Directing
The Jewish Cardinal tells the amazing true story of Jean-Marie Lustiger, the son of Polish-Jewish immigrants, who maintained his cultural identity as a Jew even after converting to Catholicism at a young age, and later joining the priesthood. Quickly rising within the ranks of the Church, Lustiger was appointed Archbishop of Paris by Pope John Paul II―and found a new platform to celebrate his dual identity as a Catholic Jew, earning him both friends and enemies from either group. When Carmelite nuns settle down to build a convent within the cursed walls of Auschwitz, Lustiger finds himself a mediator between the two communities―and he may be forced, at last, to choose his side.
Bisexual attorney Alain is bedding his female boss, his murderer client, the client's hairdresser girlfriend, and a precocious boy who knows what he wants and tries to convince Alain that he can 'have it all'.
In 1924, Simone de Beauvoir, a girl with polished appearance, prepares for her final examination in philosophy and meets Jean-Paul Sartre. He seems to know her true personality and considers her the only woman worthy of his intellect. Their chaotic love serves as the premise for her magnum opus The Second Sex.
A banker has died. He trafficked in nuclear material, so French intelligence assign two agents to find his list of contacts, which are on a flash drive: Muriel - the boss, acerbic, willing to sleep with any man, wondering if she should have a child - and Philippe, younger, boyish, meticulous, bothered by Muriel's frank sexual interest. They watch Constance, the banker's widow: a naĂŻve, friendly, open, trusting. She's taking opera lessons, so the French spies join the class, which Muriel enjoys. It seems that other spies are after the same USB, and some of them sing as well. Singing, spying, and sex lead to duets of all kinds as well as to an eventual showdown.
Story of grandmother helping grandson mourn the loss of his mother.
Mali Azulai (38), a bus inspector in Ashkelon, is on the verge of losing her job after a violent altercation with a teenage passenger. When she returns to an empty bus to retrieve the body camera she left behind, she finds an abandoned baby on the floor and decides to take him home. Her brother Shimon (32), a prison guard struggling through a marital crisis, joins her, and the two shut themselves away with the child. His presence stirs the siblings’ shared wound of abandonment, as long-buried secrets come to light. When the baby falls ill and a hospital visit becomes unavoidable, Mali is forced to choose, hold on or let go and face the cost.
With his job in the balance, GĂ©rard bets his boss that he can transform bad-tempered street person Lola into television star material. With the inducement of stardom as his lure, he takes Lola in hand and becomes her instructor, sending her to ballet and acting classes, where she misbehaves. Most of her petulance is reserved for GĂ©rard, however, but in the tradition of Pretty Woman and My Fair Lady, in the end he gets the girl and a new star -- in the same package.
No description available.
