Acting
Count Mátyás Sándor is the protagonist of this exciting series based on the popular novel by Jules Verne. In 1859, after the defeat of the Habsburgs in Italy, the wealthy Transylvanian lord sees the time has come to launch another armed struggle for Hungary's independence. The Viennese Chamberlain, however, learns of his activities and decides to 'liquidate' him. Two adventurous criminals are commissioned to carry out the assassination.
Spain, 1973. Dictator Francisco Franco has ruled the country since 1939 with an iron fist; but he is now a very old and sick man. The future of the weakened regime is in danger. Admiral Carrero Blanco is his natural successor. The Basque terrorist gang ETA decides that he must die to prevent the dictatorship from continuing.
Mario lives in Turin with his sister Michelina. He works in the factory. He meets a young Turin man running a night club frequented by unsavory people related to drug trafficking.
Cigarette smugglers in Naples run into problems with cocaine operations being set up by a rival smuggler.
The true story of the life of Gavino Ledda, the son of a Sardinian shepherd, and how he managed to escape his harsh, almost barbaric existence by slowly educating himself, despite violent opposition from his brutal father.
Lisetta (Carmen Russo) a high-priced call-girl, that entertained her eccentric clients in her apartment and in empty theaters over opera! She met Filippo (Saverio Marconi), a bumbling astronomer , and after a series of mishaps, they got married.
This documentary examines the life and legacy of controversial Italian filmmaker Lucio Fulci through interviews with his colleagues, each of whom answers the question, "What is your fondest memory of Lucio Fulci?". The responses are as varied as the people who knew the late writer-director, providing a nuanced look at the man behind such gory grindhouse classics as City of the Living Dead and The House by the Cemetery.
The film begins when Eugenio, a 14 year old child, is conduced from his grandparents home outside Rome, to Giancarlo (his father) in the city, by Giancarlo's friend (called "Moustache"). As Eugenio is bothering Moustache, he threatens Eugenio with leaving him in the middle of the country. He finally does it. When Giancarlo finds out, they return for Eugenio, but he is now lost. Meanwhile we're told the story of the child and his relation with the family, and why he feels unwanted.
Fabio Testi is an undercover cop doubling as the bodyguard (hence, “Gorilla”) of a cantankerous middle-aged industrialist targeted for extortion.
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Romantic entanglements develop between three young Italians frustrated by their current economic and social status.
Late at night, Angelo returns from a mission in Africa and slips behind the wheel of a taxi, navigating a city he barely recognizes. Shrouded in darkness, its streets pulse with a strange, unsettling energy. But the true nightmare begins when he finally reaches home. Confronted by sudden eruptions of senseless violence and drawn into a web of increasingly twisted personal entanglements, Angelo is forced down a harrowing path. As he ventures ever deeper into the abyss of the night, he finds himself changed in ways he never could have imagined.
Antonio and Giuseppe meet at the hospital, while awaiting the birth of their respective first children. The two leave together for a quick lunch, ending up involved against their will in an odyssey of amusing setbacks and bizarre characters.
Paulo joins a student protest, where he meets the socialist Michela. She has been separated from her husband. Paul is intrigued and spiritually attracted by the new political movement. Peaceful demonstrations keep turning into riots.
Memories and anecdotes of the making of "Padre Padrone"
French film based on the story Der Findling by german author Heinrich von Kleist.
During the Years of Lead in Italy, a student approaches extra-parliamentary terrorist groups, but comes to realize that he has to get away from those circles as he's hunted by both his former comrades and the police.
At the end of July 2002 the time had come again. An audience of 5000 had gathered to listen to the new production of Gaetano Donizetti’s L’elisir d’amore under the direction Saverio Marconi, conducted by Niels Muus. The orchestra was seated in an enormous box that was put on the stage, while the singers, in traditional costumes by Silvia Aymonino, performed on stage in front of it, among them the young Valeria Esposito as Adina, Aquiles Machado in the role of Nemorino, Enrico Marrucci as Belcore and the very young Erwin Schrott as Dulcamara.
