Masaki Kobayashi

Down-on-his-luck veteran Tsugumo Hanshirō enters the courtyard of the prosperous House of Iyi. Unemployed, and with no family, he hopes to find a place to commit seppuku—and a worthy second to deliver the coup de grâce in his suicide ritual. The senior counselor for the Iyi clan questions the ronin’s resolve and integrity, suspecting Hanshirō of seeking charity rather than an honorable end. What follows is a pair of interlocking stories which lay bare the difference between honor and respect, and promises to examine the legendary foundations of the Samurai code.

Taking its title from an archaic Japanese word meaning "ghost story," this anthology adapts four folk tales. A penniless samurai marries for money with tragic results. A man stranded in a blizzard is saved by Yuki the Snow Maiden, but his rescue comes at a cost. Blind musician Hoichi is forced to perform for an audience of ghosts. An author relates the story of a samurai who sees another warrior's reflection in his teacup.

After handing in a report on the treatment of Chinese colonial labor, Kaji is offered the post of labour chief at a large mining operation in Manchuria, which also grants him exemption from military service. He accepts and moves with his newlywed wife Michiko, but when he tries to put his ideas of more humane treatment into practice, he finds himself at odds with scheming officials, cruel foremen, and the military police.

After the Japanese defeat to the Russians, Kaji leads the last remaining men through Manchuria. Intent on returning to his old life, he faces great odds in a variety of different harrowing circumstances as he and his men sneak behind enemy lines.

Ryou Mizuhara is a normal high school student, living alone with his younger sister Akane. They were very happy together, at least until a mysterious girl crashes into their lives who introduces herself as Ryou's new fiancée.

A look at the trial of Japanese militarists accused of war crimes; from the proceedings of the International Military Tribunal (May 1946–November 1948). It took two days to read the charges against the 100 alleged war criminals in the docket (only 28 top officials are actually in the small courtroom), and the final judgment took one week to read.

On a Tokyo dump’s shantytown edge, interwoven vignettes follow residents scraping by: a boy who “drives” an imaginary trolley, a homeless father and son designing a dream house, a young woman brutalized at home, drunks, schemers, and saints of small kindnesses. Kurosawa crafts a ragged mosaic of hardship, fantasy, and flickers of grace that keep people moving forward.

Kaji, sent to the Japanese army labeled Red, witnesses cruelties in the army and revolts against the abusive treatment against a fellow recruit. He also sees his friend Shinjô defecting to the Russian border, and he ends in the front to fight a lost battle against the Russian tanks division.

The mother of a feudal lord's only heir is kidnapped by the lord. Her husband and his samurai father must decide whether to accept the unjust decision, or risk death to rescue her.

In feudal Japan, when any commerce with the rest of the world is strictly prohibited, an idealist appears at an isolated inn, headquarters of smugglers with stolen money intended to ransom his loved one forced to work in a brothel.

A botanist woos the secretary of an industrialist whose company threatens the local water supply.

A love triangle develops between a benevolent student, his innocent girlfriend, and a cruel petty criminal, all as a point of diagnosis of a social disease that had Japan slowly succumbing to lawlessness during the post-War era.

A dying businessman intends to will ¥200 million to his three illegitimate children, but his associates scheme to take advantage of the situation.

An industrialist is diagnosed with terminal cancer. He is abroad in Europe at the time, and a glimpse of a Japanese woman in that setting causes him to imagine her as the personification of his impending fate. As his dialogue with his imagined mortality continues, he meets the living woman, the template for his fantasy, and together, they tour rural churches. Gradually, he comes to some kind of peace about the diagnosis. When he returns to Japan, he is met with a series of challenges that profoundly test the lessons he has learned.

In the Meiji period, a schoolteacher tries to hide his lower-class upbringing as he supports a visiting liberal intellectual.

In this 1993 video interview, filmed for the Directors Guild of Japan at Tokyo’s Haiyuza Theatre, director Masaki Kobayashi talks to fellow filmmaker and longtime Kobayashi admirer Masahiro Shinoda (DOUBLE SUICIDE) about THE HUMAN CONDITION.

LOVE IS THE CONDITION FOR BEING HUMAN The Human Condition is a Japanese epic film trilogy made between 1959 and 1961 The trilogy follows the life of Kaji, a Japanese pacifist and socialist, as he tries to survive in the totalitarian and oppressive world of World War II-era Japan. Taken altogether as a single film, it is 9 hours and 47 minutes long, which includes intermissions, making it one of the longest narrative films ever made.

A group of rank-and-file soldiers are jailed for crimes against humanity, themselves victims of a nation refusing to bear its burdens as a whole.

A rural village elder plans an event on the return of a farmer's daughter from the city, unaware that she has become a Westernized burlesque artist.

A new magistrate in the town of Horisoto—widely reputed to be the most lawless township in Japan, uses guile and his opponents' own misperceptions and prejudices to defeat his enemies and uproot corruption.