Kenpachirō Satsuma

After the previous Godzilla attack, a miniature arms race ensues to collect his cells. Concerned over Godzilla's possible return, the Japanese government uses the cells to create a new bio-weapon, ANEB (Anti-Nuclear Energy Bacteria). They seeks the aid of geneticist Genshiro Shiragami, who's experiments result in a new mutation.

A burning Godzilla, on the verge of meltdown, emerges to lay siege to Hong Kong. At the same time horrifying new organisms are discovered in Japan. These crustacean-like beings are seemingly born of the Oxygen Destroyer, the weapon that killed the original Godzilla.

The U.N.G.C.C. (United Nations Godzilla Countermeasure Center) recovers the remains of Mecha-King Ghidorah and construct Mechagodzilla as a countermeasure against Godzilla. Meanwhile, a giant egg is discovered along with a new monster called Rodan. The egg is soon found to be none other than an infant Godzillasaurus.

The Futurians, time-travelers from the 23rd century, arrive in Japan to warn them of the nation's destruction under Godzilla. They offer to help erase Godzilla from history by preventing his creation. With Godzilla seemingly gone, a new monster emerges as the Futurians' true intentions are revealed.

After a fishing boat is attacked, the sole surviving crew member realizes it is none other than a resurrected Godzilla. However, efforts to bring the story to light are suppressed by the Japanese government amid growing political tensions between the United States and the Soviet Union, who are both willing to bomb Japan to stop the monster.

Mothra's dark counterpart, Battra, emerges to eliminate humanity on behalf of the Earth. Two tiny fairies called the Cosmos offer their help by calling Mothra to battle the creature. Unfortunately a meteorite has awoken a hibernating Godzilla as a three way battle for the Earth begins.

A lavish retelling of the true story of the final voyage and ultimate destruction and sinking of the battleship Yamato, Japan's greatest flagship during the Second World War.

A mysterious extraterrestrial being resembling Godzilla rapidly approaches Earth. The monster, dubbed SpaceGodzilla, lands to challenge the King of the Monsters.

Thunder Mask (サンダーマスク Sandāmasuku) is a partially lost tokusatsu series produced by Toyo Agency (now Sotsu Co. Ltd) in 1972. Out of the whole series, episodes 1, 3, 6-7, 12-13, 19, and 26 are known to have been preserved. After conquering numerous planets, the evil Devil Dekanda sets his eyes on conquering the earth, but three scientists manage to find a superhero called "Thunder Mask". Thunder Mask goes on to battle the numerous monsters sent down by: Devil Dekanda.

Manga artist Gengo Odaka lands a job with the World Children's Land amusement park only to become suspicious of the organization when a garbled message is discovered on tapes. As Gengo and his team investigate, Godzilla and Anguirus quickly decipher the message and begin their own plan of action.

Inventor Goro Ibuki creates a humanoid robot named Jet Jaguar. It is soon seized by an undersea race of people called the Seatopians. Using Jet Jaguar as a guide, the Seatopians send Megalon as vengeance for the nuclear tests that have devastated their society.

A squadron of Japanese Self-Defense Force soldiers find themselves transported through time to their country's warring states era, when rival samurai clans were battling to become the supreme Shogun.

A look at the unrecognized work of the talented artists and craftsmen who've maintained the tradition of Japanese special-effects. Highlighted is Yasuyuki Inoue along with various crew members who crafted meticulously detailed miniatures and risked life and limb as suit actors. All done to bring to life some of film's most iconic monsters through a distinct Japanese artform.

An ever evolving alien life-form arrives on a comet from the Dark Gaseous Nebula and proceeds to consume pollution. Spewing mists of sulfuric acid and corrosive sludge, neither humanity nor Godzilla may be able to defeat this toxic menace.

Originally released in Japan as "The Return of Godzilla" in 1984, this is the heavily re-edited, re-titled "Godzilla 1985". Adding in new footage of Raymond Burr, this 16th Godzilla film ignores all previous sequels and serves as a direct follow-up to the 1956 "Godzilla King of the Monsters", which also featured scenes with Burr edited into 1954's "Godzilla". This film restores the darker tone of the original, as we witness the nuclear destruction of giant lizard terrorizing Japan.

A detective goes out of his way to crack the case of a serial killer who specialises in murdering police officers.

Japan, 1954. A legend emerges from the ashes of Hiroshima and Nagasaki, devastated by atomic bombs in 1945. The creature's name is Godzilla. The film that tells its story is the first of kaiju eiga, the giant monster movies.

After killing his brother, Prince Yamato is banished from his father's kingdom until he can bring his dangerous powers under control. On his journey, he meets and joins with the magical priestess Oto, and together they go to fight against an evil god that has been ravaging the Earth in the form of an enormous hydra. Will Yamato ever return home to reclaim his rightful place on the throne?

A blind masseur kidnaps young women and kills them and then make sculptures of them, while a mysterious dwarf spreading severed body parts around. Detective Akechi Kogorô investigating crimes.

A look into the production of the nineteenth Godzilla film. Includes filmmaker and actor interviews with behind the scenes footage of the film's visual effects. Includes an interview with Akira Ifukube and a brief discussion of the late Ishiro Honda.