Patrick Bonnel

Midi Première is a French variety show presented by Danièle Gilbert, directed by Jacques Pierre and broadcast from January 6, 1975 until January 1, 1982 on TF1. The program was generally broadcast between 12:15 p.m. and 12:55 p.m., then giving way to the 1:00 p.m. TV news. However, the broadcast schedule could change, depending on the guests, and the setting where the recording of the program was shot. Certain performances by artists who have become cult like the one where Ringo jostles with a demonstrator in interpretation (1977), that of Dalida with the title There is always a song with the soundtrack that does not start, twice, at the right speed (1978), Claude François and his Clodettes, who, in the provinces, are unable to join "the set" in order to interpret his song, the latter being taken by the crowd of delirious fans (summer 1977) . The group Supertramp performed there with the title "Dreamer" on March 8, 1975.

Isabelle, a 17-year-old student, loses her virginity during a quick holiday romance. When she returns home, she begins a secret life as a prostitute for a year.

Following a fall during mistletoe picking, Druid Getafix decides that it is time to secure the future of the village. Accompanied by Asterix and Obelix, he undertakes to travel the Gallic world in search of a talented young druid to transmit the Secret of the Magic Potion.

Coming out from jail, Lucas has decided to change his life and behave like a good citizen. But when he is taken hostage in a bank by a hare-brained robber, no cops can believe he is not part of the action.

The day his bank refuses to finance him, Georges will do everything he can to save his shipyard and his employees.

Quiet 16-year-old Louis, the high school headmaster’s son, has never been in trouble. His best friend, 18-year-old Greg, however, is his polar opposite: provocative, angry, violent, he has been kicked out of school for physically threatening young English teacher Camille. When Greg asks Louis to help him take revenge on Camille, Louis accepts, fascinated...

In the French harbor city of Le Havre, an elderly shoeshiner with an ailing wife crosses paths with a young African refugee pursued by the police for deportation.

No description available.

Two mismatched cops team up to investigate the murder of a business mogul's wife.

Joey Wellman, an American cartoonist from Cleveland now largely forgotten at home, visits France with his partner Lena to attend an exhibition in Paris about the comic strip (bande dessinée) which features his work. He also hopes to be reconciled with his daughter Elsie who has been a student in Paris for two years, in flight from the American culture of which she sees her father as a typical example. Elsie is naively infatuated with French literature, and is trying to secure an introduction to the brilliant university professor Christian Gauthier, an expert on Flaubert but also an enthusiast for comic books. The meeting of father and daughter goes badly, but Elsie is persuaded to join Joey and Lena for the weekend at the country house of Gauthier's mother, Isabelle. During a comic-themed masquerade party, all of the characters are made to reconsider their present and past relationships.

While shooting a film, the director becomes interested in the unfolding struggle of a young factory worker that has been laid off by a boss who did not like her union activities.

Parisian authorities clash with the Front de Libération Nationale (FLN) in director Alain Tasma’s recounting of one of the darkest moments of the Algerian War of Independence. As the war wound to a close and violence persisted in the streets of Paris, the FLN and its supporters adopted the tactic of murdering French policemen in hopes of forcing a withdrawal. When French law enforcement retaliated by brutalizing Algerians and imposing a strict curfew, the FLN organizes a peaceful demonstration that drew over 11,000 supporters, resulting in an order from the Paris police chief to take brutal countermeasures. Told through the eyes of both French policemen as well as Algerian protestors, Tasma’s film attempts to get to the root of the tragedy by presenting both sides of the story.

Serge Tanneur is at the pinnacle of his acting career when he decides to turn his back on show business and become a hermit living off of France’s Atlantic coast. Three years later, Gauthier Valence, a beloved TV actor, shows up on the island to offer Serge a role in his directorial debut – a rendition of Molière’s classic play, “The Misanthrope”. Serge refuses at first, but then suggests that they rehearse the first scene and after five days he’ll decide if he wants to dothe play or not. What ensues is a battle of brawn and wits and peculiar encounters with a hotel maid who longs to be a pornstar and an Italian divorcée.

A prostitute, released from prison, tries to change her life, but a murderous slave organization, the Consortium, is determined to bring her back to the fold or kill her, which forces her to seek help from Liberty, an anti-Consortium group.

Alex, Antoine and Manu meet Jean, a loner who ignores the pleasures of friendship. Little by little, they learn to know each other, to appreciate each other. Jean is moved by the complicity and affection that fuels the relationship with his new friends.

Antoine, 11, is on holiday with his grandfather. One night he catches thieves hiding their booty in a pond. Antoine seizes the 40 million. But Liza, his new friend, is the daughter of one of the criminals. Both children soon face threats.

Monsieur Papa is a moving portrait of a modern family, centering around 12 year-old Marius Vallois. Born in a wealthy family, Marius is the son of Marie Vallois, a successful CEO. Marie loves her son unconditionally, but Marius has never known his father and suffers greatly from it. When Marius starts shoplifting and doing badly at school, Marie decides to recruit a father figure for him. One day in her office building, she meets Robert Pique. Robert is a peculiar man who has a background in finance, but makes ends meet ironing clothes for his neighbors. Reluctant at first, Robert agrees to be paid to meet Marius and pretends to be his father. Marius immediately understands that Robert is not his dad, but very quickly, a deep bond develops between them.

Paris, in the early 1960s. Jean-Louis Joubert is a serious but uptight stockbroker, married to Suzanne, a starchy class-conscious woman and father of two arrogant teenage boys, currently in a boarding school. The affluent man lives a steady yet boring life. At least until, due to fortuitous circumstances, Maria, the charming new maid at the service of Jean-Louis' family, makes him discover the servants' quarter on the sixth floor of the luxury building he owns and lives in. There live a crowd of lively Spanish maids who will help Jean-Louis to open to a new civilization and a new approach of life. In their company - and more precisely in the company of beautiful Maria - Jean-Louis will gradually become another man, a better man.

Two sisters have to deal with the traditional issues of growing up and the unusual problem of caring for an unstable father in the drama Qui Plume La Lune?

Paris Flic and computer-crack David Ackermann is a teacher at the academy advising the rookies in computer-crime. By coincidence Informations about personalities from the high-politics and police-authorities that are involved in organized crime fall into his hands. From than on he's been chased merciless, even having his ex-wife kidnapped to blackmail him. With the help from his new girlfriend he lashes back.