Pablo Cedrón

Lalola was an Argentine television Comedy show that aired from 28 August 2007 to 29 April 2008. It was broadcast by TV channel América 2. It starred Carla Peterson and Luciano Castro as protagonists.

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Cha Cha Cha was an Argentine sketch comedy television program aired in the 1990s on América TV, starring Alfredo Casero, Fabio Alberti, Diego Capusotto, and others. It was characterized by absurd humour, sometimes bordering on the surreal. In 2012 it was announced by Casero that the show will return as a motion picture.

A quiet, epileptic taxidermist plans the perfect crime. All he needs is the right opportunity. An accident, perhaps…

Carola Casini (Araceli González) is a car racer, and has a changing relationship with another racer, Santiago Becerra (Juan Palomino), who recognizes Carola's skills at the wheel. This is the plot line in which the different characters will move. Among them, Carola's coach, Vicente (Raúl Lavié), and the most diverse members of both families will play a very important part in her personal and professional life.

Nafta Súper was born as a spin-off of the argentinian cult film "Kryptonita" (Kryptonite) from 2015. Eight suburban episodes, eight mocking, engaging, and ferocious hunts. Nights of drinking that are nights of shooting, lived with adrenaline, dark humor, and glistening sweat.

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Campeones de la vida is a Mexican telenovela produced by TV Azteca in 2006 starring Gabriel Porras, Ana Seradilla and Luis Ernesto Franco.

Farsantes is a 2013 Argentine legal drama produced by Pol-ka Producciones and which aired on Canal 13.

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A photographer shoots a documentary film in a small town in Argentina (Uribelarrea) about the filming that a foreign producer is doing on the spot.

Leo is the wrong man in the wrong place at the wrong time. After taping a murder and keeping the evidence he runs away to stay alive and, in order to survive, he has to cover up himself. Under a new identity he will become an orthodox Hasidic Jew. A french ruthless killer, Duges and his associates López and Harken will hunt Leo. Their nonstop chase has only one exhilarating speed: all- out. Time is running out and his enemies are getting closer. Now Leo a ragtag bunch of misfits will face the biggest challenge of their lives.

A reporter becomes involved with a band of terrorists hiding in the mountains between Peru and Bolivia.

Cetarti is drowning in nothingness. With no job or purpose, he spends his days inside watching documentaries on television, until one day he is informed that his mother and brother were gunned down. He travels from Buenos Aires to Lapachito, a decrepit town in the province of Chaco in northern Argentina to deal with their bodies and to get the life insurance money. There he meets Duarte, a sort of boss in the town and a friend of his mother's murderer who also kidnaps people for money. Cetarti's path will lead him to committing illegal acts to get his hands on the insurance money and to his involvement in Duarte's dark dealings, leading to an absurd and unexpected outcome.

Three stories of ordinary people intersect on Christmas Eve: a dentist desperate to find his son's toy; a writer who is not happy and decides to look for the woman of his dreams; and a doctor who intends to flirt with a Spanish woman.

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o Jorge Cedrón this was an act of wistful and political affirmation. He could not explain why he made it, but stated: «It necessary to make it». The outcome, never screened publicly in Argentina, is of a joyous creative freedom, a musical collage here the history of tango and its roots get interwoven with Argentine political history. A Buenos Aires street reconstructed in Ariane Mnouchkine 's theatre, a European old man who can play the tunes the bandoneón was made for, but who does not know the tango, a friends gathering at Antonio Seguí's studio, the music of Cuarteto Cedrón, hobbyhorses and a disconcerted Indian are some of the many elements combined by the film-maker in this singular, unique work.

During the first half of the 19th century, in a vast and desolated land fallen into anarchy, several armed groups drift along the infinite Pampas demanding support and food from the peasants. Even if they are bitter rivals, they all claim to pledge allegiance to the “movimiento”. Among these gangs is one led by Señor, an educated man who, with two of his followers, intends to found a peaceful new order. But while his enchanting words and manners seem appealing, his methods reveal an unstoppable thirst for power.