
Marek Siudym
Acting
Known For

Kryminalni was a Polish crime drama television series that aired on TVN network from September 18, 2004 until May 24, 2008. It ran for 8 seasons and 101 episodes were broadcast in total. It was created by Polish director and screenwriter Piotr Wereśniak and produced by MTL Maxfilm studio. The series followed life and work of police officers from the elite Criminal Terror and Murders Division of the Warsaw Metropolitan Police; the title refers to police officers in the crime section. The three main characters were Adam Zawada, an experienced, tough cup, his younger colleague Marek Brodecki and Barbara Storosz, an ambitious female officer who in the first season joins the team just after graduating. Although none of the main actors had had star status before the series debuted, all three of them rose to prominence and popularity during the 5-year-long run. Many of Poland's best known actors guest starred, usually playing roles of people involved in just one particular investigation. The serial was one of the most popular in Poland: each week it had an audience of 4 million.
Kryminalni

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Ojciec Mateusz

The story of the residents of a tenement house on Złota Street in Warsaw from 1945 to 1980.
Dom

An epic, multi-threaded story about the fate of Poles during World War II. "Czas pogardy" was shown primarily from the perspective of two main characters - Lieutenant Władysław Niwiński and Leon Kuraś - a petty crook, but not without heroic traits. The authors of the series sought to show, in particular, everyday life under Nazi occupation in Poland.
Polskie drogi

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Lokatorzy

The series follows the chairman of the ruling political party in Poland (Mr Chairman). The narrative takes place primarily in his office where, joined by his assistant Mariusz, he hosts numerous visitors, including government officials and other public office holders.
The Chairman's Ear

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Papiery na szczęście

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Kuchnia polska

"Zmiennicy" is a grotesque comedy of absurdity and reality that masterfully blends slapstick, satire, and surrealism to expose the absurdities of life under communist rule in the People's Republic of Poland (PRL). The story follows Jacek Żytkiewicz, a taxi driver in Warsaw, and his mysterious new shift partner, Katarzyna Piórecka, who disguises herself as a man to get the job. The series is a comedy of the grotesque, filled with exaggerated characters, nonsensical bureaucracy, and surreal plot twists. It mocks the inefficiencies and contradictions of PRL institutions—from corrupt officials and inept police to bizarre workplace dynamics and social hypocrisy. Underneath the absurdity lies a thriller-like subplot: a drug trafficking operation smuggling heroin from Thailand to West Germany. This storyline, featuring shady sports officials, a Thai student, and a crooked firefighter, adds a layer of intrigue reminiscent of American crime dramas.
Subs

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Agentki

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Lulu

After the defeat of Napoleon, in whom the Poles had placed so much hope for the restoration of their country, a dark night of slavery descended. Poland was wiped off the map of Europe, but it lived on in the hearts and minds of the Polish people. The struggle for Poland continued in various ways and by various means, depending on which partition the former territories of the country found themselves under. In literature, drama, and later in film, the struggle of Polish patriots with weapons in their hands, e.g., in the November and January uprisings against the tsarist regime, found greater reflection and resonance. Relatively little is known and little was known to the general public about the struggle for the liberation of the people of Greater Poland, which was under Prussian rule. And yet it was the "longest war in modern Europe."
Najdłuższa wojna nowoczesnej Europy

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Spadkobiercy

Series set behind the scenes of a Warsaw theater during the last twenty-five years of the 20th century. The creators’ ambition was to explore the interplay between life and art, and how these realms intertwine in the lives of the characters. Each episode features its own protagonist and its own play, usually set within a broader social, political, and cultural context.
Twarze i maski

Kaziuk, a stubborn peasant and his pregnant wife live in a backwood village, unaffected by the civilization. The village is once visited by a couple of wanderers, and strange things start to happen afterward. A new schoolteacher is sent to the area. She stirs erotic fantasies in Kaziuk. In a stir of frustration Kaziuk cuts down a family tree - a sacrilegious act in the eyes of his family. Going a step further and using a scythe for cutting the rye instead of a sickle brings the whole village against him.
The Linnet

Ela is a rebellious artist struggling with the deep gray everyday life of Poland in the 1980's, including family problems and personal demons originating in bipolar disorder.
Imago

A grotesque Shakespearean tale of Ubu who comes to power in a bloody way. When his absurd reforms fail and the treasury gets empty, Ubu and his flatterers start implementing terror across the country.
King Ubu

Based on the play "Predstava Hamleta u selu Mrduša Donja" by Croatian playwright Ivon Brešan. The story is set in the 1960s in a Yugoslavian village, where an activist of a production cooperative decides to stage Shakespeare's Hamlet in a version prepared by a village teacher.
Przedstawienie Hamleta we wsi Głucha Dolna

Central Investigation Bureau officers enter the local underworld after a large quantity of marijuana goes missing from the Podhale police station.
An Almost Perfect Scam

A film tragicomedy realized in the convention of a musical. The whole is based on new performances of songs by Jan Kaczmarek, which form a universal story about Poland and Poles, our history, our myths, fantasies, dreams and vices.