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Larisa Tarkovskaya

Acting

Biography

Larisa Tarkovskaya (April 15, 1938 – February 19, 1998), born Larisa Pavlovna Egorkina, and Larisa Kizilova during her first marriage, was a Russian actress and second wife of the film director Andrei Tarkovsky. She is best known for her role as Nadezhda in The Mirror. She had one daughter, the actress Olga Kizilova from her first marriage, and a son, Andrei Jr., from her marriage with Andrei Tarkovsky. She died in Paris in 1998. Description above from the Wikipedia article Larisa Tarkovskaya, licensed under CC-BY-SA, full list of contributors on Wikipedia.

Known For

Mirror
8.0

A dying man in his forties recalls his childhood, his mother, the war and personal moments that tell of and juxtapose pivotal moments in Soviet history with daily life.

Mirror

1975
Stalker
8.1

Near a gray and unnamed city is the Zone, a place guarded by barbed wire and soldiers, and where the normal laws of physics are victim to frequent anomalies. A stalker guides two men into the Zone, specifically to an area in which deep-seated desires are granted.

Stalker

1979
Solaris
7.8

A psychologist is sent to a space station orbiting a planet called Solaris to investigate the death of a doctor and the mental problems of cosmonauts on the station. He soon discovers that the water on the planet is a type of brain which brings out repressed memories and obsessions.

Solaris

1972
Andrei Rublev
8.0

An expansive Russian drama, this film focuses on the life of revered religious icon painter Andrei Rublev. Drifting from place to place in a tumultuous era, the peace-seeking monk eventually gains a reputation for his art. But after Rublev witnesses a brutal battle and unintentionally becomes involved, he takes a vow of silence and spends time away from his work. As he begins to ease his troubled soul, he takes steps towards becoming a painter once again.

Andrei Rublev

1966
Nostalgia
7.8

Russian poet Andrei Gorchakov journeys through Italy with his interpreter Eugenia to research the life of an 18th-century Russian composer who once lived abroad. Isolated and consumed by an unrelenting longing for his homeland, Andrei becomes drawn to Domenico, a radical mystic obsessed with spiritual redemption. Through austere imagery and extended temporal rhythms, Tarkovsky examines exile, memory, and the profound melancholy of being unable to belong fully to either place or language.

Nostalgia

1983
The Exile and Death of Andrei Tarkovsky
8.0

A documentary about the life of Andrei Tarkovsky in exile in Western Europe including Italy, Sweden, Germany and France until his sad demise to a fatal cancer.

The Exile and Death of Andrei Tarkovsky

1988
One Day in the Life of Andrei Arsenevich
7.2

Chris Marker’s portrait of Russian filmmaker Andrei Tarkovsky documents the director at work on his final film, The Sacrifice, during the last year of his life. Interweaving behind-the-scenes footage with excerpts from Tarkovsky’s earlier works, Marker crafts a moving reflection on the artist’s vision, methods, and enduring legacy.

One Day in the Life of Andrei Arsenevich

1999
Directed by Andrei Tarkovsky
7.6

This documentary offers a rare glimpse of the legendary Soviet filmmaker, Andrei Tarkosvky, at work. Tarkovsky made only seven films in his brief, but brilliant, career; Michal Leszczylowski's respectful movie chronicles him at work on his last film, The Sacrifice. Offering insight into Tarkovsky's working methods and transcendental aesthetics, the movie is a compelling account of the difficulties of film production. In the case of an uncompromising and visionary filmmaker like Tarkovsky, the practical problems of filmmaking are only magnified, as cast and crew struggle to realize the ambitious concepts in Tarkovsky's mind.

Directed by Andrei Tarkovsky

1988
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7.3

An intimate portrait of Andrei Tarkovsky by his son.

Andrei Tarkovsky: The Reminiscence

1996