Enrique Pinti

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Argentine re-make of American television series Married... with Children. It follows the Argento family and their lives.

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Anthology series, in which every episode introduces fictionalized versions of real cases about women who, for different reasons, ended up committing murder.

Los únicos is an Argentine superhero live-action television series aired by El Trece in the prime time. The "uniques" are a superhero team working as a covert operation unit.

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Los Roldán is a Spanish language telenovela produced by Argentina's Telefe from 2004 to 2005. The drama, which is also described by many as a comedy, actually ended up winning an award in 2004 as Argentina's Comedy of the Year. RCN Colombian network recently bought the soap opera, making a Colombian version called Los Reyes, while the Mexican version of Los Roldán is Los Sánchez, produced by TV Azteca. In 2008, ANT1 Cyprus, produced the series in a Cypriot version called Η ζωή είναι ωραία. In 2012, Mega Channel, produced the series in a Greek version called Οι Βασιλιάδες.

La Dueña is a 2012 Argentine miniseries. It is a blockbuster starring Mirtha Legrand, who worked on this series after 46 years of retirement from acting in television.

A dangerous love affair inspires a director to create the most spectacular and boldly seductive dance film ever made.

Mama Cora, who is almost eighty years old, has three sons and a daughter. She lives with one of them, who has serious financial problems. The family meets one day to celebrate an anniversary meal, and that is when the problem arises: which of them will take care of her?

Following his mother`s death, wise son Sebastian attempts to organise dad Nestor to cope with basic household chores. Sebastian shows Nestor how to light the oven. Later Nestor can't fix a broken lamp, but his son soon sorts it out. Nestor wants to act and invent money raising schemes whereas Sebastian yearns for a dad with a steady job. Nestor gets a role in an ad and pursues acting work. He seeks backing to market ping pong balls with world cup logos though the event has passed. The essence of the story revolves around how these conflicting aspirations can be reconciled.

A documentary about the fans of "Waiting for the Carriage", the Argentine film classic directed by Alejandro Doria, and which investigates the obvious and hidden reasons for this phenomenon.

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Ernesto Pérez Roble is a tycoon, owner of a multimedia group, who when he dies leaves everything in the hands of his daughter Juana. But Camila Lamónica appears, his other daughter -unrecognized-, who owns a dancehall and wants half of her father's fortune.

Vidal (Darín) is about to be bankrupt, so he sets up a fake car robbery with a small-time mobster to collect insurance and split the money. But his perfect plan becomes entangled by his increasingly dangerous ties to the mob and the meddling of a rogue insurance investigator (Pinti), who eventually strikes a deal with Vidal and decides to team up with him and his wife (Papaleo) to bring down the mob and expose the corruption that links a high-ranking executive to the mafia.

This is the story of an optimistic and amnesiac people who, at the slightest glimmer of light, are prone to forget the pain caused by repeating their mistakes at the polls or by knocking on the doors of the barracks, and rush into hopeful celebration: a dubious World Cup, a war with England, the coming of democracy, etc. And so, between pain and celebration, they await that promised future of abundance.

A group of poor people living on the bare minimum in a slum, trying to survive in a world that seems to have no place for them. With a tone raw and realistic story portrays their daily tragedies, and their struggle to survive.

Documentary on State terrorism during the last military dictatorship in Argentina, made in its aftermath. Invited by the Goethe-Institut to hold a workshop with young film students, Schroeter contrasts the official statements of the regime with the testimony of victims, dissidents and relatives of the disappeared. And trust that their faces and words will resonate much more than a mere representation of violence.