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Can Togay

Can Togay

Acting

Biography

Can Togay (Turkish: [ˈdʒan ˈtoɡaj]; born August 27, 1955), also known as János Can Togay, is a Hungarian film director, screenwriter, actor, poet, producer, cultural manager and cultural diplomat. Can Togay was born the son of Turkish parents. He spent his childhood in Germany. In 1969, he joined the Péter Halász troupe. Between 1973 and 1978, he studied on the German and English faculty of Eötvös Loránd University, followed by two years of post-graduate work on German-French comparative linguistics under Jean-Marie Zemb of the Sorbonne Nouvelle in Paris. He finished in 1980. In 1984, he graduated from the faculty of direction of the Színház- és Filmművészeti Főiskola (College of Theatrical and Video Arts) in Budapest as the student of Zoltán Fábri. In 1991 he moved to Finland for four years. His 1992 film A nyaraló was screened in the Un Certain Regard section at the 1992 Cannes Film Festival. In 1978, he had poems published in the Mozgó Világ (Moving World). In 2004, his first collection of poems was released by the publisher Aranykor Kiadó (Golden Age Publisher). He conceived the idea of the Holocaust Memorial Cipők a Duna-parton (Shoes on the Danube Promenade) in Budapest, and was also a co-maker of it with Gyula Pauer. Since January 1, 2008, he is the head of the Collegium Hungaricum Berlin, the Hungarian Institute for Science and Culture in the German capital and the cultural attaché of the Hungarian Embassy.

Known For

The Blue Exile
4.6

Mavi Sürgün is a fictionalized account of one period of the life of a Turkish journalist who was condemned to exile for an article he wrote in 1925. He turned his punishment into a reward by creating a little paradise in what is today the holiday resort, Bodrum. In fact he is considered by some to be the first ecologist. The film concentrates on this latter aspect of his character and through flashbacks portrays the inner turmoil of a man who is trying to come to terms with his past. The slow pace is somewhat of a drawback, the flashbacks are often confusing and the protagonist is not always very convincing. But the photography of the country side is exceptional Kenan Ormanlar and the short appearance by a very theatrical Hanna Schygulla of Fassbinder fame adds a little spice to the drama.

The Blue Exile

1993Movie
Happy New Year London
6.0

What if the unexpected becomes your faith? Would you lay claim to it and stay or would you run away? International Performer Yasar Nur has arrived in London the night before her concert and a few days away from the New Year. A formidable destination for Yasar, and one that will resurface a history best left forgotten, on a night that can change it all. Pain, responsibility, decision and courage get Yasar through the night in her hotel room where communication becomes hope for everyone involved. What will happen when an old friend is forced to give Yasar a great responsibility she may be unable to handle, or when a disturbed and powerful fan decides to change his life by meeting his obsession face to face, or when a disheartened husband makes a drastic decision to end his pain and set his wife free? The actions of one young man will bring these characters together and force them to communicate firstly with themselves, and then with each other, and only some will survive

Happy New Year London

2007Movie