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Michael Schultz

Michael Schultz

Directing

Biography

Schultz was born in Milwaukee, Wisconsin, the son of Katherine Frances (née Leslie), a factory worker, and German American Leo Schultz, an insurance salesman. After his undergraduate work at the University of Wisconsin–Madison and Marquette University, he attended Princeton University, where in 1966 he directed his first play, a production of Waiting for Godot. He joined the Negro Ensemble Company in 1968, which brought him to Broadway in 1969. His breakthrough was directing Lorraine Hansberry's To Be Young, Gifted and Black, which he restaged for television in 1972. Schultz' earliest film projects combined low comedy with profound social comment (Honeybaby, Honeybaby and Cooley High), reaching a peak with the ensemble comedy Car Wash (1976) and Which Way Is Up? (1977), starring Richard Pryor. In 1978, Schultz took the reins of the musical Sergeant Pepper's Lonely Hearts Club Band with the largest budget ever entrusted to an African-American film director to that date. However, upon its release, the project was a commercial and critical failure. Schultz would go on to make prominent films such as Scavenger Hunt (1979), Carbon Copy (1981), and Disorderlies (1987). More recently, Schultz has worked in television, piloting episodes of such style-conscious series as The Young Indiana Jones Chronicles and Picket Fences, as well as an abundance of made-for-TV movies. In 1991, Schultz was inducted into the Black Filmmakers Hall of Fame.

Known For

L.A. Law
7.0

L.A. Law is an American television legal drama series that ran for eight seasons on NBC from September 15, 1986, to May 19, 1994. Created by Steven Bochco and Terry Louise Fisher, it contained many of Bochco's trademark features including a large number of parallel storylines, social drama and off-the-wall humor. It reflected the social and cultural ideologies of the 1980s and early 1990s, and many of the cases featured on the show dealt with hot-topic issues such as abortion, racism, gay rights, homophobia, sexual harassment, AIDS, and domestic violence. The series often also reflected social tensions between the wealthy senior lawyer protagonists and their less well-paid junior staff. The show was popular with audiences and critics, and won 15 Emmy Awards throughout its run, four of which were for Outstanding Drama Series.

L.A. Law

1986Series