
Luis Brandoni
Acting
Biography
Luis "Beto" Brandoni (1940-2026) was one of Argentina's most renowned and significant actors. He was born in Dock Sud, a port community east of Avellaneda. He debuted on the stage in 1962, on television in 1963, and on film in 1966. He joined the National Comedy Theater in 1964 under the direction of Luisa Vehil. Politically active in the centrist Radical Civic Union (UCR), he served as cultural policy adviser for President Raúl Alfonsín (1983-89), and was elected to the Argentine Chamber of Deputies in 1993, where he served until 2001. He was an unsuccessful Argentine Senate candidate for the UCR in 2005, and for Vice Governor of Buenos Aires Province, with nominee Ricardo Alfonsín, in 2007. He was married to actress Marta Bianchi, and in 2007 married Monica Lopez. An actor with extensive film, television and theatre credits, he portrayed leading roles in acclaimed pictures such as La tregua (1974), Juan que reía (1976), Darse cuenta (1984), Esperando la carroza (1985), Made in Argentina (1986), Cien veces no debo (1990), Convivencia (1993), Una sombra ya pronto serás (1994), De mi barrio con amor (1995), and Los pasos perdidos (2001). His career remained strong during 2011: among his notable theatre credits was his portrayal of former President Arturo Illia; and his notable television credits included a starring role in the Telefé; sitcom, El Hombre de tu vida. He earned three Martín Fierro Awards (1970, 1990, and 1993); and an Argentine Film Critics Association Silver Condor awards for Best Actor for his roles in Made in Argentina and Convivencia. Brandoni also served in numerous actors' guilds, including the International Federation of Actors (IFA) as its Vice President between 1974 and 2004.
Known For

Eliseo is the superintendent of an upscale building. On the surface, is cordial and docile in his role, but underneath Eliseo believes himself the omnipotent figure of the community — meddling in the affairs of residents and pulling strings as he sees fit. Eliseo's only concern is protecting his job, which comes under threat by a proposed pool project.
The Boss

No description available.
Alta comedia

No description available.
The Man of Your Dreams

An iconic bon vivant, who barely has enough resources to maintain his affluent lifestyle, hires a young woman from Paraguay to replace the recently deceased maid who took care of him for more than 40 years.
Nothing

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Tiempo final

A young working-class man comes from Misiones (an Argentinian province) to Buenos Aires, with a fighting rooster, looking for his brother, and gets involved with low life characters, who introduce him to a world of crime.
A Rooster for Esculapio

The story tells the experiences of four modern parents Favio Carbonetti (Luciano Castro), Ignacio Moreno (Joaquín Furriel), Franco Bertossi (Luciano Cáceres) and Mauro de Leone (Peto Menahem) and attractive friends who become friends by sharing daily talks at the door of your children's Kindergarten.
Señores papis

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Sres Papis

A former communist militant and a "live and let live" man form an unlikely friendship on a park bench, sharing their life stories with humor and heart.
Strangers in the Park

In a town in the Northwest of the province of Buenos Aires, a group of neighbors is organized to recover the economy of the area, but when the corralito is implemented in the country and they suffer a fraud, their hopes disappear. Now, they will unite to recover the lost money and give the blow of their lives to their greatest enemy.
Heroic Losers

In 1920, workers from Patagonia, in Southern Argentina, gather around an anarcho-syndicalist society and go on strike, demanding better working conditions. When the situation turns unsustainable, President Yrigoyen sends Lieutenant Colonel Zavala to impose order.
Rebellion in Patagonia

Mama Cora, who is almost eighty years old, has three sons and a daughter. She lives with one of them, who has serious financial problems. The family meets one day to celebrate an anniversary meal, and that is when the problem arises: which of them will take care of her?
Waiting for the Hearse

Arturo, the successful owner of an art gallery, and Renzo, a talented but decadent painter, are old friends who cannot stop bickering. One day, Arturo comes up with a solution to all their problems, but the plan they concoct turns out to be crazier and riskier than they originally expected.
My Masterpiece

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Una familia especial como la tuya

A group of old actors and filmmakers tries to resist the efforts of a young couple to kick them out of their mansion.
The Weasel's Tale

Buenos Aires, Argentina. A luxurious van is parked on the sidewalk. A man enters with the purpose of stealing whatever he can find, but when he wants to leave, he cannot. The doors do not open, the control panel does not respond: the van has become an armored box and he is trapped like a mouse.
4x4

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Durmiendo con mi jefe

Leo is the wrong man in the wrong place at the wrong time. After taping a murder and keeping the evidence he runs away to stay alive and, in order to survive, he has to cover up himself. Under a new identity he will become an orthodox Hasidic Jew. A french ruthless killer, Duges and his associates López and Harken will hunt Leo. Their nonstop chase has only one exhilarating speed: all- out. Time is running out and his enemies are getting closer. Now Leo a ragtag bunch of misfits will face the biggest challenge of their lives.
You Only Live Once

Between farce and grotesque, John, who has lost his job, in a collective versea values of a knife sharpener, can not against debts contracted or can with his family, wife and two kids. One day, the woman left, runs out of credit and Juan is left with only his dream of being a radio announcer.
El verso

This documentary series reveals the origin of Quino's iconic cartoon and his sources of inspiration. Through a combination of stock material, interviews with famous Mafalda fans, and testimonies from historians, editors, and Quino's friends and family, the series offers a fresh look at this classic through the Maitena, Liniers, Montt, Tute, Rep, Kemchs, and Raquel Riba Rossi's analysis.