Josephine Siao Fong-Fong

The Taipei Golden Horse Film Festival and Awards (Chinese: 台北金馬影展; pinyin: Táiběi Jīnmǎ Yǐngzhǎn; Pe̍h-ōe-jī: Tâi-pak Kim-má iáⁿ-tián) is a film festival and awards ceremony held annually in Taiwan. It was founded in 1962 by the Government Information Office of the Republic of China (ROC) in Taiwan. The awards ceremony is usually held in November or December in Taipei, although the event has also been held in other locations in Taiwan in recent times

The secret Red Lotus Flower Society is committed to the overthrow of the evil Manchu Emperor and his minions. One of his Governors is sent on a mission to retrieve a list of members of that secret society. Meanwhile, Canton kung fu practitioner Fong Sai-Yuk falls in love with the beautiful daughter of a rich merchant.

The hero Fong Sai Yuk becomes involved in the secret brotherhood "The Red Flower", who are trying to overthrow the Manchurian emperor and re-establishing the Ming dynasty. The social upheaval is combined with Sai Yuk's personal moral conflict about how to conform to the rigid regime of the brotherhood and on top of that sort out his difficult love life, saddled with two presumptive wives.

Lau Ching, a Mainlander with an incredibly powerful right arm, arrives in Hong Kong to find his cousin. He befriends with a drifter named Handsome, and a martial artist girl named Mandy. In order to woo her, Ching participates in a fighting competition in hopes of winning a $10 million prize, and must defeat his love rival, Wai, in the ring.

After the total defeat of his love rival, Ching must now deal with the love rival's brother, Wan To, who seeks revenge against him. When Ching is ambushed by Wan To and his gang in the streets and is at risk, he is rescued and treated by an apprentice of his, Beef Skin, and his feisty sister, Beef Stew. It turns out those two are even harder to handle than Wan To.

A revenge thriller unlike any other, Lung Kong confronts themes of reform and revenge by turning his focus to the subject of disaffected youth. Young Josephine, an audacious performance by a 22-year-old Josephine Siao, is sentenced to an all-girl reform school on the periphery of Hong Kong after a violent bar brawl. Along with a few accomplices, she escapes from the intolerable administration, only to find the streets an even more hostile environment, driving the girls to blood-soaked vengeance. An enthralling youth-in-revolt film from the rare perspective of its female protagonists, shot in indelible widescreen color photography, Teddy Girls is one of Lung Kong’s most enduring triumphs.

Revisit 100 years of Chinese cinema through the RTHK TV program A Century of Light and Shadow. Aired in 2005, this interesting and informative documentary traces the development of the Chinese film industry from the pioneering years to contemporary times. From the volley between Mandarin and Cantonese films to the rise of the New Wave, this program touches on all the major trends and developments that have helped define Chinese cinema and explores different genres and representative figures and films. From actors to directors, over 200 film industry names, including Jackie Chan, John Woo, Sammo Hung, Connie Chan, Andrew Lau, Peter Chan, and Lau Ching Wan, appear in the program, bringing their intimate knowledge of the industry and providing insight about what lies ahead for Chinese cinema.

This documentary tells the story of Bruce Lee and his unsuccessful efforts to start a acting career in the U.S., he returned to Hong Kong where he became an international star, and his death at age 32.

Melodramatic film about a child prodigy.

Upon returning home, sailor Yu (Richard Ng) is shock to discover that not only his wife left him, but the house has also been sub-letted to an old maid, May Wong (Josephine Siu). Both Yu and Wong have their own strange habits, and them living together under the same roof causes numerous hilarious incidents.

Kit-Fong was cultivated by composer Chun-Fai, who even invited her to perform in nightclubs. Kit-Fong's mother died of illness, and Chun-Fai sold her piano to help her tide over the difficulties. Kit-Fong couldn't bear it, so she borrowed money from the nightclub manager to buy a piano back, but she was almost cheated. Chun-Fai was so moved that he decided to marry Kit-Fong. Chun-Fai asks his brother for the money left to him by his father, but he wants to embezzle the inheritance, so he forces Kit-Fong to leave Chun-Fai, who has no choice but to go abroad. Chun-Fai always drank to drown his sorrows. Fortunately, he was encouraged by his friend and his sister Pik-Shan, who became famous in one song. Shan is very loyal to Fai, but unfortunately she is terminally ill. Fai marries Shan to repay her kindness. Fong returns and learns that Fai is married. While sad, Shan is missing and brings Fai and Fang together to renew their relationship.

As Hong Kong television entered the 1990s, this cross-network gala looked back over the industry's history from the founding of the territory's first subscription station in 1957 — the launch of TVB, the three-way rivalry between TVB, RTV and CTV, and the fierce ratings wars — with Sir Run Run Shaw and other key figures telling the story in person, and a star-studded line-up including Chow Yun-fat, Liza Wang, Sam Hui and Stephen Chow performing in tribute to the industry's finest.

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Hong Kong movie

Lung Kong’s first color feature expands on thematic concerns supplanted in The Story of a Discharged Prisoner made one year before, situating issues of social reform within an impassioned romantic melodrama. The relationship between a career criminal and a blind girl (a stunning performance by Josephine Siao) form a portrait of marginalized life in a rapidly-modernizing Hong Kong. The profound chemistry between Patrick Tse and Josephine Siao onscreen served as the primary inspiration for the famed hit man-blind girl pairing in John Woo’s award-winning film The Killer (1989).

Notorious bandit Wong Choi-fat, already retired, loses his prized Imperial Lady Mirror on the gambling table to Chin Yik-tung. But the treasure is stolen by a cat burglar a day before the new owner claims it. Wong’s daughter Ka-yuk (Josephine Siao) suggests replacing it with a fake one. Now they need to steal the fake one before their ruse is discovered.

Tells the story of the relationship between a widower with Alzheimer's disease and his daughter-in-law, May Sun, who is a housewife in her forties trying cope with the upheavals in her family.

hong kong film

No description available.

In 1966, Connie Chan Po-chu and Josephine Siao Fong-fong starred in multiple contemporary films, cementing their onscreen persona as virtuous young women while becoming the hottest youth idols of their time. Colourful Youth remains the only contemporary film to feature both of them. Filmed in Eastmancolor, the song-and-dance spectacle keeps its fingers on the pulse of its era and presents the vigour of the modern times.