Erskine Caldwell

Shiftless Jeeter Lester and his family of sharecroppers live in rural Georgia where their ancestors were once wealthy planters. Their slapstick existence is threatened by a bank's plans to take over the land for more profitable farming.

In the 1950s, a poor Georgia cotton farmer and his sons search for the gold presumably buried on the farm by their grandfather but problems related to poverty, marital infidelity, unemployment and booze threaten to destroy their family.

A young daughter of poor farmers is forced by her mother to ditch her young boyfriend in order to marry an old rich neighbor but the girl rebels by becoming the town's harlot.

A struggling widow vows to save her teenage daughter from a life of hardship by snaring her a wealthy husband.

An exiled Italian prostitute shields her sister from a deep-sea diver on an island volcano.

The erratic life of Patrice who, after having murdered the pimp of his mother to avenge the death of her, goes from town to town.

The film takes place in rural Tennessee, where communities have experienced economic and environmental devastation created by the coal mining industry. The introduction of the Highlander Folk School in 1931 by educator Myles Horton and the movement to bring labor union representation to the region are shown as means of empowering the population. Efforts are made to stop the union activities with the murder of a local organizer, but eventually the union movement is able to take root with the local workforce.

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Caldwell's pulp storytelling, proto-feminist stance and unabashed social dramatization of his characters are a distinct vision of the condition of women -- specifically working class women. His broadly drawn themes of small town hypocrisy and restrictive moral values contextualize the titular characters' struggle for sexual expression, stability and independence. Certain Women is a disconcerting parable that pays tribute to but also defies the 50s period style of Caldwell, opting for contemporary small town situations and cinematic style. This cautionary tale of four heroic yet ordinary women is fashioned out of the past but relies on observations of the present historical moment and its political reality.