Greg Fleet

Blue Heelers was one of Australia's longest running weekly television drama series. Blue Heelers is a police drama series set in the fictional country town of Mount Thomas. Under the watchful eye of Tom Croydon (John Wood), the men and women of Mount Thomas Police Station fight crime, resolve disputes and tackle the social issues of the day. We watch their successes and their failures and learn to grow with them and their loved ones as the heart of the series develops.

The Flying Doctors is an Australian drama series produced by Crawford Productions that revolved around the everyday lifesaving efforts of the real Royal Flying Doctor Service of Australia. It was initially a 1985 mini-series based in the fictional outback town of Cooper's Crossing starring Andrew McFarlane as the newly arrived Dr. Tom Callaghan. The success of the mini series led to its return the following year as an on-going series with McFarlane being joined by a new doctor, Chris Randall, played by Liz Burch. McFarlane left during the first season and actor Robert Grubb came in as new doctor Geoff Standish. The series' episodes were mostly self-contained but also featured ongoing storylines, such as Dr. Standish's romance with Sister Kate Wellings. Other major characters included pilot Sam Patterson, mechanic Emma Plimpton, local policeman Sgt. Jack Carruthers and Vic and Nancy Buckley, who ran the local pub/hotel, The Majestic. Andrew McFarlane also later returned to the series, resuming his role as Dr. Callaghan. The popular series ran for nine seasons and was successfully screened internationally.

Underbelly is an Australian television true crime-drama series, each series is a stand alone story based on real-life events.

Good News Week was an Australian satirical panel game show hosted by Paul McDermott that aired from 19 April 1996 to 27 May 2000, and 11 February 2008 to 28 April 2012. The show's initial run aired on ABC until being bought by Network Ten in 1999. The show was revived for its second run when the 2007–2008 Writers Guild of America strike caused many of Network Ten's imported US programmes to cease production. Good News Week drew its comedy and satire from recent news stories, political figures, media organisations, and often, aspects of the show itself. The show opened with a monologue by McDermott relating to recent headlines, after which two teams of three panellists competed in recurring segments to gain points. The show has spawned three short-lived spin-off series, the ABC's Good News Weekend, Ten's GNW Night Lite and Ten's skit-based Good News World.

Rove, formerly Rove Live, was an Australian television variety show which premiered on the Nine Network on 22 September 1999, before moving to Network Ten which aired the program from 2000 until November, 2009. The show was hosted by comedian Rove McManus, and featured an ensemble cast, who presented various segments throughout the course of the show. The show won the Logie Award for "Most Popular Light Entertainment Program" five times.

Janus is an Australian drama television series screened on the Australian Broadcasting Corporation in 1994 and 1995. Two series were produced, with a total of 26 episodes. Janus was a spin-off series from the earlier ABC-TV crime series Phoenix. Loosely based on the true story of Melbourne's Pettingill family and the Walsh Street police shootings, Janus follows the bitterly-fought prosecutions of a notorious criminal family, the Hennesseys, from the viewpoints of the family, the police and, in particular, the lawyers, prosecutors, barristers and judges involved in all aspects of the story. When the series begins, four members of the infamous Hennessey clan are acquitted of the shooting of two young policemen in a bungled bank heist. The city of Melbourne is shocked as brothers Mal and Steve, along with brother-in-law Darren Mack and friend Ken Hardy, walk free. The prosecutors, judges, magistrates and police—many modelled heavily on real-life legal figures—are determined to put the Hennessey members behind bars if they can. But corruption, legal loopholes, delays, and stretched resources combine to make the quest to jail the group far from straightforward.

Phoenix is an Australian police drama television series. Phoenix screened as two thirteen-part series on Australian Broadcasting Corporation in 1992 and 1993. The first series of Phoenix in 1992 recounted the investigation of the bombing of the Victorian state police headquarters, loosely based on a real case in the mid-1980s, the Russell Street Bombing. It was aided by extensive research into police techniques and was lauded as one of the most realistic depictions of police investigation techniques, including both surveillance and forensics, as well as having an involving storyline. The series was notable for its dark visual tone and for its no-holds-barred attitude to violence and language. It spawned a second thirteen-part series, Phoenix II, in 1993 as well as a spin-off series, Janus, in 1994 devoted to the machinations of court cases. The series was created and produced by Tony McDonald and Alison Nisselle and screened by the Australian Broadcasting Corporation. The ABC have released Series 1 and 2 on DVD as a 4 DVD box set.

Frances O'Brian, Head Librarian, is having a hellish time of it. And for once it's not all of her making. Frances' mother, suffering from both dementia and a really horrible personality, lands on the O'Brien doorstep. Adding to her woes, morale at the Middleton Interactive Learning Centre is at a new all time low. In order to stay open, the library is forced to run as a business and return an annual profit. As the staff has a hard enough time enforcing the return of a book, this latest initiative could spell the end of the library.

Always Afternoon is a 1988 Australian mini series about German internees in Australia. It was a co production between Germany and Australia. It inspired a series of paintings by Ross Watson.

Three fraternal bank robbers, languishing in jail, discover a profitable (if not dodgy) way to spend their time. Crime can most certainly pay, if you "know wot I mean?" However when sex and greed rear-up between the good crims and the bad cops, the consequences are both bizarre and fatal.

Three Australian telecom tradesman find themselves trapped in a telephone exchange during the onset of a zombie apocalypse.

A widowed police surgeon tries to save the world at the same time as maintaining a bond with his teenage son.

Fifteen-year-old Sarah is at a crisis point in her life — she has to cope with deafness, her mother's boyfriend, peer group acceptance and an increasing sexual awakening.

Troubled writer, Vincent, escapes to an isolated retreat, determined to complete his first novel. However, his solitude is short lived as a dark force suddenly encroaches and Vincent becomes immersed in a violent and cathartic awakening.

Kyle spends yet another day on school detention waiting for a dressing down. Acts of rebellion get him through it. Created by Bus Stop Films, which uses filmmaking to raise the profile of people living with disability.

A documentary about a recovering alcoholic and addict – especially one whose story we're already broadly familiar with – doesn't sound like a great night's entertainment. But this compact and moving film made by Fiona O'Loughlin's mate, Sam Petersen, is not just thoughtful, it's also often very funny. Petersen follows O'Loughlin from the time she leaves rehab in 2016 (she spent seven days in a coma following an epic binge) to her return to the Melbourne Comedy Festival in 2018 – including a relapse that put her back in hospital again. As you might expect, many gags are cracked. Truths are told. But this is also an exploration of the way the live-comedy scene is a natural home to excess, and the dangers of the misguided but entrenched association between creativity, and drugs and alcohol. Source: The Age newspaper (https://www.theage.com.au/culture/tv-and-radio/twisting-british-thriller-is-the-stuff-of-any-parent-s-nightmares-and-it-s-really-really-good-20200504-p54po9.html)

Two old school friends, come back together forty years after playing the twins in Shakespeare's The Comedy of Errors, to rework it as a two-hander. The film of the heart-breaking and hilarious new play about trust; remembering and forgetting to remember; loss; regret; love; pain and glory. Their lives took different paths; they are now reunited, but who is playing who? Are they who they say they are and should any of that matter? And once you've let go of your dreams, is there ever really any way back? It's about fathers and the shadows they leave, the labels we give to others and ourselves and the burden and guilt these two friends carry as a result. An achingly honest account that sees privilege and heroin joined at the hip.

Greg Fleet took a holiday as a young man, a holiday that he intended to be a relaxing and inspiring journey to Thailand. What unfolded for the young Fleety was a bizarre and painful learning experience in which he was relieved of thousands of dollars by crooked Thai con men, escaped from these con men, fell in love, and included being bombed in Burma as he spent time with a rebel army.

A mother has lost her child to the most appalling crime – the police are compromised, the private investigator she hired in her desperate search for answers has disappeared. Her only hope for retribution is to contact the man she swore would never be a part of her life. Over a slow-burning 24 hours we pass through the lives of seven lost souls, all damaged and all strangely linked to each other and the terrible events that are about to unfold.

Eager to leave his tumultuous past far behind, controversial author Vincent Tremblay, now lives a simple life, off-grid, in the Australian bush, alongside his close mate, veteran outbacker, Gunther. However, the men's tranquility is suddenly shattered, following a dark discovery in a nearby dam.