Lenny Abrahamson

Marianne and Connell weave in and out of each other's lives in this exploration of sex, power and the desire to love and be loved.

Held captive for 7 years in an enclosed space, a woman and her young son finally gain their freedom, allowing the boy to experience the outside world for the first time.

Two college students, Frances and Bobbi, forge a strange and unexpected relationship with a married couple.

A young wannabe musician discovers he has bitten off more than he can chew when he joins an eccentric pop band led by the mysterious and enigmatic Frank.

In a dusty post-war summer in rural Warwickshire, a doctor is called to a patient at lonely Hundreds Hall. Home to the Ayres family for over two centuries, the Georgian house is now in decline. But are the Ayreses haunted by something more sinister than a dying way of life?

What Richard Did is a striking portrait of the fall of a Dublin golden-boy and high school rugby star whose world unravels one summer night.

In this mini-series spin-off of "Adam & Paul" (2004), four individuals, each dealing with their own hardships and struggles, go about their lives over the course of a single day in Dublin.

The cast and crew, as well as novelist and screenwriter Emma Donoghue, weigh in on the importance of the story, the arduous process of bringing it to the screen, and the movie's "redemptive, life-affirming" message.

The story of the extraordinary friendship between Scottish film maker Bill Douglas and his lifelong companion and collaborator Peter Jewell. Bill Douglas was Scotland’s finest director, celebrated by the likes of Lynne Ramsay, Lenny Abrahamson, Satajit Ray and Yuliya Solntseva. Bill’s life was turned around in the Egyptian desert when during National Service he met the man who would become his lifelong friend, Peter Jewell. The two men had very different backgrounds but they formed a unique bond that channelled a tremendous creative energy. In this film Peter reminisces about the life he shared with Bill in their tiny Soho flat filled with cinema memorabilia. Their shared love of the movies lead them to start experimenting with an 8mm camera. Peter’s memories and musings about the legacy Bill left behind are illustrated with these never-before-seen short films.

Adam and Paul are two young junkies living in Dublin and perpetually on the lookout for their next fix. During their search, they encounter various unsavoury characters and make some futile attempts at petty theft. As their day progresses, Adam and Paul get into a good share of trouble as they do whatever they can to score heroin, eventually running afoul of an imposing thug—who only drags them into more shady activities.

Due to a learning disability, Josie's life in a tiny town revolves around a menial job taking care of a garage that could close at any day. Things start to change, however, when David, the son of his boss' girlfriend, comes to work with him. Josie hangs out with David and his teenage friends, bringing them beer, and despite being a grown man himself, finds that the new company lifts his spirits. But his simple-mindedness blinds him to some potential legal dangers.

A film adaptation of the comic book series.

In 1970s Dublin, 12-year-old Davey Rubenstein prepares for his Bar Mitzvah while becoming increasingly aware of the complexities of his homelife and the adult world around him. Seen from the perspective of Davey and his father Eddie, Hillside Drive tracks a pivotal year in the life of a family in flux.

What the future holds for Marianne and Connell's relationship.

On a summer morning, three young men named Joe have a go at doing a bit of housework.

The story of boxer Emile Griffith, who took the life of fellow fighter Benny Paret in the ring during a live televised broadcast in 1962.

In a rare and potentially fatal feat of cinematic daring, "Dublin 26.06.08" was shot entirely between 12.01am and 11.59pm on Thursday June 26th 2008. This audacious cinematic collage offers both a unique snapshot of a single day in the life of Dublin and a vivid example of a bold guerrilla filmmaking model. The film is an eclectic, multi-authored impression of Dublin (within the bounds of the encircling M50 motorway) as it lived, died, breathed, made love, filled up and emptied, consumed, wept, was rained and shone upon, grew bright and then darkened again.