Lech Majewski

The brief life of Jean Michel Basquiat, a world renowned New York street artist struggling with fame, drugs and his identity.

What would it be like to step inside a great work of art, have it come alive around you, and even observe the artist as he sketches the very reality you are experiencing? From Lech Majewski, one of Poland's most acclaimed filmmakers, The Mill and the Cross is a cinematic re-staging of Pieter Bruegel's masterpiece "Procession to Calvary," presented alongside the story of its creation.

The story of the great train robber Ronald Biggs.

Karen and Wes's marriage is crumbling apart - like a sandcastle. Karen can't even make love to her husband any more - the sand has managed to get everywhere. Harry, a tax collector, is a witness to this marriage falling apart.

A tale of medieval quest for a golden harp called "the Knight".

A mix of fantasy and sci-fi, the film entwines Navajo lore with a reclusive trillionaire and his would-be biographer, creating a fascinating, mysterious and idiosyncratic vision of America.

A commune built around the pursuit of spiritual perfection through the occult begins to see its prophecies come true.

A Pittsburgh miner kidnaps a model and drives her to Hollywood to see Howard Hughes' plane, the Spruce Goose.

Inspired by the tale of Telemachus in Homer’s Odyssey, young Adam’s mother is persecuted by the state police because his father fought in WWII as a pilot before disappearing. Adam fantasizes about his father and one day, while watching Godard’s Contempt in the cinema, finds himself transported into the dressing room of Brigitte Bardot and into a world where he meets a coterie of her contemporary celebrities.

Bound to a suffocating existence, a young man embarks on a marvelous journey of the imagination, transforming ordinary details of his room into fantastic images of natural beauty, where the cycles of life mysteriously play themselves out.

This dialog-free film, originally presented as 33 short films, is an experimental, bizarre set of meditations and flashbacks of the grotesque.

Adam survived a car accident that killed his partner, Basia, and his best friend, Kamil. From that moment, Adam, a poet and promising university literature professor, gave up teaching and found work and refuge in a shopping mall. Reading the Divine Comedy and sleeping provide him with respite from the tormenting pain. In his sleep, he can visit a parallel world where he encounters loved ones and ghosts of his imagination. Added to his personal suffering is that of Poland, devastated by natural and political disasters throughout 2010. Adam, like Dante with Beatrice, continues to have one goal before him: to find his beloved Basia.

After a long time in hospital, Maciek is released and finds out that his beloved old car is gone. With the help of a homeless old man, Maciek finds the car at a scrap-heap and tries to repair it.

When a terminally-ill art historian meets an engineer, it is love and lust at first sight. But their love is threatened by her looming illness. With her remaining days on earth numbered, she chooses to fan the flames of her obsession by taking her lover on a trip to Venice, where the artist's work becomes the background for their physical passion and emotional discovery.

Polish rebel Rafal Wojaczek writes poetry and lives life on the edge before his suicide in 1971.

The school etude Holiday opens with "dirty" shots of the TV screen, from which propaganda about the celebration of St. The frame returns as a chorus and, together with shots of fireworks, divides the story of the first St. Barbara's Day celebration in Bełchatów into sequences. The film has no commentary, none of the characters - the miners, their relatives or the mine management - speaks directly to the camera (except for the shots stylized on the materials of the TV Journal, in which the characters praise the organization and working conditions in the mine). We hear snippets of conversations, the buzz of St. Barbara's Day fun, music. The author's interpretation of reality results from the selection of the subjects of the shots and their specific juxtapositions.

Lech Majewski opens up the world of Jacek Malczewski, a symbolist painter from the turn of the twentieth century. In a wordless visual dialogue, the director recreates Poland’s history from the World War I to the present day.

Mourning. Funerals. The origins of culture are built on farewells. Burial mounds, tombs, mausoleums and pyramids were filled with objects that belonged to the departed. Bandaged, mummified, they were buried alongside their owners since they were extensions of their hands, legs and bodies. An eighteen day vigil in the Modern Art Gallery of Majewski’s native town of Katowice was an attempt to pay a simple homage to a young woman who died in a car accident. It evolved into a mysterious ritual connected to the myth of the fountain of life-giving blood, an archetype of female cyclicality. Reminiscent of priestesses from Böcklin paintings, silhouettes in lucid gowns moved in a slow motion making the audience participate in a ceremony that felt like an ancient funeral, creating a symbolic mausoleum at the Gallery.

Through the fates of representatives of two generations - fathers and sons - an attempt to capture the social and moral changes caused by the industrial transformation of the country. The film consists of two novellas: "Annunciation" by Lech Majewski and "Home" by Krzysztof Sowinski.

First volume of visual poems. Twelve video art short features.