Shepperd Strudwick

The cases of master criminal defense attorney Perry Mason and his staff who handled the most difficult of cases in the aid of the innocent.

An anthology series containing drama, psychological thriller, fantasy, science fiction, suspense, and/or horror, often concluding with a macabre or unexpected twist.

The Philco Television Playhouse is an American anthology series that was broadcast live on NBC from 1948 to 1955. Produced by Fred Coe, the series was sponsored by Philco. It was one of the most respected dramatic shows of the Golden Age of Television, winning a 1954 Peabody Award and receiving eight Emmy nominations between 1951 and 1956.

Have Gun – Will Travel is an American Western television series that aired on CBS from 1957 through 1963. It was rated number three or number four in the Nielsen ratings every year of its first four seasons. It was one of the few television shows to spawn a successful radio version. The radio series debuted November 23, 1958. The television show is presently shown on the Encore-Western channel. Have Gun – Will Travel was created by Sam Rolfe and Herb Meadow and produced by Frank Pierson, Don Ingalls, Robert Sparks, and Julian Claman. There were 225 episodes of the TV series, 24 written by Gene Roddenberry. Other contributors included Bruce Geller, Harry Julian Fink, Don Brinkley and Irving Wallace. Andrew McLaglen directed 101 episodes and 19 were directed by series star Richard Boone.

Climax! is an American anthology series that aired on CBS from 1954 to 1958. The series was hosted by William Lundigan and later co-hosted by Mary Costa. It was one of the few CBS programs of that era to be broadcast in color. Many of the episodes were performed and broadcast live.

The Antoinette Perry Award for Excellence in Theatre, more commonly known as a Tony Award, recognizes achievement in live Broadway theatre. The awards are presented by the American Theatre Wing and The Broadway League at an annual ceremony in New York City. The awards are given for Broadway productions and performances, and an award is given for regional theatre.

An American radio–television anthology series, created in 1947 by Canadian director Fletcher Markle, who came to CBS from the CBC. Studio One, presented by Westinghouse, was one of the first of the anthology TV programs. The episodes were often abridged remakes of movies from years gone by and many future well-known television and movie actors appeared in the productions.

The Name of the Game is an American television series starring Tony Franciosa, Gene Barry, and Robert Stack that ran from 1968 to 1971 on NBC, totaling 76 episodes of 90 minutes. It was a pioneering wheel series, setting the stage for The Bold Ones and the NBC Mystery Movie in the 1970s. The show had an extremely large budget for a television series.

Thriller is an American anthology television series that aired during the 1960–61 and 1961–62 seasons on NBC. The show featured host Boris Karloff introducing a mix of self-contained, macabre weird-horror and morbid, hitchockian crime stories, in some of which he also starred.

Stu Bailey and Jeff Spencer are the wisecracking, womanizing private-detective heroes of this Warner Brothers drama. They work out of an office located at 77 Sunset Strip in Los Angeles, California, right next door to a snazzy restaurant where Kookie works as a valet. The finger-snapping, slang-talking Kookie occasionally helps Stu and Jeff with their cases, and eventually becomes a full-fledged member of the detective agency. Rex Randolph and J.R. Hale also join the firm, and Suzanne is their leggy secretary.

Omnibus is an American, commercially sponsored, educational television series.

Playhouse 90 is an American television anthology series that was telecast on CBS from 1956 to 1960 for a total of 133 episodes. It originated from CBS Television City in Los Angeles, California. Since live anthology drama series of the mid-1950s were usually hour-long shows, the title highlighted the network's intention to present something unusual, a weekly series of hour-and-a-half dramas rather than 60-minute plays. Playhouse 90 began as a pitch by Frank Stanton—the formidable, forward-thinking right-hand man to CBS chairman William S. Paley—during a brainstorming session for program ideas. The project was ultimately developed by Hubbell Robinson, a CBS vice president who received no screen credit on Playhouse 90 but is often described as its creator.

McMillan & Wife is a lighthearted American police procedural that aired on NBC from September 17, 1971 to April 24, 1977. Starring Rock Hudson and Susan Saint James in the title roles, the series premiered in 90-minute episodes as part of the wheel series NBC Mystery Movie, in rotation with Columbo and McCloud. Initially airing on Wednesday night, the original line-up was shifted to Sundays in the second season, where it aired for the rest of its run. This was the first element to be created specially for the Mystery Movie strand.

Danger is an American anthology series which aired on CBS from September 19, 1950 to May 31, 1955.

An American anthology drama television series hosted by Barbara Stanwyck served.

The DuPont Show with June Allyson is an American anthology drama series which aired on CBS from September 21, 1959 to April 3, 1961 with rebroadcasts continuing until June 12, 1961. The series was hosted by actress June Allyson.

Love of Life is an American soap opera which aired on CBS from September 24, 1951, to February 1, 1980. It was created by Roy Winsor, whose previous creation Search for Tomorrow had premiered three weeks before Love of Life, and who would go on to create The Secret Storm two and a half years later.

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Wire Service is an American drama series that aired on ABC as part of its 1956-57 season lineup.

Another World is an American television soap opera that ran on NBC for 35 years from May 4, 1964 to June 25, 1999. Set in the fictional town of Bay City, the show in its early years opens with announcer Bill Wolff intoning its epigram, “We do not live in this world alone, but in a thousand other worlds,” which Phillips said represented the difference between “the world of events we live in, and the world of feelings and dreams that we strive for.” Another World focused less on the conventional drama of domestic life as seen in other soap operas, and more on exotic melodrama between families of different classes and philosophies.