Teco Celio

Part-time model Valentine unexpectedly befriends a retired judge after she runs over his dog. At first, the grumpy man shows no concern about the dog, and Valentine decides to keep it. But the two form a bond when she returns to his house and catches him listening to his neighbors’ phone calls.

As a major criminal investigation tries to stem the flow of corruption, Italy is poised on the brink of collapse.

Old woodcarver Geppetto fashions a wooden puppet, Pinocchio, who magically comes to life. Pinocchio longs for adventure and is easily led astray, encountering magical beasts, fantastical spectacles, while making friends and foes along his journey. However, his dream is to become a real boy, which can only come true if he finally changes his ways.

In 1968, engineer Giorgio Rosa established the independent state called "The Isle of Roses" off the coast of Rimini, built on a platform outside the territorial waters, with Esperanto as the official language. The Italian authorities did not take it well because the micronation was seen as an expedient to not pay taxes on the revenues obtained thanks to the arrival of numerous tourists and curious people.

TV Show Details

An old film director, unhappy with the movie he's shooting about a Hungarian circus stranded in Rome during the 1956 anti-Soviet uprising, faces divorce from his producer wife and other problems.

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One of puppet-maker Geppetto's creations comes magically to life. This puppet, Pinocchio, has one major desire and that is to become a real boy someday. In order to accomplish this goal he has to learn to act responsibly. This film shows you the adventures on which he learns valuable lessons.

The newly elected Pope suffers a panic attack just as he is about to greet the faithful who have gathered to see him. His advisors, unable to convince him he is the right man for the job, call on a renowned therapist who also happens to be an atheist. But the Pope's fear of his newfound responsibility is one he must face alone. Winner Best Film at the Italian Golden Globes.

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A comedy set on New Year’s Eve 1999 in a luxurious hotel in the Swiss Alps where the lives of various guests and those who work for them intersect.

After the liberation of Auschwitz, an Italian prisoner of War begins a torturous voyage home to Turin, through a Europe caught between war and peace.

In this "inside look" at French filmmaking, Marechal - who is a has-been director - a producer, Vito Catene and Camile Dor, a big-name actress, have agreed to make a film about drugs, but don't have a story, financing, or any of the other elements needed to make it. This doesn't stop them; they cobble together the financing and begin shooting anyway. The producer is very fond of the leading actress, and when she gets hooked on drugs for real in the course of shooting what he feels to be a farcical imitation of a film, he gives up his shares in the film and heads off for the back of beyond (Zanzibar) to lick his wounds. To add insult to injury, the film winds up being a critical and commercial success.

Set in Genoa, the film concerns the financial struggles and emotional strain that occur after Michele loses his job. He and his wife Elsa are forced to give up their affluent lifestyle and cope with the tensions of moving into a smaller home, finding new work, and making sacrifices.

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Set amid the European community in an unspecified North African country, a colony on the verge of nationalism just before the war. And colonized is what happens to a French diplomat, Julien Rochelle, when he meets the mysterious beauty Clothilde de Watteville. Schmid 's favorite axiom, that love is projection, never had such a thorough airing. Is Clothilde really the wife of a French official now holed up in Siberia? Or is she Hecate, goddess of black magic and devourer of the Arab boys she meets far from the European quarter? Only our projections know for sure; for the rest, she is a "woman looking out into the night." Drawn from a novel by Paul Morand, who based the main character on his wife Helene, Schmid's film achieves an atmosphere of magic in which psychological credibility is not so much absent as irrelevant-a film that distances itself from the drama it invokes, perhaps as the elusive Clothilde turns her back on the madness she provokes.

Antonio, an honest citizen, seeks his revenge against Simone, a dishonest politician. Antonio initially wanted to report him but then, knowing Italy, a country in which the justice process is very long and uncertain, he decides to take revenge in another way: he discovers that his enemy has hidden the proceeds of his misdeeds in a Swiss bank and decides to organize a hit to get back what was stolen from him. To accomplish the feat, Antonio sets up a small gang, made up of non-professionals who have only one thing in common: they too have been defrauded by corrupt politics. The heist takes place in Zurich where the bank in which Simone hid the money is based. With a series of unpredictable consequences, and with a funny substitution of people (Antonio and his wife pretend to be Simone and his partner), a comic clockwork mechanism starts. And the heist begins.

Alberto, post office manager of a small town in Brianza, under pressure of his wife Sylvia, is willing to do anything to get the transfer to Milan. Even pretending to be disabled to climb in the ranking. But the trick does not work and as punishment, he is transferred in a small town in Campania, which to an inhabitant of the north is equivalent to a nightmare ...

Follows the lives of three families who live in a three-story building in a Roman neighbourhood.

Diane is a sophisticated trainee on the New York Stock Exchange who is suddenly kidnapped and held captive in a North African desert hideaway by Selim, an Arab mogul.