Skip Hinnant

Kate & Allie is an American television situation comedy which ran from March 19, 1984, to May 22, 1989. Kate & Allie first aired on CBS as a midseason replacement series and only six episodes were initially commissioned, but the favorable response from critics and viewers alike easily convinced CBS to commit to a full season in the fall of 1984. The series was created by Sherry Coben.

The Electric Company is an educational American children's television series that was produced by the Children's Television Workshop for PBS in the United States. PBS broadcast 780 episodes over the course of its six seasons from October 25, 1971 to April 15, 1977. After it ceased production that year, the program continued in reruns from 1977 to 1985, the result of a decision made in 1975 to produce two final seasons for perpetual use. CTW produced the show at Teletape Studios Second Stage in Manhattan, the first home of Sesame Street. The Electric Company employed sketch comedy and other devices to provide an entertaining program to help elementary school children develop their grammar and reading skills. It was intended for children who had graduated from CTW's flagship program, Sesame Street. Appropriately, the humor was more mature than what was seen there.

The Patty Duke Show is an American sitcom which ran on ABC from September 18, 1963 to April 27, 1966, with reruns airing through August 31, 1966. The show was created as a vehicle for rising star Patty Duke. A total of 104 episodes were produced, most written by Sidney Sheldon.

A live-action, recurring skit on the PBS children's television series The Electric Company. Episodes featured the Marvel Comics character Spider-Man, provided to the Children's Television Workshop free of charge, and was played by puppeteer and dancer Danny Seagren. Stories involved the masked superhero foiling mischievous characters who were involved in petty criminal activities. The cast of The Electric Company played the roles of the various characters in each story, with another serving as narrator. In many of these sketches, viewers were addressed as "true believers." Unlike other live-action and cartoon productions of Spider-Man, this version of the web-slinging hero did not speak out loud, instead communicating only with word balloons, in order to encourage young viewers to practice their reading skills because he was drawn without a mouth. He also never appeared out of his costume as Peter Parker and, given the series' budget limitations, used his web-shooters sparingly.

In late 1960s New York City, fed up with monotonous college life and police repression, free-spirited Fritz, an impenitent seducer and unrestrained party-animal, decides to explore the world. And just like that, as he flees NYC, heading to San Francisco, Fritz embarks on an endless adventure of illumination. Immersed in a world surrounded by drugs and sex, Fritz participates in mad orgies, brings about a revolution, incites mass urban riots, and crosses paths with drug-addled Nazi bikers.

Fritz, now married and a father, is desperate to escape the domestic hell he now finds himself in. Lighting up a joint, he begins to dream about his eight other lives, hoping to find one to provide a pleasant distraction. The drug-induced journeys he takes include spells as an astronaut, Hitler's psychiatrist, a courier travelling in hostile territory during a race war, and as a pupil of an Indian guru in the sewers of New York.

The Muppets of Sesame Street and the cast of The Electric Company take over the ABC Nightly News when the newsroom staff takes a lunch break.

The Mailman decides to stop another deluge of letters by answering questions about the Easter Bunny: Sunny, a baby rabbit found and adopted by Kidville (a town of only kids--even a kid mailman). And when Sunny goes delivering eggs to the nearby town (which he has to dye to fool Gadzooks, the mean bear on the mountain), he discovers that there are no kids in the town, and that the rightful (kid) ruler is being suppressed by his aunt. But the young king likes Sunny's dyed eggs and jelly beans. So Kidsville, with the help of an old train engine, makes a few plans (and a decoy chocolate rabbit) to distribute them.

When "The Electric Company" made its television debut in October 1971, it was instantly clear that it would fulfill its mission of helping struggling and reluctant readers. With a ground-breaking and diverse cast, clever writing, innovative direction, and an original visual and musical style, the show was so effective that by the end of its first season, nearly a quarter of all US schools were using the show in the classroom. Generations of young people learned to read from the series, making it one of the most important and enduring shows in American television history. "The Electric Company's Greatest Hits and Bits" is a clip-filled celebration featuring many of the series' most popular segments (with Bill Cosby, Morgan Freeman, Rita Moreno and the rest of the multi-talented Electric Company cast), and includes new interviews with cast members Jim Boyd, Judy Graubart, Skip Hinnant, Tom Lehrer, Rita Moreno, and Joan Rivers, as well as with series creator Joan Ganz Cooney.

Written, directed, and self-financed by Juleen Compton, The Plastic Dome of Norma Jean is the story of a clairvoyant teenage girl, Norma Jean (Sharon Henesy), taken advantage of by a boy band, fashioned after The Beatles, determined to exploit the young woman's powers as part of a hoax revival.

What a day Alexander is having. He's got gum stuck in his hair, he trips on his skateboard and he can't find his favorite glow-in-the-dark yo-yo. Things go from bad to worse in this charming animated musical based on the book by Judith Viorst.

Pogo Possum is finagled into running for President of the United States in this stop motion animated film.