Production
Italian coming of age story about two cousins, Enzo and Agata, told in three stages.
A 17th-century nun becomes entangled in a forbidden lesbian affair with a novice. But it is Benedetta's shocking religious visions that threaten to shake the Church to its core.
Titus Andronicus returns from the wars and sees his sons and daughters taken from him, one by one. Shakespeare's goriest and earliest tragedy.
AnaĂŻs is twelve and bears the weight of the world on her shoulders. She watches her older sister, Elena, whom she both loves and hates. Elena is fifteen and devilishly beautiful. Neither more futile, nor more stupid than her younger sister, she cannot understand that she is merely an object of desire. And, as such, she can only be taken. Or had. Indeed, this is the subject: a girl's loss of virginity. And, that summer, it opens a door to tragedy.
A documentary of insect life in meadows and ponds, using incredible close-ups, slow motion, and time-lapse photography. It includes bees collecting nectar, ladybugs eating mites, snails mating, spiders wrapping their catch, a scarab beetle relentlessly pushing its ball of dung uphill, endless lines of caterpillars, an underwater spider creating an air bubble to live in, and a mosquito hatching.
Francesco Dellamorte is the groundskeeper at a cemetery where the dead just won’t stay dead—and it’s up to him to deal with those who come back to life with a hunger for human flesh. But Dellamorte’s job soon becomes much more complicated when he falls for an enigmatic young woman whose husband has recently died.
Panic attacks and memory loss signal the plight of a writer whose body is inexplicably being taken over by another woman.
Nanni Moretti recounts in his diary three slice-of-life stories marked by a dry, ironic gaze: in the first, he rides his Vespa through a deserted, sun-drenched summertime Rome; in the second, he visits a reclusive friend on an island, who ropes him into an impromptu journey between islets in search of quiet; and in the last, he finds himself grappling with an unknown illness.
An Italian troupe is busy in Paris filming an adaptation of La Traviata. The dressmaker Rosa, in love with the lead actor, identifies herself with Violetta: thanks to a bad joke and a fake séance, Rosa begins to believe she is her reincarnation. From that moment on, she tries to discover everything she can about her previous life, which slowly becomes closer and closer to her real one.
Diana, a high-class prostitute trying to escape from a serial killer, suffers a car accident that leaves her blind and kills the family of Chin, a ten-year-old boy.
Paul reflects on the summer he met Angèle and Frédéric as he watches his friend being laid to rest.
A masked serial killer with psychosexual issues strangles female coeds with scarves before dismembering them. When a wealthy student identifies one of the scarves and thinks she has a lead on a suspect, she becomes the killer's next target, retreating to her family's remote cliffside villa with three of her girlfriends.
A private security contractor in Iraq rejects the official explanation of his friend's death and sets out to uncover the truth.
After his family is brutally murdered for an unknown reason, a computer engineer sets out to find those responsible.
Stourley Kracklite, a driven, detail-obsessed architect, travels from America to Rome with his much younger wife, Louisa, to oversee an architectural homage to a personal hero, 18th-century master builder Etienne-Louis Boullée. En route by train, Stourley and Louisa conceive a much-wanted child — but Stourley's obsession with his wife's expanding belly, her perceived infidelity, and his own recurrent bouts of abdominal pain reach epic and dangerous proportions.
When socialite and heiress Julie Wardh begins receiving blackmail letters attributed to a mysterious serial killer, she suspects her cruel and sadistic former lover Jean is behind them. With her husband Neil frequently out of town, she falls into the arms of her friend's cousin George, and as the unknown assassin begins to make his move, she fears that one of the three men in her life may be the killer.
We are with Pasolini during the last hours of his life, as he talks with his beloved family and friends, writes, gives a brutally honest interview, shares a meal with Ninetto Davoli, and cruises for the roughest rough trade in his gun-metal gray Alfa Romeo. Over the course of the action, Pasolini’s life and his art are constantly refracted and intermingled to the point where they become one.
Set during the Alaskan gold rush of the late 1800s. In his efforts to gain control of a small mining town, Sean McLennon is buying up every claim that becomes available, usually after the deaths of the previous owners at the hands of McLennon's 'assistants'. One of the miners targeted by McLennon, a half-Indian hunter named Hudson Saanteek, manages to escape his hired thugs and comes back into town looking to re-establish his claim and get revenge. McLennon and his men have the advantage of numbers and weapons, but Saanteek has his survival skills and knowledge of the Alaskan wilderness.
Tommaso Scalia is a man who commits three murders: he kills his superior who sacked him, the man who replaced him and his wife. He wants a quick trial and an early execution, but an earnest, principled assistant judge looks for a way to save the murderer from being shot, because he does not belive in capital punishment.
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