colin, 14, enters a new school and he's freaking out: how do you get by when, like him, you're a stutterer? His meeting with Mr. Devarseau, a charismatic French teacher, will push him to face his fears and break out of his isolation. Now Colin has a group of friends and a project: to go on stage to play Cyrano in front of the whole school.
Starting in 1944 in the wake of the Liberation and continuing into the '60s, 'houses of hope' were established to lend a semblance of continuity to youngsters orpahaned by the war. Nina's Home takes place between September 1944 and January 1946 in an orphanage housed in a chateau outside Paris. At the outset, the country residence is run by Nina who has a core population of French Jewish children whose parents are probably dead. Food is scarce. News of the Concentration Camps hasn't hit yet, but some months later, a contingent of youths arrive form the liberated camps. The children are a disparate, wild, damaged group and conflicts ensue. Nina's challenge is to help them make their first delicate moves toward the future and in the process restore all of them, including herself, to life.
A man struggles to support his family while remaining true to his ideals in this drama set in Europe during the 1930s. Orfeo Mancini and his wife Nella are a pair of working-class Italians who years ago swore allegiance to the Communist party. With Mussolini on the rise, Orfeo and Nella come to the conclusion that they are no longer welcome in their native land, and they decide to pull up stakes and move to America with their two children. As a result of some confusion en route, the Mancinis end up in Marseilles rather than the United States; needing work, Orfeo takes a job working as a manual laborer for a wealthy landowner. This requires a serious amount of pride-swallowing on Orfeo's part, since his new boss is an Italian expatriate who once courted Nella. The situation becomes all the more difficult for Orfeo when his employer throws his allegiances behind the growing fascist movement.
A penniless Argentine male escort meets a solitary, lonely Belgian baker who wants to help him leave the world of prostitution, explores intimate gay relationship.
Four gay French expatriots share a business in Barcelona. When they and their parents are thrown together for a "coming out" party, another French Farce ensues.
Laura Bartelli is a stripper in a French bar. She retires after a moody landscape architect named Marco Tisserand asks her to abandon her life and share his. However, after her red Volkswagen runs off the road en route to the rendezvous, she ends up scarred and comatose in a hospital. Marco stays at her bedside.
Pierre and his wife Anne had a good thing going together, until their son Nicolas was born. Anne traveled with him on all his long truck journeys, and they had frequent and passionate sex. For quite a few years now, Anne has stayed at home to take care of their boy, who is a sickly, weedy little fellow. Pierre is frustrated. Anne is frustrated too but has her almost incestuous feeling for her son to torment her. Even little Nicolas is frustrated, in part due to the knowledge that his father feels that the sacrifice he and his mother made in raising him hasn't been worth the effort. He too has some release in the form of a good relationship with his gigantic dog. When the seething passions of these four discontented mammals reach a crisis point, the result (in this film) is exceedingly ironic.
