Vito Rocco

The everyday lives of working-class residents of Albert Square, a traditional Victorian square of terrace houses surrounding a park in the East End of London's Walford borough.

A sitcom about three very academically bright, but socially awkward teenage girls, trying to make sense of life, boys and fitting in. While other girls their age are going to parties, netball practice and sleepovers, Lily, Martha and Jas are busy with chess club, homework and Friday nights in watching documentaries.

After her boyfriend commits suicide, a young woman attempts to use the unpublished manuscript of a novel and a sum of money he left behind to reinvent her life.

The last day of creation. A stranger arrives in London. No one knows who he is or where he has come from. By the time he leaves, the entire universe will have been erased.

The Last Chancers was originally a one-off television sitcom, screened under the Comedy Lab banner at 11:40pm on Thursday 21 November 2002. This show was later developed into a five-part series which was broadcast on E4 in December 2002. Johnny, Paul, Dan and Brian are a bunch of twentysomethings living in Brighton and struggling to make something of their band.

A romantic comedy set in the world of battle re-enactments, about an irresponsible guy who has to shape up in order to win back his wife.

Who Cares a Lot? The Greatest Videos is the VHS version of Faith No More greatest hits album Who Cares a Lot?. It contains almost all of the band's music videos (only "Ricochet" and "Another Body Murdered" are not included), a new live video ("This Guy's In Love With You"), and behind-the-scenes interviews and footage, most of which was taken from a previous video release, Video Croissant. It is the most complete Faith No More video release to date.

A shy young boy forced to deal with the death of his best friend. When a young boy finds his best friend, an 80-year-old man, dead, he uses his love of science to try and keep him alive.

Early work by Vito Rocco (Faintheart) pays homage to the trash aesthetic of John Waters.