Hemasiri Liyanage

Calcutta, 1946. Violence rages in India. Sister Teresa teaches at a convent, but is haunted by the faces of the starving, the poor and the homeless; the faces of those less fortunate than her. With only her faith in God, she leaves the convent to live in the slums and care for the poor. An surprisingly, even one of the most revered, selfless heroes questioned her purpose.

The story is a narration of an untold chapter of Deeptha, a rural youngster who could not pass his ordinary level exam. Dhanuka Dilshan with his drama fame does full justice to the vibrant role.

This film indicated the formation of a cinematic language consisting of hyper-realistic images. The film won the award for Most Promising Director at the Critics' awards in 1994. It was also awarded Best Film, Best Director, and Best Screenplay at the 1998 OCIC awards.

In a small village deep within the forests of Sri Lanka, everyone follows the teachings of a monk, with the exception of one hunter. While no one dares to kill in accordance with the monk’s teachings, the lone hunter hunts and provides meat for everyone. Meanwhile, beautiful villager Gomari is killed by a leopard, but no one knows this. Suspecting what happened to Gomari, the hunter begs the monk to cancel the upcoming full moon rituals, but the monk refuses, believing in the inevitability of fate. The hunter that never kills unless absolutely necessary must now hunt alone for the leopard that will attack humans.

Living with the pain of a poisoned environment and a society that doesn't understand the value of an individual.

A home-guard serviceman assigned the task of standing watch over a barren no-man's-land begins to experience an existential crisis after years of lonely service.

Set in a Northern border village during the Sri Lankan Civil War, a Sinhalese soldier meets a Tamil girl in the battlefield. The soldier leaves the army with the girl, and goes back to his village. The arrival of the Tamil girl into this predominantly Sinhala village causes a stir within the community, where they collectively decide to send her to a refugee camp. "This is My Moon" is a controversial examination of village life, where rural myths are shattered to reveal a deeper reality of a society torn apart by war.

Heena Hoyana Samanallu (Dreaming Butterflies) (Sinhalese: හීන හොයන සමනල්ලු) is a 2017 Sri Lankan Sinhala family drama film directed by Rohan Perera and produced by Sunil T Fernando for Sunil T Films. Shehan, who belongs to a higher middle class family is the only child of Madhavi (Dilhani Ekanayake) and Adithya (Saumya Liyanage). Their lives changed unexpectedly when Shehan is diagnosed with leukemia.

As the rage against British colonization in Sri Lanka continues, civilians are having a new hope about their new activists.

A father is someone you look up to no matter how tall you grow. Thaththa paints an emotional picture with unconditional love and an ultimate sacrifice. Thaththa will definitely capture the hearts of millions who adore their fathers and know that sometimes fathers love is deeper than anyone else.

It's the 17th of March 1996. Wills Cricket World Cup Final between Australia and Sri Lanka is about to commence at the Gaddafi Stadium in Lahore. Meanwhile, in Colombo, a man and his wife board a bus carrying a strange cardboard box. Joined by an eloping young couple, several other interesting passengers aboard, they take off on a long night's journey. The seemingly peaceful bus ride shifts its pace when it enters a chase with a Defender jeep. An accident unexpectedly reveals the contents of the cardboard box promising the passengers a journey unlike any they have taken before.

Anil Ruwanwalla, a young photographer meets beautiful Deepthi in a pub and later the friendship turns into love.

Kamal murders his wife and, in an agitated and confused state, he sets on a journey to dispose of the body.

Set during the British colonial reign in Sri Lanka (1905), this powerful drama follows Peduru who descends from a line of traditional drummers, crossing over to three generations. Peduru's struggle for survival in this harsh rural hamlet exposes the repressive Buddhist institutionalization of the locals, and the hierarchical structure backed by the British colonials.

A continuation of “Bawa Duka”; via Peduru’s family, the narrative exposes the social stasis/class discrimination encouraged by the local Sinhalese Buddhist clergy, while the arrival of the Christian missionaries signals a more progressive mindset, though at the cost of conversion to a monotheistic faith. Tyranny is not only practiced by the British colonials but equally facilitated by local traditional institutions--thus, the resultant suffering (Duka) of Peduru is a combination of the two.

A war-born son and his traumatized father navigate cycles of violence in Sri Lanka.

A fast-paced movie that deals with corrupt politicians, rape, and forced marriages. A politician will be stabbed and another person's leg will be cut off.