Acting
A burning Godzilla, on the verge of meltdown, emerges to lay siege to Hong Kong. At the same time horrifying new organisms are discovered in Japan. These crustacean-like beings are seemingly born of the Oxygen Destroyer, the weapon that killed the original Godzilla.
Mothra's dark counterpart, Battra, emerges to eliminate humanity on behalf of the Earth. Two tiny fairies called the Cosmos offer their help by calling Mothra to battle the creature. Unfortunately a meteorite has awoken a hibernating Godzilla as a three way battle for the Earth begins.
A mysterious extraterrestrial being resembling Godzilla rapidly approaches Earth. The monster, dubbed SpaceGodzilla, lands to challenge the King of the Monsters.
The U.N.G.C.C. (United Nations Godzilla Countermeasure Center) recovers the remains of Mecha-King Ghidorah and construct Mechagodzilla as a countermeasure against Godzilla. Meanwhile, a giant egg is discovered along with a new monster called Rodan. The egg is soon found to be none other than an infant Godzillasaurus.
No description available.
A band of samurai warriors places a curse on a family fortune thus frustrating the heir 4 centuries later.
“Night Train to the Stars” is a biography of the fascinating life of Kenji Miyazawa, one of Japan's most beloved fantasy novelists. Miyazawa is an idealist pledging with his friend Kanai to work for the improved life of farmers. Troubled by his family’s interest in money making and social status, he leaves home after graduating high school to join a Buddhist sect in Tokyo. After falling out with a friend, and receiving news about his sister re-emerging pneumonia, he decides to return home where starts his own experimental school, teaching new farming methods to young local farmers while also instructing them in music and arts. It was only after his death, through the help of his brother Seiroku, that his writings became widely read.
A look into the production of the nineteenth Godzilla film. Includes filmmaker and actor interviews with behind the scenes footage of the film's visual effects. Includes an interview with Akira Ifukube and a brief discussion of the late Ishiro Honda.
