Kamaldeep

A terminally ill man frames himself for murder to allow his family to collect the reward money. After a successful operation, he escapes police custody and searches for the real killer.

Peter (O. P. Ralhan) and Kitty (Helen) love each other, but due to Peter's poverty, they are unable to marry each other. One day, during a secret rendezvous, Peter accidentally overhear a conversation between one Mahesh Jetley and his paramour, where Mahesh tells her that he is soon going to bump off his wife on a certain date. Peter and Kitty decide to foil this man's plans. However, there are 2 problems: 1 - They have not seen Mahesh or his paramour's face. 2 - Even if they had, no one would believe their story. Hence, the lovers decide to do a little investigation on their own. They find three Mahesh Jetleys. On some snooping, they find that each man is married and each of them has a miserable married life. To find their suspect, they devise a plan whereby they will stage an attack on each man's wife. Whoever the culprit is, will freak out and his identity will be revealed.

Ranjit is the right-hand man of a gangster named "Uncle". He has been working for him since he was a runaway child, and excels in all of kinds of criminal activities, currently managing a night-club called "Playboy". He meets with beautiful Anju and both fall in love with each other. Then he finds out that Anju is not who she claims to be but someone hired by Pratap to be close to him, entrap him, and get him killed. But that does not happen, Ranjit survives, rescued by Anju, and he helps her free her brother, Rakesh, from Pratap's clutches. Then some priceless jewelery is placed on display, and a number of gangsters decide to try and steal them, knowing fully well that there is a 24 hour police guard, as well as an alarm system. It is after this robbery that the past will be re-visited and it is then a number of people, on whom Ranjit has depended upon, will come to know of his real background, including the murder he committed before he started his career as a criminal.

Long lost siblings grow up on opposite sides of the law; the girl becomes a thief and the boy becomes a police officer.

Kishan Malhotra finds his life turned upside down, when he returns home one day to find that his place has been taken over by a look-alike imposter.

Somu and Vicky decide to exact revenge on the union leader, Bipinlal Pandey. However, when Somu understands the plight of the workers, it creates a rift between the two friends.

Adarsh (Sanjay Dutt) and Aniket (Govinda) are brothers. Aniket is the elder, while Adarsh is the younger one. Both go to the same college, where beautiful Guddi (Mamta Kulkarni) has a crush on him, and vice-versa. Meanwhile, Adarsh is up to college pranks and practical jokes. One of these pranks and jokes land him into trouble in a girls only hostel. When the time comes to leave college and seek a career, both brothers chose a different path, one of which leads to the destruction and separation of their family. Will they reunite in the end?

A doctor finds an injured man and saves his life. But, the man has lost his memory. He sets out in search of his past and the people responsible for his plight.

Inspector Verma is shocked when he discovers that his son has turned out to be a criminal. He takes up the challenge to reform his son and make him a law-abiding citizen.

Kalyani lives in a small tenement with three sons, Vijay, Nandu, and Bhola, all of whom are unemployed, slackers and trouble-makers. One day Nandu gets into serious trouble with Shantilal, who summons the police, and has him arrested. Kalyani goes to the Police Station to plead with the In-Charge Officer to release Nandu, to no avail. She then goes to Shantilal to try to persuade him to withdraw the charges, also to no avail.

After his father's retirement, the onus is on Bharat to look after his Delhi-based family. He has two younger college-going brothers, Deepak and Vijay, and a sister of marriage age, Radha. Bharat is a graduate, but is unable to secure any employment, much to the frustration of his girlfriend, Sheetal. Vijay takes step to secure his own future, by turning to crime, which is strongly opposed by Bharat, and as a result Vijay leaves the house. Mohan is Sheetal's boss, and finds her very attractive. When he proposes marriage, she accepts, and soon both are married. This leaves Bharat devastated, unable to deal with life, and unable to afford the basic needs of Roti (food), Kapada (clothing), and Makaan (shelter), he must now decide to carry on honestly, or otherwise

Ram and Raju are hired to find out the truth about a smuggling racket aboard a sunken ship. But, a rift creates between them due to a new job.

Rana (Amrish Puri) kills Inspector Anand Srivastav, and the only witness is Anand's son, Shankar. Years later, Shankar has grown up and has become a modern Robin Hood of sorts, robs the rich and distributes the wealth amongst the poor, especially a charitable hospital. Shankar comes to know that Rana is still alive, and attempts to avenge his father's death, only to find out that Rana has powerful friends, such as Assistant Commissioner of Police Vijay Pratap (Suresh Oberoi), who not only disbelief Shankar, but will prevent him from doing any harm to Rana.

A man (Govinda) falls in love with a living mannequin (Karisma Kapoor), and each learn they were lovers in a previous life. Remake of the American movie Mannequin.

Haria lives with his widowed and elderly grandmother at a tea estate and works as Elephant Driver. He has no knowledge of his biological father, as his mother died at the time of his birth. He meets and falls in love with a gypsy girl, Gulabi, and both want to get married. But Gulabi has another suitor, none other than Ajay, the only son of the tea estate owner. When Ajay finds out that Gulabi loves Haria, he plans to get rid of Haria, but fails. He waits for the right moment, and has his men abduct Gulabi. But before he could have his way with her, she is rescued by Raja, but Ajay subsequently shoots Raja to death. An enraged Haria wants to kill Ajay in return, but Ajay's dad stops him from doing so. Then Ajay's dad finds out a secret about his past life, and decides to change his last will and testament. Ajay finds out about this and lays in wait with a shotgun to kill his very own father - and anyone else who dares to stand in his way

Dr. Chaudhary must perform multiple surgeries on Major Ranjeet Khanna, who was shot by the Police while trying to escape from custody after killing his wife, Pushpa, and her lover, Prakash. Chances of Ranjeet's recovery are very slim, if he does recover, he could end up mentally unstable or paralyzed. In the event he does recover, the medical staff's efforts would be in vain as he has already been found guilty and sentenced to be hanged.

The dramatic events in the family of Assistant Police Commissioner Anand Sani began when he arrested a dangerous criminal, a member of a gang that had been wreaking havoc in the city. To force the commissioner to release the arrested man, the gang leader Somnath kidnapped Anand's nephew, a boy named Kapil.

A man is devastated when his beloved is seemingly killed in a train crash, so his colleagues suggest he goes for a picnic to cheer himself up.

Rohit, Whiskey, and Kumar (Rajendra Kumar, Rajendra Nath, and Prem Chopra respectively) are childhood friends. While travelling to his estate in the company of Whiskey, Rohit meets with beautiful Neena (Sadhana), and falls in love with her. Subsequently, he meets with her father (Raj Mehra) where they are properly introduced, and she too falls in love with him. Unknowingly, Kumar also sends his proposal for marriage to Neena, but Neena rejects it. Kumar is offended and shortly before the marriage of Neena and Rohit, molests Neena. Rohit and Kumar become enemies, have a fight and Kumar loses sight in his left eye. Feeling that she is not worthly of Rohit anymore, Neena refuses to marry Rohit. Will Rohit and Neena ever get together again? Will they continue to be haunted by Kumar?

Director Sampooran Singh Gulzar’s insightful comic drama aims to capture the unique perspective of childhood.