Acting
Tres Mujeres is a Mexican telenovela produced by Roberto Hernández Vázquez for Televisa and originally broadcast on Canal de las Estrellas from March 22, 1999, to April 14, 2000. Created by Martha Carrillo and Cristina GarcĂa, with adaptation by Ximena Suárez, the telenovela stars Erika Buenfil, Karyme Lozano, Norma Herrera, Alexis Ayala, Jorge Salinas, and Pedro Armendáriz Jr. Due to its enormous popularity, the series was extended to 280 episodes. The story follows three women from different generations whose lives become intertwined through love, family conflicts, and personal struggles. As Bárbara, Fátima, and Greta face betrayal, ambition, heartbreak, and unexpected challenges, they must find the strength to overcome adversity while searching for happiness, forgiveness, and true love.
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Rodrigo Junquera finds out he is close to death, he decides to ask the nanny of his young child, Virginia MartĂnez, a beautiful and honest woman, to marry him with the intention of preparing the road so she can look after his children when he's gone. Virginia has to deal with the contempt of Rodrigo's children who acuse her of being an ambitious woman who married their father for his money. Virginia is in love with Rodrigo's eldest son, Carlos Alberto, who has come to mistreat her after finding out she married his dad.
After twenty years, MarĂa obtains her freedom and returns to Mexico to find Patricia's real murderer. She marries Esteban, her husband, again to regain the affection of her children, who reject her for being their stepmother.
Bendita Mentira is a Mexican telenovela produced by Jorge Lozano Soriano for Televisa and originally broadcast on Canal de las Estrellas from August 5 to December 6, 1996. It is based on the radio serial La madrastra, created by Inés Rodena, and was adapted for television by Celia Alonso and Andrea Ordóñez. The story follows Esperanza, a humble housekeeper who works for the wealthy de la Mora family. Unknown to everyone, Diego—the young man who despises her—is actually her biological son, having been raised to believe the de la Mora family are his true parents. As long-hidden secrets begin to surface, Esperanza must confront prejudice, betrayal, and painful truths while fighting to reunite her family and find happiness.
Los Parientes Pobres is a telenovela made by Mexican TV network Televisa. It is a telenovela set in Mexico. This telenovela was broadcast in 1993.
El secreto de Alejandra is a Mexican telenovela created and produced by Jorge Lozano Soriano for Televisa and originally broadcast on Canal de las Estrellas from December 1, 1997, to January 2, 1998. Created by Jorge Lozano Soriano, with adaptation by Lila Yolanda Andrade and Carlos Lozano Dana, the telenovela stars MarĂa SortĂ© and Leonardo Daniel. Due to its controversial theme of organ trafficking, the series was shortened to 25 episodes. The story follows MarĂa Soler, an actress trapped in an abusive marriage, and Alejandra Monasterio, a wealthy woman dying of terminal cancer. After discovering they are identical despite being unrelated, Alejandra convinces MarĂa to assume her identity so she can care for her young son. As MarĂa begins her new life, she becomes entangled in a dangerous conspiracy involving organ trafficking, deception, and family secrets while fighting to protect Alejandra's child and uncover the truth.
Sent to Mexico to help take care of aging Father Benito, young Father Amaro faces a moral challenge when he meets a 16-year-old girl who he starts an affair with. Likewise, the girl's mother had been having an affair with Father Benito. Father Amaro must choose between a holy or sinful life.
A novice private detective is on the trail of a serial strangler in Mexico City.
A Spanish movie directed by Carlos GarcĂa Agraz.
A Uruguayan rugby team crashes in the Andes Mountains and has to survive the extremely cold temperatures and rough climate. As some of the people die, the survivors are forced to make a terrible decision between starvation and cannibalism.
Torn between three lovers and bored by her typewriting classes, Carolina (Dillian) writes a passionate love letter to fictional Pablo Garza from Monterrey. The letter is sent by mistake and received by real Pablo Garza's girlfriend. Pablo himself (Infante) flies to Mexico City looking for an explanation. Carolina is rehearsing a musical show for her school dressed as a man. When Pablo meets her, she pretends to be her brother Anibal, a shy and feminine sailor. Pablo likes Anibal and invites "him" to a cabaret. After that, Carolina falls inlove with Pablo but resists to unveil her real self. Meanwhile, Pablo feels himself confused, because young "Anibal" is cute as an angel and has "those blue eyes..."
Victim and victimizer exchange roles in a world like quicksand. Because reality only exist in the eyes of the one making it up.
