Cecilia Rossetto

Five female prisoners forge a unique bond after a deadly accident... until corruption and turf wars within a ruthless prison threaten to destroy them.

No description available.

The film centers on a Spanish tapas bar and the love lives of the loosely interconnected people in the neighborhood surrounding the bar. The pairs of lovers include a middle aged woman and a young man; an elderly, drug dealing woman and her terminally ill husband in poor health; the tapas bar owner and his estranged wife; and two Chinese immigrants.

This Spanish-language series chronicles the politics and events leading up to the most severe economic and social crisis in Argentina’s history since its return to democracy. At the center of a government in crisis, a political appointee works as a liaison between the current administration and opposition party figures who seek to rise to power.

A young working-class man comes from Misiones (an Argentinian province) to Buenos Aires, with a fighting rooster, looking for his brother, and gets involved with low life characters, who introduce him to a world of crime.

In this remake of the classic Alfred Hitchcock movie, a retired cat burglar sets out to save his reformed reputation by catching an imposter.

Mama Cora, who is almost eighty years old, has three sons and a daughter. She lives with one of them, who has serious financial problems. The family meets one day to celebrate an anniversary meal, and that is when the problem arises: which of them will take care of her?

A documentary about the fans of "Waiting for the Carriage", the Argentine film classic directed by Alejandro Doria, and which investigates the obvious and hidden reasons for this phenomenon.

A librarian founds a copy of the fabled Necronomicon, only unleash hell on earth.

Silvio is a well-to-do business executive who is seemingly happily married to Marcia. However, Silvio is convinced Marcia is cheating on him, and frequently spies on her -- ironically enough, he usually does so during assignations with his mistress, posh interior designer Claudia. Meanwhile, Daniel, who works with Claudia, is enjoying a vacation with his wife Irina, a front desk clerk at the hotel where Silvio usually romps with Claudia. Daniel is hoping the getaway will help put the spark back into their marriage, but he soon discovers Irina's head has been turned by a trainer from a nearby health spa. And finally, Mariela, Silvio's housekeeper, has stated dating Jorge Washington, who has only recently come to Spain from Peru. While Mariela has fallen hard for Jorge, he's impressed by the romantic and material opportunities his new hometown provides.

No description available.

Two close girlfriends come to Buenos Aires from the Northwest looking for a better future, but they are victims of a hoax and should work in a brothel. There, one of them will adapt to survive and the other will try to flee.

No description available.

Clara Goldstein is a lovely, middle-aged Jewish woman who, because of an impending visit from her American brother, is forced to create a contrived relationship with a man of her own faith. She places an ad in a personals column and meets Raul, a well-spoken, handsome and charming man whom she soon discovers is a Gentile and does not fulfill her reason for placing the ad. Having no alternative, Clara proceeds to instruct Raul with an intensive course in Judaism. Their journey is both humorous and captivating, but not without pitfalls. These two mature people risk a last chance at a meaningful relationship in their lives.

A review of fiction about the life of Florencio Parravicini.

"The Surprises" is an episode film. In the episode Five Years of Life an unknown man and woman spend a night locked in a subway station. In Corazonada, a domestic employee takes revenge on her employer by making her son fall in love and in The Wells there is a love triangle in which the deceived husband is blind.

No description available.

The nephew of a sexologist must take care of his uncle's clients.

No description available.

Argentine film shot in color directed by Pedro Stocki from a script by Oscar Balducci, produced in 1974 but not authorized for exhibition at the time and remains unpublished